Roberto De Gaetano: impulseimages and the cinema between the forms and the forces

Detalhes bibliográficos
Autor(a) principal: Leites, Bruno Bueno Pinto
Data de Publicação: 2015
Outros Autores: da Silva, Alexandre Rocha
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/58059
Resumo: Since the early nineties Roberto De Gaetano has been working on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano’s latest works and the difference that he establishes between the cinema of forms and the cinema of forces.
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spelling Roberto De Gaetano: impulseimages and the cinema between the forms and the forcesRoberto De Gaetano: imagens-pulsão e o cinema entre as formas e forçasImpulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.Since the early nineties Roberto De Gaetano has been working on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano’s latest works and the difference that he establishes between the cinema of forms and the cinema of forces.Desde o início dos anos 1990, Roberto de Gaetano trabalha acerca da relação entre cinema, estética e filosofia. Nesta entrevista, ele fala sobre as imagens-pulsão, um conceito da taxonomia de Gilles Deleuze que permaneceu de alguma forma “marginal”, mesmo sendo potente para compreender um amplo grupo de problemas, como o corpo da imagem, a inscrição de uma pulsão de morte no cinema e a concepção de mundos no ato de sua própria destruição. Nós também tivemos a oportunidade de conversar sobre os trabalhos mais recentes de De Gaetano e a diferença que ele estabelece entre o cinema das formas e o cinema das forças.Universidade Federal do Rio Grande do Sul2015-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/5805910.19132/1807-8583201533.4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-14Intexto; n. 33, maio/ago. 2015; 4-141807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSenghttps://seer.ufrgs.br/index.php/intexto/article/view/58059/34822Copyright (c) 2015 Bruno Bueno Pinto Leites, Alexandre Rocha da Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessLeites, Bruno Bueno Pintoda Silva, Alexandre Rocha2023-11-24T15:02:27Zoai:seer.ufrgs.br:article/58059Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-24T15:02:27Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
Roberto De Gaetano: imagens-pulsão e o cinema entre as formas e forças
title Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
spellingShingle Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
Leites, Bruno Bueno Pinto
Impulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.
Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.
title_short Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
title_full Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
title_fullStr Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
title_full_unstemmed Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
title_sort Roberto De Gaetano: impulseimages and the cinema between the forms and the forces
author Leites, Bruno Bueno Pinto
author_facet Leites, Bruno Bueno Pinto
da Silva, Alexandre Rocha
author_role author
author2 da Silva, Alexandre Rocha
author2_role author
dc.contributor.author.fl_str_mv Leites, Bruno Bueno Pinto
da Silva, Alexandre Rocha
dc.subject.por.fl_str_mv Impulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.
Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.
topic Impulse-image. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.
Imagem-pulsão. Roberto De Gaetano. Gilles Deleuze. Jacques Rancière.
description Since the early nineties Roberto De Gaetano has been working on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano’s latest works and the difference that he establishes between the cinema of forms and the cinema of forces.
publishDate 2015
dc.date.none.fl_str_mv 2015-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/58059
10.19132/1807-8583201533.4-14
url https://seer.ufrgs.br/index.php/intexto/article/view/58059
identifier_str_mv 10.19132/1807-8583201533.4-14
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/58059/34822
dc.rights.driver.fl_str_mv Copyright (c) 2015 Bruno Bueno Pinto Leites, Alexandre Rocha da Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2015 Bruno Bueno Pinto Leites, Alexandre Rocha da Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 33, maio/ago. 2015; 4-14
Intexto; n. 33, maio/ago. 2015; 4-14
Intexto; n. 33, maio/ago. 2015; 4-14
Intexto; n. 33, maio/ago. 2015; 4-14
Intexto; n. 33, maio/ago. 2015; 4-14
1807-8583
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