Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu

Detalhes bibliográficos
Autor(a) principal: Alvim, Luíza Beatriz
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: por
Título da fonte: Intexto (Porto Alegre)
Texto Completo: https://seer.ufrgs.br/index.php/intexto/article/view/138127
Resumo: European classical music is quite present in formal education in East Asia and it is heard in several films by South Korean filmmaker Hong Sang-soo. It is a repertoire of his taste, as reported in interviews, and the director is active in the creation and choice of music in most of his films, a procedure that corresponds to Gorbman’s concept (2007) "auteur music". Hong has been widely studied for his narrative, defined by Medeiros (2018) as parametric, based on Bordwell, but this work focus on the use of music, with film analysis of three feature films that have relationships with European musical and pictorial Romanticism. These are demonstrated during some of the extracts of the films with classical music. In Nobody's daughter (2013), Beethoven’s music is part of the parametric structure. In On the beach at night alone (2017), Schubert’s music marks key structural and melancholic moments. In these two films, the images of the musical moments can be related to paintings by German romantic Caspar David Friedrich. In Grass (2018), Schubert and Wagner are on the background of tense dialogues, and there are relationships between the movements of the dialogues and those of the music.
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spelling Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeumúsicacinemaHong Sang-sooRomantismoparametriaEuropean classical music is quite present in formal education in East Asia and it is heard in several films by South Korean filmmaker Hong Sang-soo. It is a repertoire of his taste, as reported in interviews, and the director is active in the creation and choice of music in most of his films, a procedure that corresponds to Gorbman’s concept (2007) "auteur music". Hong has been widely studied for his narrative, defined by Medeiros (2018) as parametric, based on Bordwell, but this work focus on the use of music, with film analysis of three feature films that have relationships with European musical and pictorial Romanticism. These are demonstrated during some of the extracts of the films with classical music. In Nobody's daughter (2013), Beethoven’s music is part of the parametric structure. In On the beach at night alone (2017), Schubert’s music marks key structural and melancholic moments. In these two films, the images of the musical moments can be related to paintings by German romantic Caspar David Friedrich. In Grass (2018), Schubert and Wagner are on the background of tense dialogues, and there are relationships between the movements of the dialogues and those of the music.A música clássica europeia está muito presente na educação formal no Leste Asiático e é ouvida em vários filmes do cineasta sul-coreano Hong Sang-soo. É um repertório do gosto dele, como relatado em entrevistas e o diretor opera ativamente na criação e escolha da música na maioria dos seus filmes, procedimento que corresponde ao conceito de Gorbman (2007) de “música de autor”. Hong tem sido bastante estudado por sua narrativa, definida por Medeiros (2018) como paramétrica a partir de Bordwell, mas, neste trabalho, concentramo-nos na música, com análise fílmica de três longas-metragens que têm relação com o Romantismo musical e pictórico europeu. Tais relações são demonstradas em trechos dos filmes com uso de música clássica. Em Filha de ninguém (2013), a música de Beethoven é parte da estrutura paramétrica. Em Na praia à noite sozinha (2017), a música de Schubert marca momentos estruturais chaves e de melancolia. Nesses dois filmes, relacionamos as imagens dos momentos de música com pinturas do romântico alemão Caspar David Friedrich. Em Silvestre (2018), Schubert e Wagner estão ao fundo de conversas tensas, havendo relações entre os movimentos da conversa e os da música.Universidade Federal do Rio Grande do Sul2024-04-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufrgs.br/index.php/intexto/article/view/13812710.19132/1807-8583.56.138127Intexto; No. 56 (2024)Intexto; Núm. 56 (2024)Intexto; No. 56 (2024)Intexto; N. 56 (2024)Intexto; n. 56 (2024)1807-8583reponame:Intexto (Porto Alegre)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/intexto/article/view/138127/91780Copyright (c) 2024 Luíza Beatriz Alvimhttps://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccessAlvim, Luíza Beatriz2024-04-17T18:38:12Zoai:seer.ufrgs.br:article/138127Revistahttp://seer.ufrgs.br/intextoONGhttp://seer.ufrgs.br/intexto/oai||intexto@ufrgs.br1807-85831807-8583opendoar:2024-04-17T18:38:12Intexto (Porto Alegre) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
title Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
spellingShingle Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
Alvim, Luíza Beatriz
música
cinema
Hong Sang-soo
Romantismo
parametria
title_short Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
title_full Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
title_fullStr Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
title_full_unstemmed Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
title_sort Música clássica e estilo no cinema de Hong Sang-soo: parametria e Romantismo europeu
author Alvim, Luíza Beatriz
author_facet Alvim, Luíza Beatriz
author_role author
dc.contributor.author.fl_str_mv Alvim, Luíza Beatriz
dc.subject.por.fl_str_mv música
cinema
Hong Sang-soo
Romantismo
parametria
topic música
cinema
Hong Sang-soo
Romantismo
parametria
description European classical music is quite present in formal education in East Asia and it is heard in several films by South Korean filmmaker Hong Sang-soo. It is a repertoire of his taste, as reported in interviews, and the director is active in the creation and choice of music in most of his films, a procedure that corresponds to Gorbman’s concept (2007) "auteur music". Hong has been widely studied for his narrative, defined by Medeiros (2018) as parametric, based on Bordwell, but this work focus on the use of music, with film analysis of three feature films that have relationships with European musical and pictorial Romanticism. These are demonstrated during some of the extracts of the films with classical music. In Nobody's daughter (2013), Beethoven’s music is part of the parametric structure. In On the beach at night alone (2017), Schubert’s music marks key structural and melancholic moments. In these two films, the images of the musical moments can be related to paintings by German romantic Caspar David Friedrich. In Grass (2018), Schubert and Wagner are on the background of tense dialogues, and there are relationships between the movements of the dialogues and those of the music.
publishDate 2024
dc.date.none.fl_str_mv 2024-04-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/138127
10.19132/1807-8583.56.138127
url https://seer.ufrgs.br/index.php/intexto/article/view/138127
identifier_str_mv 10.19132/1807-8583.56.138127
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/intexto/article/view/138127/91780
dc.rights.driver.fl_str_mv Copyright (c) 2024 Luíza Beatriz Alvim
https://creativecommons.org/licenses/by-nc/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2024 Luíza Beatriz Alvim
https://creativecommons.org/licenses/by-nc/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul
dc.source.none.fl_str_mv Intexto; No. 56 (2024)
Intexto; Núm. 56 (2024)
Intexto; No. 56 (2024)
Intexto; N. 56 (2024)
Intexto; n. 56 (2024)
1807-8583
reponame:Intexto (Porto Alegre)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
instacron_str UFRGS
institution UFRGS
reponame_str Intexto (Porto Alegre)
collection Intexto (Porto Alegre)
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