The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019

Detalhes bibliográficos
Autor(a) principal: Sales, Thalita Fernandes
Data de Publicação: 2022
Outros Autores: Silva, Marcel Vieira Barreto
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/110039
Resumo: This paper aims to analyze the role of the analog format in historical genre films produced in recent years. To achieve this, we took as a corpus the 700 films with the highest annual box office sales between 2013 and 2019, identifying their capture format and genre. Using an exploratory-descriptive methodology based on the information available on the Box Office Mojo and Internet Movie Database websites, the data collected in the research verified that while there was an accelerated adherence to the digital capture format in non-historical films throughout the analyzed period, the number of historical movies recorded on film remained unchanged. We suggest that the choice of analog format in historical films is not only due to aesthetic preferences, but also due to the “effect of past” that the device carries.
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spelling The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019O formato de captação analógico em filmes históricos contemporâneos: um estudo das obras lançadas entre 2013 e 2019Cinema analógicoFilme históricoMaterialidade da ComunicaçãoAnalog cinemaHistorical movieMaterialities of communicationThis paper aims to analyze the role of the analog format in historical genre films produced in recent years. To achieve this, we took as a corpus the 700 films with the highest annual box office sales between 2013 and 2019, identifying their capture format and genre. Using an exploratory-descriptive methodology based on the information available on the Box Office Mojo and Internet Movie Database websites, the data collected in the research verified that while there was an accelerated adherence to the digital capture format in non-historical films throughout the analyzed period, the number of historical movies recorded on film remained unchanged. We suggest that the choice of analog format in historical films is not only due to aesthetic preferences, but also due to the “effect of past” that the device carries.Este artigo tem como objetivo analisar o papel do formato analógico em filmes do gênero histórico produzidos nos últimos anos. Para isso, tomamos como corpus os 700 filmes com maior destaque de bilheteria anual entre 2013 e 2019, identificando o formato de captação e o gênero dos mesmos. Utilizando uma metodologia exploratória-descritiva a partir das informações disponibilizadas nos sites Box Office Mojo e Internet Movie Database, os dados coletados na pesquisa verificaram que enquanto houve uma acelerada adesão ao formato de captação digital em filmes de gênero não-histórico ao longo do período analisado, a quantidade de filmes históricos gravados em película permaneceu sem grande variação. Sugerimos que a escolha pelo formato analógico nos filmes históricos se dá não só por preferências estéticas, mas também pelo efeito de passado que o dispositivo carrega.Universidade Federal do Rio Grande do Sul2022-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionExploratório; Descritivoapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/11003910.19132/1807-8583202253.110039Intexto; No. 53 (2022); 110039Intexto; Núm. 53 (2022); 110039Intexto; No. 53 (2022); 110039Intexto; N. 53 (2022); 110039Intexto; n. 53 (2022); 1100391807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/110039/85398Copyright (c) 2022 Thalita Fernandes Sales, Marcel Vieira Barreto Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSales, Thalita FernandesSilva, Marcel Vieira Barreto2023-07-17T18:47:33Zoai:seer.ufrgs.br:article/110039Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-07-17T18:47:33Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
O formato de captação analógico em filmes históricos contemporâneos: um estudo das obras lançadas entre 2013 e 2019
title The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
spellingShingle The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
Sales, Thalita Fernandes
Cinema analógico
Filme histórico
Materialidade da Comunicação
Analog cinema
Historical movie
Materialities of communication
title_short The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
title_full The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
title_fullStr The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
title_full_unstemmed The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
title_sort The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
author Sales, Thalita Fernandes
author_facet Sales, Thalita Fernandes
Silva, Marcel Vieira Barreto
author_role author
author2 Silva, Marcel Vieira Barreto
author2_role author
dc.contributor.author.fl_str_mv Sales, Thalita Fernandes
Silva, Marcel Vieira Barreto
dc.subject.por.fl_str_mv Cinema analógico
Filme histórico
Materialidade da Comunicação
Analog cinema
Historical movie
Materialities of communication
topic Cinema analógico
Filme histórico
Materialidade da Comunicação
Analog cinema
Historical movie
Materialities of communication
description This paper aims to analyze the role of the analog format in historical genre films produced in recent years. To achieve this, we took as a corpus the 700 films with the highest annual box office sales between 2013 and 2019, identifying their capture format and genre. Using an exploratory-descriptive methodology based on the information available on the Box Office Mojo and Internet Movie Database websites, the data collected in the research verified that while there was an accelerated adherence to the digital capture format in non-historical films throughout the analyzed period, the number of historical movies recorded on film remained unchanged. We suggest that the choice of analog format in historical films is not only due to aesthetic preferences, but also due to the “effect of past” that the device carries.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Exploratório; Descritivo
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/110039
10.19132/1807-8583202253.110039
url https://seer.ufrgs.br/index.php/intexto/article/view/110039
identifier_str_mv 10.19132/1807-8583202253.110039
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/110039/85398
dc.rights.driver.fl_str_mv Copyright (c) 2022 Thalita Fernandes Sales, Marcel Vieira Barreto Silva
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Thalita Fernandes Sales, Marcel Vieira Barreto Silva
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 53 (2022); 110039
Intexto; Núm. 53 (2022); 110039
Intexto; No. 53 (2022); 110039
Intexto; N. 53 (2022); 110039
Intexto; n. 53 (2022); 110039
1807-8583
reponame:Intexto (Porto Alegre)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||intexto@ufrgs.br
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