The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives

Detalhes bibliográficos
Autor(a) principal: Filho, Robson Evangelista dos Santos
Data de Publicação: 2020
Outros Autores: Procópio Xavier, Mariana Ramalho
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/83430
Resumo: This paper presents a discussion on the elucidation of themes from the realms of private (SENNETT, 1988) and secret (SEDGWICK, 1990) through the analysis of Felipe Mastrandéa's autobiographic narratives on his YouTube channel, in which the vlogger reveals his seropositivity. From this analysis, we aim to notice how the construction of these videographies of selves (COSTA, 2007; 2009) as well as the coming out of the so called second closet (MISKOLCI, 2012a). To this end, we resourced to bibliographies about contemporary journals on the internet and on HIV. Once this virus, as well as other sex-related issues, is located in the field of secrecy, mostly because of its historically attributed stigma, we approached themes such as public versus private, intimacy exposure, and visibility regimes, supported by the contributions of Arfuch (2010), Bruno (2013), Sibilia (2003; 2016), Goulemot (2009), Ranum (2009), Foisil (2009), among other authors. As main results we perceived that the videographies are marked by an imbrication of public and private. In this specific case, the personal dominion is publicized with strategic function, to acquire visibility and to keep a status of web celebrity. Nevertheless, this revelation is partial, once Felipe Mastrandéa gives more importance to the exposure of the homosexual identity and less to the seropositivity. Moreover, his telling he lives with HIV could be used by him as a positioning against prejudicial and discriminatory speeches. However, the vlogger ends up, on the contrary, reinforcing the stereotypes related to promiscuity and to irresponsibility.
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spelling The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narrativesSaída do segundo armário: análise das narrativas autobiográficas de Felipe MastrandéaVideografias. YouTube. Felipe Mastrandéa. Armário. HIV.Videographies. YouTube. Felipe Mastrandéa. Closet. HIV.This paper presents a discussion on the elucidation of themes from the realms of private (SENNETT, 1988) and secret (SEDGWICK, 1990) through the analysis of Felipe Mastrandéa's autobiographic narratives on his YouTube channel, in which the vlogger reveals his seropositivity. From this analysis, we aim to notice how the construction of these videographies of selves (COSTA, 2007; 2009) as well as the coming out of the so called second closet (MISKOLCI, 2012a). To this end, we resourced to bibliographies about contemporary journals on the internet and on HIV. Once this virus, as well as other sex-related issues, is located in the field of secrecy, mostly because of its historically attributed stigma, we approached themes such as public versus private, intimacy exposure, and visibility regimes, supported by the contributions of Arfuch (2010), Bruno (2013), Sibilia (2003; 2016), Goulemot (2009), Ranum (2009), Foisil (2009), among other authors. As main results we perceived that the videographies are marked by an imbrication of public and private. In this specific case, the personal dominion is publicized with strategic function, to acquire visibility and to keep a status of web celebrity. Nevertheless, this revelation is partial, once Felipe Mastrandéa gives more importance to the exposure of the homosexual identity and less to the seropositivity. Moreover, his telling he lives with HIV could be used by him as a positioning against prejudicial and discriminatory speeches. However, the vlogger ends up, on the contrary, reinforcing the stereotypes related to promiscuity and to irresponsibility.No presente artigo, apresentamos uma discussão sobre visibilização de temáticas da esfera do privado (SENNETT, 1988) e do segredo (SEDGWICK, 1990), por meio da análise de narrativas autobiográficas de Felipe Mastrandéa em seu canal no YouTube, em que o vlogger revela ser soropositivo. A partir dessa análise, objetivamos perceber como se dá a construção dessas videografias de si (COSTA, 2007; 2009), assim como a saída do chamado segundo armário (MISKOLCI, 2012a). Para tanto, recorremos a bibliografias sobre diários contemporâneos na internet e sobre o HIV e, uma vez que esse vírus, assim como outras questões relacionadas ao sexo, é alocado no âmbito do sigilo, principalmente em razão do estigma a ele atribuído historicamente, abordamos temas como público versus privado, exposição de intimidade e regimes de visibilidade, valendo-se das contribuições de Arfuch (2010), Bruno (2013), Sibilia (2003; 2016), Goulemot (2009), Ranum (2009), Foisil (2009), dentre outros autores. Como principais resultados, percebemos que as videografias são marcadas por um imbricamento do público e do privado. Neste caso específico, o domínio pessoal é publicizado com função estratégica, para adquirir visibilidade e manter um status de webcelebridade. No entanto, essa revelação é parcial, uma vez que Felipe Mastrandéa confere mais importância à exposição da identidade homossexual e menos à soropositividade. Além disso, contar que convive com HIV poderia ser utilizado por ele como um posicionamento contra discursos preconceituosos e discriminatórios, entretanto, o vlogger acaba, na contramão, reforçando os estereótipos relativos à promiscuidade e à irresponsabilidade.Universidade Federal do Rio Grande do Sul2020-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/8343010.19132/1807-8583202050.243-262Intexto; n. 50, set./dez. 2020; 243-262Intexto; n. 50, set./dez. 2020; 243-262Intexto; n. 50, set./dez. 2020; 243-262Intexto; n. 50, set./dez. 2020; 243-262Intexto; n. 50, set./dez. 2020; 243-2621807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/83430/52853Copyright (c) 2019 Robson Evangelista dos Santos Filho, Mariana Ramalho Procópio Xavierhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFilho, Robson Evangelista dos SantosProcópio Xavier, Mariana Ramalho2023-11-23T15:03:24Zoai:seer.ufrgs.br:article/83430Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:03:24Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
Saída do segundo armário: análise das narrativas autobiográficas de Felipe Mastrandéa
title The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
spellingShingle The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
Filho, Robson Evangelista dos Santos
Videografias. YouTube. Felipe Mastrandéa. Armário. HIV.
Videographies. YouTube. Felipe Mastrandéa. Closet. HIV.
title_short The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
title_full The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
title_fullStr The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
title_full_unstemmed The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
title_sort The coming out of the second closet: analysis of Felipe Mastrandéa's autobiographic narratives
author Filho, Robson Evangelista dos Santos
author_facet Filho, Robson Evangelista dos Santos
Procópio Xavier, Mariana Ramalho
author_role author
author2 Procópio Xavier, Mariana Ramalho
author2_role author
dc.contributor.author.fl_str_mv Filho, Robson Evangelista dos Santos
Procópio Xavier, Mariana Ramalho
dc.subject.por.fl_str_mv Videografias. YouTube. Felipe Mastrandéa. Armário. HIV.
Videographies. YouTube. Felipe Mastrandéa. Closet. HIV.
topic Videografias. YouTube. Felipe Mastrandéa. Armário. HIV.
Videographies. YouTube. Felipe Mastrandéa. Closet. HIV.
description This paper presents a discussion on the elucidation of themes from the realms of private (SENNETT, 1988) and secret (SEDGWICK, 1990) through the analysis of Felipe Mastrandéa's autobiographic narratives on his YouTube channel, in which the vlogger reveals his seropositivity. From this analysis, we aim to notice how the construction of these videographies of selves (COSTA, 2007; 2009) as well as the coming out of the so called second closet (MISKOLCI, 2012a). To this end, we resourced to bibliographies about contemporary journals on the internet and on HIV. Once this virus, as well as other sex-related issues, is located in the field of secrecy, mostly because of its historically attributed stigma, we approached themes such as public versus private, intimacy exposure, and visibility regimes, supported by the contributions of Arfuch (2010), Bruno (2013), Sibilia (2003; 2016), Goulemot (2009), Ranum (2009), Foisil (2009), among other authors. As main results we perceived that the videographies are marked by an imbrication of public and private. In this specific case, the personal dominion is publicized with strategic function, to acquire visibility and to keep a status of web celebrity. Nevertheless, this revelation is partial, once Felipe Mastrandéa gives more importance to the exposure of the homosexual identity and less to the seropositivity. Moreover, his telling he lives with HIV could be used by him as a positioning against prejudicial and discriminatory speeches. However, the vlogger ends up, on the contrary, reinforcing the stereotypes related to promiscuity and to irresponsibility.
publishDate 2020
dc.date.none.fl_str_mv 2020-08-31
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
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dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/83430
10.19132/1807-8583202050.243-262
url https://seer.ufrgs.br/index.php/intexto/article/view/83430
identifier_str_mv 10.19132/1807-8583202050.243-262
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/83430/52853
dc.rights.driver.fl_str_mv Copyright (c) 2019 Robson Evangelista dos Santos Filho, Mariana Ramalho Procópio Xavier
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Robson Evangelista dos Santos Filho, Mariana Ramalho Procópio Xavier
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 50, set./dez. 2020; 243-262
Intexto; n. 50, set./dez. 2020; 243-262
Intexto; n. 50, set./dez. 2020; 243-262
Intexto; n. 50, set./dez. 2020; 243-262
Intexto; n. 50, set./dez. 2020; 243-262
1807-8583
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