The consumption of national fiction on Portuguese television: a critical analysises

Detalhes bibliográficos
Autor(a) principal: Sousa, João Lopes
Data de Publicação: 2012
Outros Autores: Morais, Ricardo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Em Questão (Online)
Texto Completo: https://seer.ufrgs.br/index.php/EmQuestao/article/view/30978
Resumo: In the last decade the production of national audiovisual fiction has undergone profound seizures, with expression in the primetime of the main portuguese televisions. Starting from these changes but also from the fact that television is the primary mean of access to culture products of the portuguese population, in clear detriment of other mechanisms, we developed a critical analysis, from the marxist paradigm, to the national fiction, with a analysis of serials in prime-time emitted in an open channel, TVI, and a questionnaire to a sample of the population. We tried to understand social representations, as well as surreptitious ways of exercising power and domination from a particular ideology. We conclude, among other aspects, that there is a mismatch between the way as serials are perceived and what they actually transmit to its large audience, while we confirmed the centrality of television entertainment in portuguese society.
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spelling The consumption of national fiction on Portuguese television: a critical analysisesO Consumo de ficção nacional na televisão portuguesa: uma análise críticaThe consumption of national fiction on Portuguese television: a critical analysisesAudiovisual fiction. Consume. Culture. Social representations. Ideology.Audiovisual fiction. Consume. Culture. Social representations. Ideology.Estudos CulturaisIn the last decade the production of national audiovisual fiction has undergone profound seizures, with expression in the primetime of the main portuguese televisions. Starting from these changes but also from the fact that television is the primary mean of access to culture products of the portuguese population, in clear detriment of other mechanisms, we developed a critical analysis, from the marxist paradigm, to the national fiction, with a analysis of serials in prime-time emitted in an open channel, TVI, and a questionnaire to a sample of the population. We tried to understand social representations, as well as surreptitious ways of exercising power and domination from a particular ideology. We conclude, among other aspects, that there is a mismatch between the way as serials are perceived and what they actually transmit to its large audience, while we confirmed the centrality of television entertainment in portuguese society.Na última década a produção de ficção audiovisual nacional tem sofrido profundas convulsões, com expressão no prime-time das principais cadeias televisivas generalistas portuguesas. Partindo destas transformações mas também do fato da televisão ser o principal meio de acesso a bens de consumo cultural da população portuguesa, em claro detrimento de outros mecanismos, desenvolveu-se uma análise crítica, a partir do paradigma marxista, à ficção nacional, com uma análise das telenovelas emitidas em prime-time num dos canais abertos, a Televisão Independente (TVI), e um questionário a uma amostra da população. Procurámos desta forma apreender as representações sociais, assim como formas sub-reptícias de exercício do poder e de dominação a partir de uma determinada ideologia. Concluímos, entre outros aspetos, que se verifica um desajustamento entre o modo como as telenovelas são percecionadas e o que efetivamente estas transmitem à sua vasta audiência, ao mesmo tempo que confirmámos a centralidade do entretenimento televisivo na sociedade portuguesa.In the last decade the production of national audiovisual fiction has undergone profound seizures, with expression in the primetime of the main portuguese televisions. Starting from these changes but also from the fact that television is the primary mean of access to culture products of the portuguese population, in clear detriment of other mechanisms, we developed a critical analysis, from the marxist paradigm, to the national fiction, with a analysis of serials in prime-time emitted in an open channel, TVI, and a questionnaire to a sample of the population. We tried to understand social representations, as well as surreptitious ways of exercising power and domination from a particular ideology. We conclude, among other aspects, that there is a mismatch between the way as serials are perceived and what they actually transmit to its large audience, while we confirmed the centrality of television entertainment in portuguese society.Universidade Federal do Rio Grande do Sul, Faculdade de Biblioteconomia e Comunicação, Programa de Pós-Graduação em Ciência da Informação (Porto Alegre/RS)2012-12-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado por Paresapplication/pdfhttps://seer.ufrgs.br/index.php/EmQuestao/article/view/30978Em Questão; Vol. 18 No. 2 (2012); 133-148Em Questão; Vol. 18 Núm. 2 (2012); 133-148Em Questão; v. 18 n. 2 (2012); 133-1481808-52451807-8893reponame:Em Questão (Online)instname:Universidade Federal do Rio Grande do Sul (UFRGS)instacron:UFRGSporhttps://seer.ufrgs.br/index.php/EmQuestao/article/view/30978/23672Copyright (c) 2012 João Lopes Sousa, Ricardo Moraishttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSousa, João LopesMorais, Ricardo2023-11-17T19:18:26Zoai:seer.ufrgs.br:article/30978Revistahttps://seer.ufrgs.br/emquestao/PUBhttps://seer.ufrgs.br/EmQuestao/oaiemquestao@ufrgs.br||emquestao@ufrgs.br1808-52451807-8893opendoar:2023-11-17T19:18:26Em Questão (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)false
dc.title.none.fl_str_mv The consumption of national fiction on Portuguese television: a critical analysises
O Consumo de ficção nacional na televisão portuguesa: uma análise crítica
The consumption of national fiction on Portuguese television: a critical analysises
title The consumption of national fiction on Portuguese television: a critical analysises
spellingShingle The consumption of national fiction on Portuguese television: a critical analysises
Sousa, João Lopes
Audiovisual fiction. Consume. Culture. Social representations. Ideology.
Audiovisual fiction. Consume. Culture. Social representations. Ideology.
Estudos Culturais
title_short The consumption of national fiction on Portuguese television: a critical analysises
title_full The consumption of national fiction on Portuguese television: a critical analysises
title_fullStr The consumption of national fiction on Portuguese television: a critical analysises
title_full_unstemmed The consumption of national fiction on Portuguese television: a critical analysises
title_sort The consumption of national fiction on Portuguese television: a critical analysises
author Sousa, João Lopes
author_facet Sousa, João Lopes
Morais, Ricardo
author_role author
author2 Morais, Ricardo
author2_role author
dc.contributor.author.fl_str_mv Sousa, João Lopes
Morais, Ricardo
dc.subject.por.fl_str_mv Audiovisual fiction. Consume. Culture. Social representations. Ideology.
Audiovisual fiction. Consume. Culture. Social representations. Ideology.
Estudos Culturais
topic Audiovisual fiction. Consume. Culture. Social representations. Ideology.
Audiovisual fiction. Consume. Culture. Social representations. Ideology.
Estudos Culturais
description In the last decade the production of national audiovisual fiction has undergone profound seizures, with expression in the primetime of the main portuguese televisions. Starting from these changes but also from the fact that television is the primary mean of access to culture products of the portuguese population, in clear detriment of other mechanisms, we developed a critical analysis, from the marxist paradigm, to the national fiction, with a analysis of serials in prime-time emitted in an open channel, TVI, and a questionnaire to a sample of the population. We tried to understand social representations, as well as surreptitious ways of exercising power and domination from a particular ideology. We conclude, among other aspects, that there is a mismatch between the way as serials are perceived and what they actually transmit to its large audience, while we confirmed the centrality of television entertainment in portuguese society.
publishDate 2012
dc.date.none.fl_str_mv 2012-12-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado por Pares
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dc.identifier.uri.fl_str_mv https://seer.ufrgs.br/index.php/EmQuestao/article/view/30978
url https://seer.ufrgs.br/index.php/EmQuestao/article/view/30978
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language por
dc.relation.none.fl_str_mv https://seer.ufrgs.br/index.php/EmQuestao/article/view/30978/23672
dc.rights.driver.fl_str_mv Copyright (c) 2012 João Lopes Sousa, Ricardo Morais
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2012 João Lopes Sousa, Ricardo Morais
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul, Faculdade de Biblioteconomia e Comunicação, Programa de Pós-Graduação em Ciência da Informação (Porto Alegre/RS)
publisher.none.fl_str_mv Universidade Federal do Rio Grande do Sul, Faculdade de Biblioteconomia e Comunicação, Programa de Pós-Graduação em Ciência da Informação (Porto Alegre/RS)
dc.source.none.fl_str_mv Em Questão; Vol. 18 No. 2 (2012); 133-148
Em Questão; Vol. 18 Núm. 2 (2012); 133-148
Em Questão; v. 18 n. 2 (2012); 133-148
1808-5245
1807-8893
reponame:Em Questão (Online)
instname:Universidade Federal do Rio Grande do Sul (UFRGS)
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instname_str Universidade Federal do Rio Grande do Sul (UFRGS)
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reponame_str Em Questão (Online)
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repository.name.fl_str_mv Em Questão (Online) - Universidade Federal do Rio Grande do Sul (UFRGS)
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