Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks

Detalhes bibliográficos
Autor(a) principal: Fagundes, Rodrigo Quevedo
Data de Publicação: 2021
Outros Autores: Lisbôa Filho, Flavi Ferreira
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/99876
Resumo: This paper analyzes the representation of homosexuals in contemporary Brazilian cinema through the perspective of Queer Cinema, focusing on the films Tatuagem (2013) and The Way He Looks (2014). The analysis methodology used is the Culture Circuit proposed by Johnson (1999), mixed with the textual analysis according to the conceptions of Cassetti and Chio (1999). We realize from the analysis that there are two strands of representation of homosexuals in Brazilian gay cinema, one more concerned with following heteronormative patterns and another that seeks to deconstruct these norms, being characterized as queer.
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spelling Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He LooksO cinema gay no Brasil: a representação dos homossexuais em Tatuagem e Hoje Eu Quero Voltar SozinhoRepresentaçãoCinemaSexualidadeIdentidadeTeoria QueerRepresentationCinemaSexualityIdentityQueer TheoryThis paper analyzes the representation of homosexuals in contemporary Brazilian cinema through the perspective of Queer Cinema, focusing on the films Tatuagem (2013) and The Way He Looks (2014). The analysis methodology used is the Culture Circuit proposed by Johnson (1999), mixed with the textual analysis according to the conceptions of Cassetti and Chio (1999). We realize from the analysis that there are two strands of representation of homosexuals in Brazilian gay cinema, one more concerned with following heteronormative patterns and another that seeks to deconstruct these norms, being characterized as queer.Este trabalho analisa a representação dos homossexuais no cinema brasileiro contemporâneo através da perspectiva do Cinema Queer, com foco nos filmes Tatuagem, estreado em 2013 e Hoje eu quero voltar sozinho, estreado em 2014. A metodologia de análise utilizada é o Circuito da Cultura proposto por Johnson no ano de 1999, em conjunto com a análise textual segundo as concepções de Cassetti e Chio publicadas em 1999. Percebemos, com a análise, que existem duas vertentes de representação dos homossexuais no cinema gay brasileiro, uma mais preocupada em seguir os padrões heteronormativos e outra que procura desconstruir essas normas, caracterizando-se por ser queer.Universidade Federal do Rio Grande do Sul2021-09-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionCircuito da culturaapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/9987610.19132/1807-8583202152.99876Intexto; No. 52 (2021); 99876Intexto; Núm. 52 (2021); 99876Intexto; No. 52 (2021); 99876Intexto; N. 52 (2021); 99876Intexto; n. 52 (2021); 998761807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/99876/64517Copyright (c) 2021 Rodrigo Quevedo Fagundes, Flavi Ferreira Lisbôa Filhohttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessFagundes, Rodrigo QuevedoLisbôa Filho, Flavi Ferreira2023-02-06T11:53:50Zoai:seer.ufrgs.br:article/99876Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2023-02-06T11:53:50Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
O cinema gay no Brasil: a representação dos homossexuais em Tatuagem e Hoje Eu Quero Voltar Sozinho
title Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
spellingShingle Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
Fagundes, Rodrigo Quevedo
Representação
Cinema
Sexualidade
Identidade
Teoria Queer
Representation
Cinema
Sexuality
Identity
Queer Theory
title_short Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
title_full Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
title_fullStr Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
title_full_unstemmed Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
title_sort Gay cinema in Brazil: the representation of gay men in Tatuagem and The Way He Looks
author Fagundes, Rodrigo Quevedo
author_facet Fagundes, Rodrigo Quevedo
Lisbôa Filho, Flavi Ferreira
author_role author
author2 Lisbôa Filho, Flavi Ferreira
author2_role author
dc.contributor.author.fl_str_mv Fagundes, Rodrigo Quevedo
Lisbôa Filho, Flavi Ferreira
dc.subject.por.fl_str_mv Representação
Cinema
Sexualidade
Identidade
Teoria Queer
Representation
Cinema
Sexuality
Identity
Queer Theory
topic Representação
Cinema
Sexualidade
Identidade
Teoria Queer
Representation
Cinema
Sexuality
Identity
Queer Theory
description This paper analyzes the representation of homosexuals in contemporary Brazilian cinema through the perspective of Queer Cinema, focusing on the films Tatuagem (2013) and The Way He Looks (2014). The analysis methodology used is the Culture Circuit proposed by Johnson (1999), mixed with the textual analysis according to the conceptions of Cassetti and Chio (1999). We realize from the analysis that there are two strands of representation of homosexuals in Brazilian gay cinema, one more concerned with following heteronormative patterns and another that seeks to deconstruct these norms, being characterized as queer.
publishDate 2021
dc.date.none.fl_str_mv 2021-09-22
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Circuito da cultura
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/99876
10.19132/1807-8583202152.99876
url https://seer.ufrgs.br/index.php/intexto/article/view/99876
identifier_str_mv 10.19132/1807-8583202152.99876
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/99876/64517
dc.rights.driver.fl_str_mv Copyright (c) 2021 Rodrigo Quevedo Fagundes, Flavi Ferreira Lisbôa Filho
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Rodrigo Quevedo Fagundes, Flavi Ferreira Lisbôa Filho
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 52 (2021); 99876
Intexto; Núm. 52 (2021); 99876
Intexto; No. 52 (2021); 99876
Intexto; N. 52 (2021); 99876
Intexto; n. 52 (2021); 99876
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
instacron:UFRGS
instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
repository.name.fl_str_mv Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)
repository.mail.fl_str_mv ||intexto@ufrgs.br
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