Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)

Detalhes bibliográficos
Autor(a) principal: Araujo, Bruno Novaes
Data de Publicação: 2019
Outros Autores: Penteado, Claudio Luis de Camargo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/83681
Resumo: This article aims to analyze the films Lincoln (2012) and Getúlio (2014), verifying through the cinematographic language the aesthetic representations of these emblematic political leaderships. The documentary and entertainment films historically carried symbolic forms aimed at building a discourse favorable to certain ideologies and/or political leaderships. Soon, this work will analyze the selected films that convey the images of these two political icons, Getúlio Vargas and Abraham Lincoln, each one in his time and place of action, trying to identify in the symbolic forms in them how they are represented and which frameworks are mobilized by the directors in order to generate on the spectators subjectivities about these political people. In order to carry out this work, a bibliographical analysis of the theoreticians pertinent to the theme will be carried out, as well as a filmic analysis of the previously chosen entertainment films, using as methodological reference for both the film analysis proposed by Manuela Penafria (2009) and Depth Hermeneutics , used by John Thompson (2012) in  Ideologia e Cultura moderna.
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spelling Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)Representações estéticas de lideranças políticas no cinema – Lincoln (2012) e Getúlio (2014)Cinema. Estética. Entretenimento. Lideranças Políticas. Formas Simbólicas.Cinema. Aesthetics. Business Center. Political Leadership. Symbolic Forms.This article aims to analyze the films Lincoln (2012) and Getúlio (2014), verifying through the cinematographic language the aesthetic representations of these emblematic political leaderships. The documentary and entertainment films historically carried symbolic forms aimed at building a discourse favorable to certain ideologies and/or political leaderships. Soon, this work will analyze the selected films that convey the images of these two political icons, Getúlio Vargas and Abraham Lincoln, each one in his time and place of action, trying to identify in the symbolic forms in them how they are represented and which frameworks are mobilized by the directors in order to generate on the spectators subjectivities about these political people. In order to carry out this work, a bibliographical analysis of the theoreticians pertinent to the theme will be carried out, as well as a filmic analysis of the previously chosen entertainment films, using as methodological reference for both the film analysis proposed by Manuela Penafria (2009) and Depth Hermeneutics , used by John Thompson (2012) in  Ideologia e Cultura moderna.Esse artigo tem como objetivo analisar os filmes Lincoln, 2012, e Getúlio, 2014, verificando através da linguagem cinematográfica as representações estéticas dessas lideranças políticas emblemáticas. O cinema documental e de entretenimento carregaram historicamente formas simbólicas voltadas para construção de um discurso favorável a determinadas ideologias e/ou lideranças políticas. Logo, esse trabalho analisará os filmes selecionados que veiculam as imagens desses dois ícones da política, Getúlio Vargas e Abraham Lincoln, cada qual em seu tempo e local de atuação, buscando identificar nas formas simbólicas neles presentes como são representados e quais enquadramentos são mobilizados pelos diretores a fim de gerarem nos espectadores subjetividades a respeito dessas personas políticas. Para realizar esse trabalho, será efetuada inicialmente uma análise bibliográfica de teóricos pertinentes ao tema, assim como uma análise fílmica dos filmes de entretenimento previamente escolhidos, usando como referencial metodológico para ambas a Análise Fílmica proposta por Manuela Penafria (2009) e a Hermenêutica de Profundidade, utilizada por John Thompson (2002) em Ideologia e Cultura Moderna. Como resultados, observamos a representação estética de Lincoln como um líder político heroico e obstinado em promover justiça e inclusão social. Getúlio, por sua vez, é enquadrado como um político em decadência e desgastado. Apesar dessas diferenças, os sacrifícios pessoais e os momentos de prestígio popular estão presentes em ambas as representações.Universidade Federal do Rio Grande do Sul2019-08-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/8368110.19132/1807-8583201947.54-74Intexto; n. 47, set./dez. 2019; 54-74Intexto; n. 47, set./dez. 2019; 54-74Intexto; n. 47, set./dez. 2019; 54-74Intexto; n. 47, set./dez. 2019; 54-74Intexto; n. 47, set./dez. 2019; 54-741807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/83681/52857Copyright (c) 2019 Bruno Novaes Araujo, Claudio Luis de Camargo Penteadohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAraujo, Bruno NovaesPenteado, Claudio Luis de Camargo2023-11-23T15:36:06Zoai:seer.ufrgs.br:article/83681Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T15:36:06Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
Representações estéticas de lideranças políticas no cinema – Lincoln (2012) e Getúlio (2014)
title Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
spellingShingle Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
Araujo, Bruno Novaes
Cinema. Estética. Entretenimento. Lideranças Políticas. Formas Simbólicas.
Cinema. Aesthetics. Business Center. Political Leadership. Symbolic Forms.
title_short Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
title_full Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
title_fullStr Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
title_full_unstemmed Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
title_sort Aesthetic representations of political leadership in cinema - Lincoln (2012) and Getúlio (2014)
author Araujo, Bruno Novaes
author_facet Araujo, Bruno Novaes
Penteado, Claudio Luis de Camargo
author_role author
author2 Penteado, Claudio Luis de Camargo
author2_role author
dc.contributor.author.fl_str_mv Araujo, Bruno Novaes
Penteado, Claudio Luis de Camargo
dc.subject.por.fl_str_mv Cinema. Estética. Entretenimento. Lideranças Políticas. Formas Simbólicas.
Cinema. Aesthetics. Business Center. Political Leadership. Symbolic Forms.
topic Cinema. Estética. Entretenimento. Lideranças Políticas. Formas Simbólicas.
Cinema. Aesthetics. Business Center. Political Leadership. Symbolic Forms.
description This article aims to analyze the films Lincoln (2012) and Getúlio (2014), verifying through the cinematographic language the aesthetic representations of these emblematic political leaderships. The documentary and entertainment films historically carried symbolic forms aimed at building a discourse favorable to certain ideologies and/or political leaderships. Soon, this work will analyze the selected films that convey the images of these two political icons, Getúlio Vargas and Abraham Lincoln, each one in his time and place of action, trying to identify in the symbolic forms in them how they are represented and which frameworks are mobilized by the directors in order to generate on the spectators subjectivities about these political people. In order to carry out this work, a bibliographical analysis of the theoreticians pertinent to the theme will be carried out, as well as a filmic analysis of the previously chosen entertainment films, using as methodological reference for both the film analysis proposed by Manuela Penafria (2009) and Depth Hermeneutics , used by John Thompson (2012) in  Ideologia e Cultura moderna.
publishDate 2019
dc.date.none.fl_str_mv 2019-08-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/83681
10.19132/1807-8583201947.54-74
url https://seer.ufrgs.br/index.php/intexto/article/view/83681
identifier_str_mv 10.19132/1807-8583201947.54-74
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/83681/52857
dc.rights.driver.fl_str_mv Copyright (c) 2019 Bruno Novaes Araujo, Claudio Luis de Camargo Penteado
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Bruno Novaes Araujo, Claudio Luis de Camargo Penteado
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 47, set./dez. 2019; 54-74
Intexto; n. 47, set./dez. 2019; 54-74
Intexto; n. 47, set./dez. 2019; 54-74
Intexto; n. 47, set./dez. 2019; 54-74
Intexto; n. 47, set./dez. 2019; 54-74
1807-8583
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