From Eisenstein to Bressane: genealogies of an experimental gesture.
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/104546 |
Resumo: | The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas. |
id |
UFRGS-6_ecf97e54ba301d5cd05c0ce4eb098467 |
---|---|
oai_identifier_str |
oai:seer.ufrgs.br:article/104546 |
network_acronym_str |
UFRGS-6 |
network_name_str |
Intexto (Porto Alegre) |
repository_id_str |
|
spelling |
From Eisenstein to Bressane: genealogies of an experimental gesture.De Eisenstein a Bressane: genealogias de um gesto experimentalAtorCinemaExperimentalMutilação ocularActor. Cinema. Experimental. Eye mutilation.The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas.O trabalho do ator ocupa o centro de preocupações expressivas que são o front de pesquisas dentro do que se convencionou chamar de cinema experimental. Inúmeros realizadores e atores utilizaram uma vasta paleta de processos figurativos para expressar uma preocupação que perpassa quase toda a história do cinema experimental: o ato da visão pelo dispositivo cinematográfico e pela visão humana (personagem/ espectador). Este artigo descreve como atores e realizadores promoveram essa investigação figurativa sobre o motivo da mutilação ocular e suas variantes (enucleação, hemolacria, interferências sobre a película e cirurgias oftalmológicas) em filmes fora do enquadre teórico dos cinemas clássicos.Universidade Federal do Rio Grande do Sul2021-06-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/10454610.19132/1807-8583202152.104546Intexto; No. 52 (2021); 104546Intexto; Núm. 52 (2021); 104546Intexto; No. 52 (2021); 104546Intexto; N. 52 (2021); 104546Intexto; n. 52 (2021); 1045461807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/104546/63423Copyright (c) 2021 Sandro de Oliveirahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessde Oliveira, Sandro2023-02-06T12:47:47Zoai:seer.ufrgs.br:article/104546Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-06T12:47:47Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
From Eisenstein to Bressane: genealogies of an experimental gesture. De Eisenstein a Bressane: genealogias de um gesto experimental |
title |
From Eisenstein to Bressane: genealogies of an experimental gesture. |
spellingShingle |
From Eisenstein to Bressane: genealogies of an experimental gesture. de Oliveira, Sandro Ator Cinema Experimental Mutilação ocular Actor. Cinema. Experimental. Eye mutilation. |
title_short |
From Eisenstein to Bressane: genealogies of an experimental gesture. |
title_full |
From Eisenstein to Bressane: genealogies of an experimental gesture. |
title_fullStr |
From Eisenstein to Bressane: genealogies of an experimental gesture. |
title_full_unstemmed |
From Eisenstein to Bressane: genealogies of an experimental gesture. |
title_sort |
From Eisenstein to Bressane: genealogies of an experimental gesture. |
author |
de Oliveira, Sandro |
author_facet |
de Oliveira, Sandro |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Oliveira, Sandro |
dc.subject.por.fl_str_mv |
Ator Cinema Experimental Mutilação ocular Actor. Cinema. Experimental. Eye mutilation. |
topic |
Ator Cinema Experimental Mutilação ocular Actor. Cinema. Experimental. Eye mutilation. |
description |
The art of acting occupies the center of expressive concerns that are the main pillar of researches within what is conventionally called experimental cinema. Countless filmmakers and actors used a vast palette of figurative processes to express a theme that permeates almost the entire history of experimental cinema: the act of seeing through the cinematographic device and by human vision (character / viewer). This article describes how actors and directors promoted this figurative investigation into the motif of the eye mutilation and its variables (enucleation, haemolacria, interferences and ophthalmologic surgeries) in productins outside the theoretical framework of classic cinemas. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/104546 10.19132/1807-8583202152.104546 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/104546 |
identifier_str_mv |
10.19132/1807-8583202152.104546 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/104546/63423 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Sandro de Oliveira https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Sandro de Oliveira https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; No. 52 (2021); 104546 Intexto; Núm. 52 (2021); 104546 Intexto; No. 52 (2021); 104546 Intexto; N. 52 (2021); 104546 Intexto; n. 52 (2021); 104546 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
_version_ |
1799766111342821376 |