From Eisenstein to Bressane: genealogies of an experimental gesture.

Detalhes bibliográficos
Autor(a) principal: de Oliveira, Sandro
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/104546
Resumo: The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas.
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spelling From Eisenstein to Bressane: genealogies of an experimental gesture.De Eisenstein a Bressane: genealogias de um gesto experimentalAtorCinemaExperimentalMutilação ocularActor. Cinema. Experimental. Eye mutilation.The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas.O trabalho do ator ocupa o centro de preocupações expressivas que são o front de pesquisas dentro do que se convencionou chamar de cinema experimental. Inúmeros realizadores e atores utilizaram uma vasta paleta de processos figurativos para expressar uma preocupação que perpassa quase toda a história do cinema experimental: o ato da visão pelo dispositivo cinematográfico e pela visão humana (personagem/ espectador). Este artigo descreve como atores e realizadores promoveram essa investigação figurativa sobre o motivo da mutilação ocular e suas variantes (enucleação, hemolacria, interferências sobre a película e cirurgias oftalmológicas) em filmes fora do enquadre teórico dos cinemas clássicos.Universidade Federal do Rio Grande do Sul2021-06-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10454610.19132/1807-8583202152.104546Intexto; No. 52 (2021); 104546Intexto; Núm. 52 (2021); 104546Intexto; No. 52 (2021); 104546Intexto; N. 52 (2021); 104546Intexto; n. 52 (2021); 1045461807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/104546/63423Copyright (c) 2021 Sandro de Oliveirahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessde Oliveira, Sandro2023-02-06T12:47:47Zoai:seer.ufrgs.br:article/104546Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-06T12:47:47Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv From Eisenstein to Bressane: genealogies of an experimental gesture.
De Eisenstein a Bressane: genealogias de um gesto experimental
title From Eisenstein to Bressane: genealogies of an experimental gesture.
spellingShingle From Eisenstein to Bressane: genealogies of an experimental gesture.
de Oliveira, Sandro
Ator
Cinema
Experimental
Mutilação ocular
Actor. Cinema. Experimental. Eye mutilation.
title_short From Eisenstein to Bressane: genealogies of an experimental gesture.
title_full From Eisenstein to Bressane: genealogies of an experimental gesture.
title_fullStr From Eisenstein to Bressane: genealogies of an experimental gesture.
title_full_unstemmed From Eisenstein to Bressane: genealogies of an experimental gesture.
title_sort From Eisenstein to Bressane: genealogies of an experimental gesture.
author de Oliveira, Sandro
author_facet de Oliveira, Sandro
author_role author
dc.contributor.author.fl_str_mv de Oliveira, Sandro
dc.subject.por.fl_str_mv Ator
Cinema
Experimental
Mutilação ocular
Actor. Cinema. Experimental. Eye mutilation.
topic Ator
Cinema
Experimental
Mutilação ocular
Actor. Cinema. Experimental. Eye mutilation.
description The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/104546
10.19132/1807-8583202152.104546
url https://seer.ufrgs.br/index.php/intexto/article/view/104546
identifier_str_mv 10.19132/1807-8583202152.104546
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/104546/63423
dc.rights.driver.fl_str_mv Copyright (c) 2021 Sandro de Oliveira
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Sandro de Oliveira
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 52 (2021); 104546
Intexto; Núm. 52 (2021); 104546
Intexto; No. 52 (2021); 104546
Intexto; N. 52 (2021); 104546
Intexto; n. 52 (2021); 104546
1807-8583
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