Essay film: about an aesthetic of the fragment or when images think
Autor(a) principal: | |
---|---|
Data de Publicação: | 2024 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/136459 |
Resumo: | Our objective is to investigate how the comprehension of the essay film connected to the notion of the aesthetic of the fragment allows us to recognize the expressive powers of the images used by works in the essay domain of cinema. Furthermore, we intend to verify the discursive consequences for the essay film made with image fragments from different expression regimes. We start from the hypothesis that image fragments can act as fragments of thought, due to the character of thoughtfulness of images achieved through the encounter of different regimes of artistic expression. Therefore, we will carry out an analysis of a set of preliminary reflections on the essay film developed by us over the last few years. Finally, we signal that, through the editing exercise, the essay film is constructed by arranging these fragments of imagetic thought. |
id |
UFRGS-6_c928f531a4252f762ec751eeabc0330a |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/136459 |
network_acronym_str |
UFRGS-6 |
network_name_str |
Intexto (Porto Alegre) |
repository_id_str |
|
spelling |
Essay film: about an aesthetic of the fragment or when images thinkFilme-ensaio: por uma estética do fragmento ou quando as imagens pensamfilme-ensaiofragmentofound footageessay filmfragmentfound footageOur objective is to investigate how the comprehension of the essay film connected to the notion of the aesthetic of the fragment allows us to recognize the expressive powers of the images used by works in the essay domain of cinema. Furthermore, we intend to verify the discursive consequences for the essay film made with image fragments from different expression regimes. We start from the hypothesis that image fragments can act as fragments of thought, due to the character of thoughtfulness of images achieved through the encounter of different regimes of artistic expression. Therefore, we will carry out an analysis of a set of preliminary reflections on the essay film developed by us over the last few years. Finally, we signal that, through the editing exercise, the essay film is constructed by arranging these fragments of imagetic thought.Nosso objetivo é investigar de que forma a compreensão do filme-ensaio conectada à noção de estética do fragmento nos permite reconhecer as potências expressivas das imagens utilizadas pelas obras do domínio ensaístico do cinema. Além disso, pretendemos verificar quais as consequências discursivas para o filme-ensaio realizado com fragmentos de imagem provenientes de regimes de expressão distintos. Partimos da hipótese de que os fragmentos de imagem são capazes de atuar como fragmentos de pensamento, pelo caráter de pensatividade das imagens conquistado por meio do encontro de distintos regimes de expressão artística. Para tanto, realizamos uma análise de conjunto de reflexões preliminares sobre o filme-ensaio por nós desenvolvidas ao longo dos últimos anos. Por fim, sinalizamos que, por meio do exercício de montagem, o filme-ensaio se constrói pelo arranjo desses fragmentos de pensamento imagéticos.Universidade Federal do Rio Grande do Sul2024-03-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/13645910.19132/1807-8583.56.136459Intexto; No. 56 (2024)Intexto; Núm. 56 (2024)Intexto; No. 56 (2024)Intexto; N. 56 (2024)Intexto; n. 56 (2024)1807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/136459/91561Copyright (c) 2024 Rafael de Almeidahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAlmeida, Rafael de2024-04-17T18:38:13Zoai:seer.ufrgs.br:article/136459Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2024-04-17T18:38:13Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Essay film: about an aesthetic of the fragment or when images think Filme-ensaio: por uma estética do fragmento ou quando as imagens pensam |
title |
Essay film: about an aesthetic of the fragment or when images think |
spellingShingle |
Essay film: about an aesthetic of the fragment or when images think Almeida, Rafael de filme-ensaio fragmento found footage essay film fragment found footage |
title_short |
Essay film: about an aesthetic of the fragment or when images think |
title_full |
Essay film: about an aesthetic of the fragment or when images think |
title_fullStr |
Essay film: about an aesthetic of the fragment or when images think |
title_full_unstemmed |
Essay film: about an aesthetic of the fragment or when images think |
title_sort |
Essay film: about an aesthetic of the fragment or when images think |
author |
Almeida, Rafael de |
author_facet |
Almeida, Rafael de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almeida, Rafael de |
dc.subject.por.fl_str_mv |
filme-ensaio fragmento found footage essay film fragment found footage |
topic |
filme-ensaio fragmento found footage essay film fragment found footage |
description |
Our objective is to investigate how the comprehension of the essay film connected to the notion of the aesthetic of the fragment allows us to recognize the expressive powers of the images used by works in the essay domain of cinema. Furthermore, we intend to verify the discursive consequences for the essay film made with image fragments from different expression regimes. We start from the hypothesis that image fragments can act as fragments of thought, due to the character of thoughtfulness of images achieved through the encounter of different regimes of artistic expression. Therefore, we will carry out an analysis of a set of preliminary reflections on the essay film developed by us over the last few years. Finally, we signal that, through the editing exercise, the essay film is constructed by arranging these fragments of imagetic thought. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-03-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/136459 10.19132/1807-8583.56.136459 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/136459 |
identifier_str_mv |
10.19132/1807-8583.56.136459 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/136459/91561 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Rafael de Almeida https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Rafael de Almeida https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; No. 56 (2024) Intexto; Núm. 56 (2024) Intexto; No. 56 (2024) Intexto; N. 56 (2024) Intexto; n. 56 (2024) 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
_version_ |
1799766107444215808 |