Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul

Detalhes bibliográficos
Autor(a) principal: Couto, Giancarlo Backes
Data de Publicação: 2021
Outros Autores: Gerbase, Carlos
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/92019
Resumo: This article attempts to highlight aspects of Brazilian religiousness in the film At Midnight I’ll Take Your Soul, directed by José Mojica Marins and released in 1964, as well as understanding how these elements are utilized in the work to cause fear in the audience. The paper employs Cultural Studies to understand the process of establishment of the Brazilian religiosity in our country’s popular imagination. Finally, a few scenes in the film were chosen for discussion due to the presentation of these religious elements, so that they could be investigated through film analysis and so that one could understand how these elements are articulated and represented. In conclusion, it can be seen that the film uses the beliefs of its viewers to provoke their curiosity and ecstasy regarding the saga of Coffin Joe.
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spelling Aspects of Brazilian Religiousness in At Midnight I’ll Take your SoulAspectos da religiosidade brasileira em À Meia-Noite Levarei sua AlmaÀ Meia-Noite Levarei sua AlmaJosé Mojica MarinsReligiosidade brasileiraEstudos CulturaisCinemaAt Midnight I’ll Take Your Soul. José Mojica Marins. Brazilian religiousness. Cultural Studies. Cinema.This article attempts to highlight aspects of Brazilian religiousness in the film At Midnight I’ll Take Your Soul, directed by José Mojica Marins and released in 1964, as well as understanding how these elements are utilized in the work to cause fear in the audience. The paper employs Cultural Studies to understand the process of establishment of the Brazilian religiosity in our country’s popular imagination. Finally, a few scenes in the film were chosen for discussion due to the presentation of these religious elements, so that they could be investigated through film analysis and so that one could understand how these elements are articulated and represented. In conclusion, it can be seen that the film uses the beliefs of its viewers to provoke their curiosity and ecstasy regarding the saga of Coffin Joe.Este artigo busca destacar alguns aspectos da religiosidade brasileira no filme À Meia-Noite Levarei sua Alma, de José Mojica Marins, lançado em 1964, e compreender como esses elementos são utilizados na obra para causar o medo nos espectadores. O trabalho parte dos Estudos Culturais para entender esse processo de constituição da matriz religiosa brasileira no imaginário da população do país. Por fim, foram escolhidas algumas cenas do filme em que esses elementos religiosos se apresentam, a fim de serem investigadas através da análise fílmica, para entender como esses elementos são articulados e representados. Como conclusão, se percebe que o filme utiliza as crenças de seus espectadores para provocar sua curiosidade e êxtase em relação a saga de Zé do Caixão.Universidade Federal do Rio Grande do Sul2021-01-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionEstudos Culturaisapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9201910.19132/1807-8583202152.92019Intexto; No. 52 (2021); 92019Intexto; Núm. 52 (2021); 92019Intexto; No. 52 (2021); 92019Intexto; N. 52 (2021); 92019Intexto; n. 52 (2021); 920191807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/92019/55056Copyright (c) 2019 Giancarlo Backes Couto, Carlos Gerbasehttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessCouto, Giancarlo BackesGerbase, Carlos2023-02-08T19:03:05Zoai:seer.ufrgs.br:article/92019Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-08T19:03:05Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
Aspectos da religiosidade brasileira em À Meia-Noite Levarei sua Alma
title Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
spellingShingle Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
Couto, Giancarlo Backes
À Meia-Noite Levarei sua Alma
José Mojica Marins
Religiosidade brasileira
Estudos Culturais
Cinema
At Midnight I’ll Take Your Soul. José Mojica Marins. Brazilian religiousness. Cultural Studies. Cinema.
title_short Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
title_full Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
title_fullStr Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
title_full_unstemmed Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
title_sort Aspects of Brazilian Religiousness in At Midnight I’ll Take your Soul
author Couto, Giancarlo Backes
author_facet Couto, Giancarlo Backes
Gerbase, Carlos
author_role author
author2 Gerbase, Carlos
author2_role author
dc.contributor.author.fl_str_mv Couto, Giancarlo Backes
Gerbase, Carlos
dc.subject.por.fl_str_mv À Meia-Noite Levarei sua Alma
José Mojica Marins
Religiosidade brasileira
Estudos Culturais
Cinema
At Midnight I’ll Take Your Soul. José Mojica Marins. Brazilian religiousness. Cultural Studies. Cinema.
topic À Meia-Noite Levarei sua Alma
José Mojica Marins
Religiosidade brasileira
Estudos Culturais
Cinema
At Midnight I’ll Take Your Soul. José Mojica Marins. Brazilian religiousness. Cultural Studies. Cinema.
description This article attempts to highlight aspects of Brazilian religiousness in the film At Midnight I’ll Take Your Soul, directed by José Mojica Marins and released in 1964, as well as understanding how these elements are utilized in the work to cause fear in the audience. The paper employs Cultural Studies to understand the process of establishment of the Brazilian religiosity in our country’s popular imagination. Finally, a few scenes in the film were chosen for discussion due to the presentation of these religious elements, so that they could be investigated through film analysis and so that one could understand how these elements are articulated and represented. In conclusion, it can be seen that the film uses the beliefs of its viewers to provoke their curiosity and ecstasy regarding the saga of Coffin Joe.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-04
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Estudos Culturais
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/92019
10.19132/1807-8583202152.92019
url https://seer.ufrgs.br/index.php/intexto/article/view/92019
identifier_str_mv 10.19132/1807-8583202152.92019
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/92019/55056
dc.rights.driver.fl_str_mv Copyright (c) 2019 Giancarlo Backes Couto, Carlos Gerbase
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Giancarlo Backes Couto, Carlos Gerbase
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 52 (2021); 92019
Intexto; Núm. 52 (2021); 92019
Intexto; No. 52 (2021); 92019
Intexto; N. 52 (2021); 92019
Intexto; n. 52 (2021); 92019
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
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