Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
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Data de Publicação: | 2015 |
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Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/58059 |
Resumo: | Since the early nineties Roberto De Gaetano has been working on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano’s latest works and the difference that he establishes between the cinema of forms and the cinema of forces. |
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Roberto De Gaetano: impulseimages and the cinema between the forms and the forcesRoberto De Gaetano: imagens-pulsão e o cinema entre as formas e forçasImpulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.Since the early nineties Roberto De Gaetano has been working on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano’s latest works and the difference that he establishes between the cinema of forms and the cinema of forces.Desde o início dos anos 1990, Roberto de Gaetano trabalha acerca da relação entre cinema, estética e filosofia. Nesta entrevista, ele fala sobre as imagens-pulsão, um conceito da taxonomia de Gilles Deleuze que permaneceu de alguma forma “marginal”, mesmo sendo potente para compreender um amplo grupo de problemas, como o corpo da imagem, a inscrição de uma pulsão de morte no cinema e a concepção de mundos no ato de sua própria destruição. Nós também tivemos a oportunidade de conversar sobre os trabalhos mais recentes de De Gaetano e a diferença que ele estabelece entre o cinema das formas e o cinema das forças.Universidade Federal do Rio Grande do Sul2015-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/5805910.19132/1807-8583201533.4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-141807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/intexto/article/view/58059/34822Copyright (c) 2015 Bruno Bueno Pinto Leites, Alexandre Rocha da Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLeites, Bruno Bueno Pintoda Silva, Alexandre Rocha2023-11-24T15:02:27Zoai:seer.ufrgs.br:article/58059Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-24T15:02:27Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces Roberto De Gaetano: imagens-pulsão e o cinema entre as formas e forças |
title |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces |
spellingShingle |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces Leites, Bruno Bueno Pinto Impulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière. Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière. |
title_short |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces |
title_full |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces |
title_fullStr |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces |
title_full_unstemmed |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces |
title_sort |
Roberto De Gaetano: impulseimages and the cinema between the forms and the forces |
author |
Leites, Bruno Bueno Pinto |
author_facet |
Leites, Bruno Bueno Pinto da Silva, Alexandre Rocha |
author_role |
author |
author2 |
da Silva, Alexandre Rocha |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Leites, Bruno Bueno Pinto da Silva, Alexandre Rocha |
dc.subject.por.fl_str_mv |
Impulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière. Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière. |
topic |
Impulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière. Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière. |
description |
Since the early nineties Roberto De Gaetano has been working on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano’s latest works and the difference that he establishes between the cinema of forms and the cinema of forces. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/58059 10.19132/1807-8583201533.4-14 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/58059 |
identifier_str_mv |
10.19132/1807-8583201533.4-14 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/58059/34822 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 Bruno Bueno Pinto Leites, Alexandre Rocha da Silva https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 Bruno Bueno Pinto Leites, Alexandre Rocha da Silva https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; n. 33, maio/ago. 2015; 4-14 Intexto; n. 33, maio/ago. 2015; 4-14 Intexto; n. 33, maio/ago. 2015; 4-14 Intexto; n. 33, maio/ago. 2015; 4-14 Intexto; n. 33, maio/ago. 2015; 4-14 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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1799766109348429824 |