The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019
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Data de Publicação: | 2022 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Intexto (Porto Alegre) |
Texto Completo: | https://seer.ufrgs.br/index.php/intexto/article/view/110039 |
Resumo: | This paper aims to analyze the role of the analog format in historical genre films produced in recent years. To achieve this, we took as a corpus the 700 films with the highest annual box office sales between 2013 and 2019, identifying their capture format and genre. Using an exploratory-descriptive methodology based on the information available on the Box Office Mojo and Internet Movie Database websites, the data collected in the research verified that while there was an accelerated adherence to the digital capture format in non-historical films throughout the analyzed period, the number of historical movies recorded on film remained unchanged. We suggest that the choice of analog format in historical films is not only due to aesthetic preferences, but also due to the “effect of past” that the device carries. |
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The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019O formato de captação analógico em filmes históricos contemporâneos: um estudo das obras lançadas entre 2013 e 2019Cinema analógicoFilme históricoMaterialidade da ComunicaçãoAnalog cinemaHistorical movieMaterialities of communicationThis paper aims to analyze the role of the analog format in historical genre films produced in recent years. To achieve this, we took as a corpus the 700 films with the highest annual box office sales between 2013 and 2019, identifying their capture format and genre. Using an exploratory-descriptive methodology based on the information available on the Box Office Mojo and Internet Movie Database websites, the data collected in the research verified that while there was an accelerated adherence to the digital capture format in non-historical films throughout the analyzed period, the number of historical movies recorded on film remained unchanged. We suggest that the choice of analog format in historical films is not only due to aesthetic preferences, but also due to the “effect of past” that the device carries.Este artigo tem como objetivo analisar o papel do formato analógico em filmes do gênero histórico produzidos nos últimos anos. Para isso, tomamos como corpus os 700 filmes com maior destaque de bilheteria anual entre 2013 e 2019, identificando o formato de captação e o gênero dos mesmos. Utilizando uma metodologia exploratória-descritiva a partir das informações disponibilizadas nos sites Box Office Mojo e Internet Movie Database, os dados coletados na pesquisa verificaram que enquanto houve uma acelerada adesão ao formato de captação digital em filmes de gênero não-histórico ao longo do período analisado, a quantidade de filmes históricos gravados em película permaneceu sem grande variação. Sugerimos que a escolha pelo formato analógico nos filmes históricos se dá não só por preferências estéticas, mas também pelo efeito de passado que o dispositivo carrega.Universidade Federal do Rio Grande do Sul2022-07-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionExploratório; Descritivoapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/11003910.19132/1807-8583202253.110039Intexto; No. 53 (2022); 110039Intexto; Núm. 53 (2022); 110039Intexto; No. 53 (2022); 110039Intexto; N. 53 (2022); 110039Intexto; n. 53 (2022); 1100391807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/110039/85398Copyright (c) 2022 Thalita Fernandes Sales, Marcel Vieira Barreto Silvahttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessSales, Thalita FernandesSilva, Marcel Vieira Barreto2023-07-17T18:47:33Zoai:seer.ufrgs.br:article/110039Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-07-17T18:47:33Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false |
dc.title.none.fl_str_mv |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 O formato de captação analógico em filmes históricos contemporâneos: um estudo das obras lançadas entre 2013 e 2019 |
title |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 |
spellingShingle |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 Sales, Thalita Fernandes Cinema analógico Filme histórico Materialidade da Comunicação Analog cinema Historical movie Materialities of communication |
title_short |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 |
title_full |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 |
title_fullStr |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 |
title_full_unstemmed |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 |
title_sort |
The analogue capture format in contemporary historical films: a study of the features released between 2013 and 2019 |
author |
Sales, Thalita Fernandes |
author_facet |
Sales, Thalita Fernandes Silva, Marcel Vieira Barreto |
author_role |
author |
author2 |
Silva, Marcel Vieira Barreto |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Sales, Thalita Fernandes Silva, Marcel Vieira Barreto |
dc.subject.por.fl_str_mv |
Cinema analógico Filme histórico Materialidade da Comunicação Analog cinema Historical movie Materialities of communication |
topic |
Cinema analógico Filme histórico Materialidade da Comunicação Analog cinema Historical movie Materialities of communication |
description |
This paper aims to analyze the role of the analog format in historical genre films produced in recent years. To achieve this, we took as a corpus the 700 films with the highest annual box office sales between 2013 and 2019, identifying their capture format and genre. Using an exploratory-descriptive methodology based on the information available on the Box Office Mojo and Internet Movie Database websites, the data collected in the research verified that while there was an accelerated adherence to the digital capture format in non-historical films throughout the analyzed period, the number of historical movies recorded on film remained unchanged. We suggest that the choice of analog format in historical films is not only due to aesthetic preferences, but also due to the “effect of past” that the device carries. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-07-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Exploratório; Descritivo |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/110039 10.19132/1807-8583202253.110039 |
url |
https://seer.ufrgs.br/index.php/intexto/article/view/110039 |
identifier_str_mv |
10.19132/1807-8583202253.110039 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufrgs.br/index.php/intexto/article/view/110039/85398 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Thalita Fernandes Sales, Marcel Vieira Barreto Silva https://creativecommons.org/licenses/by-nc/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Thalita Fernandes Sales, Marcel Vieira Barreto Silva https://creativecommons.org/licenses/by-nc/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
publisher.none.fl_str_mv |
Universidade Federal do Rio Grande do Sul |
dc.source.none.fl_str_mv |
Intexto; No. 53 (2022); 110039 Intexto; Núm. 53 (2022); 110039 Intexto; No. 53 (2022); 110039 Intexto; N. 53 (2022); 110039 Intexto; n. 53 (2022); 110039 1807-8583 reponame:Intexto (Porto Alegre) instname:Universidade Federal do Rio Grande do Sul (UFRGS) instacron:UFRGS |
instname_str |
Universidade Federal do Rio Grande do Sul (UFRGS) |
instacron_str |
UFRGS |
institution |
UFRGS |
reponame_str |
Intexto (Porto Alegre) |
collection |
Intexto (Porto Alegre) |
repository.name.fl_str_mv |
Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS) |
repository.mail.fl_str_mv |
||intexto@ufrgs.br |
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1799766111402590208 |