Similarities between Certeau, Winnicott and cultural anthropophagism.

Detalhes bibliográficos
Autor(a) principal: Bacchini, Alessandro Melo
Data de Publicação: 2016
Outros Autores: Assunção, Alysson Bruno Martins, Vilhena, Junia de, Bittencourt, Maria Inês Garcia de Freitas
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/56499
Resumo: This paper presents an analysis of poetic identity and expression elements linked to Brazilian popular music, from a reflection on the theories of modernism and its relationship to the works of thinkers such as Michel de Certeau and Donald Winnicott. This effort is directed to a cultural object, “A Prosa Impúrpura do Caicó”, written by Chico César. From the content analysis, it was noticed that the composer uses parody and anthropophagism as a political and ideological strategy of appropriation of the dominant culture and refutes the established canon, building new elements that refer themselves to the assemblage, bricolage and the meaning of playing.
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spelling Similarities between Certeau, Winnicott and cultural anthropophagism.Aproximações entre Certeau, Winnicott e o antropofagismo culturalPopular Brazilian Music. Anthropophagism. Brigolage. Tropicalism. Chico César.Música Popular Brasileira. Antropofagismo. Bricolagem. Tropicalismo. Chico César.This paper presents an analysis of poetic identity and expression elements linked to Brazilian popular music, from a reflection on the theories of modernism and its relationship to the works of thinkers such as Michel de Certeau and Donald Winnicott. This effort is directed to a cultural object, “A Prosa Impúrpura do Caicó”, written by Chico César. From the content analysis, it was noticed that the composer uses parody and anthropophagism as a political and ideological strategy of appropriation of the dominant culture and refutes the established canon, building new elements that refer themselves to the assemblage, bricolage and the meaning of playing.O texto apresenta uma análise da expressão poética e identitária de elementos ligados à música popular brasileira, a partir de uma reflexão sobre as teorias do Modernismo e suas aproximações com as obras de pensadores como Michel De Certeau e Donald Winnicott. Tal esforço é direcionado a um objeto cultural, “A prosa impúrpura do Caicó”, de autoria de Chico César. A partir da análise de conteúdo, percebeu-se que o compositor utiliza a paródia e o antropofagismo como estratégia político-ideológica de apropriação da cultura dominante e de refuta ao cânone estabelecido, construindo elementos novos que se remetem à apropriação, à bricolagem e aos sentidos do brincar.Universidade Federal do Rio Grande do Sul2016-08-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionRevisão de literatura; Análise documentalapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/5649910.19132/1807-8583201636.46-62Intexto; n. 36, maio/ago. 2016; 46-62Intexto; n. 36, maio/ago. 2016; 46-62Intexto; n. 36, maio/ago. 2016; 46-62Intexto; n. 36, maio/ago. 2016; 46-62Intexto; n. 36, maio/ago. 2016; 46-621807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/56499/37668Copyright (c) 2016 Alessandro Melo Bacchini, Alysson Bruno Martins Assunção, Junia de Vilhena, Maria Inês Garcia de Freitas Bittencourthttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessBacchini, Alessandro MeloAssunção, Alysson Bruno MartinsVilhena, Junia deBittencourt, Maria Inês Garcia de Freitas2023-11-23T17:23:58Zoai:seer.ufrgs.br:article/56499Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-11-23T17:23:58Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Similarities between Certeau, Winnicott and cultural anthropophagism.
Aproximações entre Certeau, Winnicott e o antropofagismo cultural
title Similarities between Certeau, Winnicott and cultural anthropophagism.
spellingShingle Similarities between Certeau, Winnicott and cultural anthropophagism.
Bacchini, Alessandro Melo
Popular Brazilian Music. Anthropophagism. Brigolage. Tropicalism. Chico César.
Música Popular Brasileira. Antropofagismo. Bricolagem. Tropicalismo. Chico César.
title_short Similarities between Certeau, Winnicott and cultural anthropophagism.
title_full Similarities between Certeau, Winnicott and cultural anthropophagism.
title_fullStr Similarities between Certeau, Winnicott and cultural anthropophagism.
title_full_unstemmed Similarities between Certeau, Winnicott and cultural anthropophagism.
title_sort Similarities between Certeau, Winnicott and cultural anthropophagism.
author Bacchini, Alessandro Melo
author_facet Bacchini, Alessandro Melo
Assunção, Alysson Bruno Martins
Vilhena, Junia de
Bittencourt, Maria Inês Garcia de Freitas
author_role author
author2 Assunção, Alysson Bruno Martins
Vilhena, Junia de
Bittencourt, Maria Inês Garcia de Freitas
author2_role author
author
author
dc.contributor.author.fl_str_mv Bacchini, Alessandro Melo
Assunção, Alysson Bruno Martins
Vilhena, Junia de
Bittencourt, Maria Inês Garcia de Freitas
dc.subject.por.fl_str_mv Popular Brazilian Music. Anthropophagism. Brigolage. Tropicalism. Chico César.
Música Popular Brasileira. Antropofagismo. Bricolagem. Tropicalismo. Chico César.
topic Popular Brazilian Music. Anthropophagism. Brigolage. Tropicalism. Chico César.
Música Popular Brasileira. Antropofagismo. Bricolagem. Tropicalismo. Chico César.
description This paper presents an analysis of poetic identity and expression elements linked to Brazilian popular music, from a reflection on the theories of modernism and its relationship to the works of thinkers such as Michel de Certeau and Donald Winnicott. This effort is directed to a cultural object, “A Prosa Impúrpura do Caicó”, written by Chico César. From the content analysis, it was noticed that the composer uses parody and anthropophagism as a political and ideological strategy of appropriation of the dominant culture and refutes the established canon, building new elements that refer themselves to the assemblage, bricolage and the meaning of playing.
publishDate 2016
dc.date.none.fl_str_mv 2016-08-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Revisão de literatura; Análise documental
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/56499
10.19132/1807-8583201636.46-62
url https://seer.ufrgs.br/index.php/intexto/article/view/56499
identifier_str_mv 10.19132/1807-8583201636.46-62
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/56499/37668
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; n. 36, maio/ago. 2016; 46-62
Intexto; n. 36, maio/ago. 2016; 46-62
Intexto; n. 36, maio/ago. 2016; 46-62
Intexto; n. 36, maio/ago. 2016; 46-62
Intexto; n. 36, maio/ago. 2016; 46-62
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
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reponame_str Intexto (Porto Alegre)
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