Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire
| Autor(a) principal: | |
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| Data de Publicação: | 2018 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | Codex : Revista de Estudos Clássicos |
| Texto Completo: | https://revistas.ufrj.br/index.php/CODEX/article/view/21806 |
Resumo: | This article intends to analyze in what terms the reception of the euripidean work took place in the Byzantine Empire. The Christian tragedy known as Christus Patiens will be scrutinized and questions will be made in order to clarify how a Christian piece of drama can be produced from verses of non Christian content. Through the cento, Gregory of Nazianzus (the allegedly author) proceeded to amalgamate aspects of two cultures per sedissimilar. Thus I intend to show and systematize how the euripidean verses were chosen and used in a Christian manner and I will argue that through the development of the character Mary the amalgamation of non Christian and Christian elements got its perfect accomplishment. |
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Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine EmpireChristus Patiens e a recepção da tragédia de Eurípides no império bizantinoClassical StudiesEuripides; Christus Patiens; reception; Byzantine tragedy; ConstantinopleLetras Clássicas; Estudos ClássicosEurípides; Christus Patiens; recepção; tragédia bizantina; ConstantinoplaThis article intends to analyze in what terms the reception of the euripidean work took place in the Byzantine Empire. The Christian tragedy known as Christus Patiens will be scrutinized and questions will be made in order to clarify how a Christian piece of drama can be produced from verses of non Christian content. Through the cento, Gregory of Nazianzus (the allegedly author) proceeded to amalgamate aspects of two cultures per sedissimilar. Thus I intend to show and systematize how the euripidean verses were chosen and used in a Christian manner and I will argue that through the development of the character Mary the amalgamation of non Christian and Christian elements got its perfect accomplishment.Este artigo visa analisar como se deu a recepção da tragédia de Eurípides em um determinado local e momento do império bizantino. Para isso, será estudada a obra Christus Patiens, cuja autoria é atribuída, não sem contestação, a Gregório de Nazianzo. Essa peça, feita a partir de versos vindos sobretudo da obra de Eurípides, à maneira de centão, consegue amalgamar elementos aparentemente díspares: a partir de um obra pré-cristã plasma-se uma tragédia cristã. Assim, será analisado de que maneira os versos euripidianos foram adaptados para a feitura de uma obra cristã. Argumento que a compatibilização entre essas diferentes estruturas de pensamento é realizada nitidamente a partir da construção da personagem Maria.Proaera-UFRJCAPESde Sousa Junior, Waldir Moreira2018-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo de convidadoapplication/pdfhttps://revistas.ufrj.br/index.php/CODEX/article/view/2180610.25187/codex.v6i2.21806CODEX -- Revista de Estudos Clássicos; v. 6, n. 2 (2018); 164-180CODEX - Revista de Estudos Clássicos; v. 6, n. 2 (2018); 164-1802176-177910.25187/codex.v6i2reponame:Codex : Revista de Estudos Clássicosinstname:Universidade Federal do Rio de Janeiro (UFRJ)instacron:UFRJporhttps://revistas.ufrj.br/index.php/CODEX/article/view/21806/12558/*ref*/BALDWIN, B. Euripides in Byzantium. In: COUSLAND, J., HUME, J. (eds.) The Play of Texts and Fragments. Essays in Honour of Martin Cropp. Leiden, Brill, 2009. BARRET, W. Euripides. Hippolytos. (Edição, introdução e comentário). Oxford, Clarendon Press, 1964. BERNARDI, J. À propos de l’authenticité grégorienne de La Passion du Christ. Kentron 13, 1-2, 1997, pp. 133-138. BROWN, M. The Triumph of the Codex: the Manuscript Book before 1100. In: ELIOT, S., ROSE, J. A Companion to the History of the Book. Malden, Blackwell Publishing, 2007. COMSA, A. Le Prométhée Enchaîné et le Christus Patiens. Kentron 13, 1-2, 1997, pp. 133-138. DALEY, B. Gregory of Nazianzus. London, Routledge, 2006. DAVIES, R. The Figure of Mary Mother of God in Christus Patiens: Fragmenting Tragic Myth and Passion Narrative in a Byzantine Appropriation of Euripidean Tragedy. Journal of Hellenic Studies, 137 (2017), pp. 1-25. DIAS, P. A tragédia cristã Christos Paschon: diálogo com Eurípides. In: SILVA, M., FIALHO, M., BRANDÃO, J. O Livro do Tempo: Escritas e Reescritas. Coimbra, Imprensa da Universidade de Coimbra, 2016. DE STEFANI, C., MAGNELLI, E. Callimachus and Later Greek Poetry, In: ACOSTA-HUGHES, B., LEHNUS, L., STEPHENS, S. (orgs.) Brill´s Companion to Callimachus. Leiden, Brill, 2011. DODDS, E. Euripides. Bacchae (Edited with Introduction and Commentary). Oxford, Oxford University Press, 1960. FRIESEN, M. Reading Dionysos. Euripides´ Bacchae and the Cultural Contestaions of Greeks, Jews, Romans, and Christians. Tübingen, Mohr Siebeck, 2015. GARZYA, A., Ancora per la cronologia del Christus Patiens. Byzantinische Zeitschrift. Volume 82, Issue 1-2 (1989), pp. 110-113. GILBERT, P. On God and Man. The Theological Poetry of St. Gregory of Nazianzus. Crestwood, St. Vladimir´s Seminary Press, 2001. GURAN, P. Late Antiquity in Byzantium. In: JOHNSON, S. (Ed.) The Oxford Handbook of Late Antiquity. Oxford, Oxford University Press, 2012. HORROCKS, G. Greek. A History of the Language and its Speakers. Malden, Wiley-Blackwell Publishing Ltd, 2010 (2ª edição). KALDELIS, A. Hellenism in Byzantium. The Transformations of Greek Identity and the Reception of the Classical Tradition. Cambridge, Cambridge University Press, 2007. KAZAZIS, J. Atticism. In: CHRISTIDIS, A. (Ed.) A History of Ancient Greek. From the Beginnings to Late Antiquity. Cambridge, Cambridge University Press, 2007 (english translation). KIRCHOFF, A. Ein Supplement zu Euripides´Bacchen, Philologus 8 (1953), pp. 78-93. LAMPROS, S. βυζαντινή σκηνοθετική διάταξις των Παθών του Χριστοῦ. Νέος Ελληνομνήμων, τχ. 7, 1910, pp. 372-398. LANOWSKI, J. Der Christus Patiens und die Klassiche Tragödie. Probleme der Dramaturgie. Scaenica Saravi-Varsoviensia: Beiträge zum Antike Theater und zu seinem Nachleben, Warschau, 1997, pp. 137-150. LA PIANA, G. La Representazioni sacre nella letteratura bizantina dellé origini al sec. IX. Grottaferrata: Tipografia Italo-Orientale, 1912. ___________. The Byzantine Theather. Speculum, Vol. 11, No. 2 (1936), pp. 171-211. MANTZIOU, M. Συμβολή στη μελέτη της χριστιανικής τραγωδίας Χριστὸς πάσχων. Dodone 3, Ioannina, 1974, pp. 353-370. MASTRONARDE, D. Euripides. Phoenissae. Cambridge: Cambridge University Press, 1994. __________. The Art of Euripides. Dramatic Technique and Social Context. Cambridge, Cambridge University Press, 2010. MATHIEU, J. C’est mon enfant, je sais comment je l’ai engendré : Grégoire de Nazianze (?), Christus Patiens, Passim. Kentron 13, 1-2, 1997, pp. 111-117. _________Remarques sur la métrique du Christus Patiens. Kentron 13, 1-2, 1997b, pp. 93-110. PAGE, D. Euripides. Medea. Edited with Introduction and Commentary. Oxford, Clarendon Press, 1985. PAPAIOANNOU, S. The Byzantine Late Antiquity. In: ROUSSEAU, P. (Ed.) A Companion to Late Antiquity. Malden, Blackwell Publishing Ltd., 2009. PARENTE, J. The Development of Religious Tragedy: the Humanist Reception of the Christos Paschon in the Renaissance. The Sixteenth Century Journal, Vol.16, No. 3 (1985), pp. 351-368. POLLMANN, K. Jesus Christus und Dionysos. Überlegungen zu dem Euripides-Cento Christus Patiens. Jahrbuch der Österreichischen Byzantinistik. 47 Band, 1997, pp. 87-106. PUCHNER, W. Atuação no teatro Bizantino: documentos e problemas. In: EASTERLING, P., HALL, E. (org.) Atores Gregos e Romanos (trad. Raul Fiker). São Paulo, Odysseus Editora Ltda, 2008. _______. Chorführungimmittelalterlichen Chistus Patiens, Acta Universitas Carolinae, Philologica2, Graecolatina Pragensia, (2016), pp. 25-32. RAPP, C. Literary Culture under Justinian. In: MAAS, M. The Cambridge Companion to the Age of Justinian. Cambridge, Cambridge University Press, 2005. REYNOLDS, L, WILSON, N. Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature. Oxford, Oxford University Press, 1991 (3ª Ed.). ROEMER, C. The Papyrus Roll. In: ELIOT, S., ROSE, J. A Companion to the History of the Book. Malden, Blackwell Publishing, 2007. SIMELIDIS, C. Selected Poems of Gregory of Nazianzus. I.217; II.1.10, 19,32: a Criticial Edition with Introduction and Commentary. Göttingen, Vandenhoeck & Ruprecht, 2009. SWART, G. The Christus Patiens and Romanos the Melodist: some considerations on Dependence and Dating. Acta Classica, XXXIII (1990), pp. 53-64. TORRANO, J. Medeia. São Paulo, Ed. Hucitec, 1991. _________. Bacas. O mito de Dioniso. São Paulo, Ed. Hucitec, 1995. TRISOGLIO, F. Il Christus patiens: rassegna delle attribuzioni. Rivista di studi classici, 1974, pp. 351-423. ________. La vergine ed il coro nel Christus Patiens. Rivista di Studi Classici 27 (1979), pp. 338-373 TRISOGLIO, F. I deuteragonisti del Christus Patiens. Dionisio 49 (1978), pp. 117-187. TUILIER, A. La Passion du Christ. Grégoire de Nazianze. (Introduction, Texte Critique, Traduction, Notes et Index). Paris, Les Éditions du Cerf, 1969. _________. Grégoire de Nazianze et le Christus Patiens. À propos d´um ouvrage récent. Revue des Études Grécques, tome 110, 1997, pp. 632-647. ________. La tradition textuelle du Christos Paschôn et le texte d’Euripide. Kentron 13, 1-2, 1997b, pp. 111-117. VAKONAKIS, N. Das Griechische Drama auf dem Weg nach Byzanz – Der euripideische Cento Christos Paschon. Tübingen,Narr Verlag, 2011. WAHLGREN, S. Byzantine Literature and the Classical Past. IN: BAKKER, E. A Companion to the Ancient Greek Language. Malden, Blackwell Publishing Ltd, 2010. WHITE, C. Gregory of Nazianzus. Autobiographical Poems. Cambridge, Cambridge University Press, 1996.Direitos autorais 2018 Waldir Moreira de Sousa Juniorhttp://creativecommons.org/licenses/by-nc/4.0info:eu-repo/semantics/openAccess2018-12-22T10:09:12Zoai:www.revistas.ufrj.br:article/21806Revistahttps://revistas.ufrj.br/index.php/CODEX/indexPUBhttps://revistas.ufrj.br/index.php/CODEX/oaicodex@letras.ufrj.br||codex@letras.ufrj.br||biadipaoli@gmail.com2176-17792176-1779opendoar:2018-12-22T10:09:12Codex : Revista de Estudos Clássicos - Universidade Federal do Rio de Janeiro (UFRJ)false |
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Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire Christus Patiens e a recepção da tragédia de Eurípides no império bizantino |
| title |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire |
| spellingShingle |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire de Sousa Junior, Waldir Moreira Classical Studies Euripides; Christus Patiens; reception; Byzantine tragedy; Constantinople Letras Clássicas; Estudos Clássicos Eurípides; Christus Patiens; recepção; tragédia bizantina; Constantinopla |
| title_short |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire |
| title_full |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire |
| title_fullStr |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire |
| title_full_unstemmed |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire |
| title_sort |
Christus Patiens and the Reception of the Euripidean Tragedy in the Byzantine Empire |
| author |
de Sousa Junior, Waldir Moreira |
| author_facet |
de Sousa Junior, Waldir Moreira |
| author_role |
author |
| dc.contributor.none.fl_str_mv |
CAPES |
| dc.contributor.author.fl_str_mv |
de Sousa Junior, Waldir Moreira |
| dc.subject.por.fl_str_mv |
Classical Studies Euripides; Christus Patiens; reception; Byzantine tragedy; Constantinople Letras Clássicas; Estudos Clássicos Eurípides; Christus Patiens; recepção; tragédia bizantina; Constantinopla |
| topic |
Classical Studies Euripides; Christus Patiens; reception; Byzantine tragedy; Constantinople Letras Clássicas; Estudos Clássicos Eurípides; Christus Patiens; recepção; tragédia bizantina; Constantinopla |
| description |
This article intends to analyze in what terms the reception of the euripidean work took place in the Byzantine Empire. The Christian tragedy known as Christus Patiens will be scrutinized and questions will be made in order to clarify how a Christian piece of drama can be produced from verses of non Christian content. Through the cento, Gregory of Nazianzus (the allegedly author) proceeded to amalgamate aspects of two cultures per sedissimilar. Thus I intend to show and systematize how the euripidean verses were chosen and used in a Christian manner and I will argue that through the development of the character Mary the amalgamation of non Christian and Christian elements got its perfect accomplishment. |
| publishDate |
2018 |
| dc.date.none.fl_str_mv |
2018-12-21 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo de convidado |
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article |
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https://revistas.ufrj.br/index.php/CODEX/article/view/21806 10.25187/codex.v6i2.21806 |
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https://revistas.ufrj.br/index.php/CODEX/article/view/21806 |
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10.25187/codex.v6i2.21806 |
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por |
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por |
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https://revistas.ufrj.br/index.php/CODEX/article/view/21806/12558 /*ref*/BALDWIN, B. Euripides in Byzantium. In: COUSLAND, J., HUME, J. (eds.) The Play of Texts and Fragments. Essays in Honour of Martin Cropp. Leiden, Brill, 2009. BARRET, W. Euripides. Hippolytos. (Edição, introdução e comentário). Oxford, Clarendon Press, 1964. BERNARDI, J. À propos de l’authenticité grégorienne de La Passion du Christ. Kentron 13, 1-2, 1997, pp. 133-138. BROWN, M. The Triumph of the Codex: the Manuscript Book before 1100. In: ELIOT, S., ROSE, J. A Companion to the History of the Book. Malden, Blackwell Publishing, 2007. COMSA, A. Le Prométhée Enchaîné et le Christus Patiens. Kentron 13, 1-2, 1997, pp. 133-138. DALEY, B. Gregory of Nazianzus. London, Routledge, 2006. DAVIES, R. The Figure of Mary Mother of God in Christus Patiens: Fragmenting Tragic Myth and Passion Narrative in a Byzantine Appropriation of Euripidean Tragedy. Journal of Hellenic Studies, 137 (2017), pp. 1-25. DIAS, P. A tragédia cristã Christos Paschon: diálogo com Eurípides. In: SILVA, M., FIALHO, M., BRANDÃO, J. O Livro do Tempo: Escritas e Reescritas. Coimbra, Imprensa da Universidade de Coimbra, 2016. DE STEFANI, C., MAGNELLI, E. Callimachus and Later Greek Poetry, In: ACOSTA-HUGHES, B., LEHNUS, L., STEPHENS, S. (orgs.) Brill´s Companion to Callimachus. Leiden, Brill, 2011. DODDS, E. Euripides. Bacchae (Edited with Introduction and Commentary). Oxford, Oxford University Press, 1960. FRIESEN, M. Reading Dionysos. Euripides´ Bacchae and the Cultural Contestaions of Greeks, Jews, Romans, and Christians. Tübingen, Mohr Siebeck, 2015. GARZYA, A., Ancora per la cronologia del Christus Patiens. Byzantinische Zeitschrift. Volume 82, Issue 1-2 (1989), pp. 110-113. GILBERT, P. On God and Man. The Theological Poetry of St. Gregory of Nazianzus. Crestwood, St. Vladimir´s Seminary Press, 2001. GURAN, P. Late Antiquity in Byzantium. In: JOHNSON, S. (Ed.) The Oxford Handbook of Late Antiquity. Oxford, Oxford University Press, 2012. HORROCKS, G. Greek. A History of the Language and its Speakers. Malden, Wiley-Blackwell Publishing Ltd, 2010 (2ª edição). KALDELIS, A. Hellenism in Byzantium. The Transformations of Greek Identity and the Reception of the Classical Tradition. Cambridge, Cambridge University Press, 2007. KAZAZIS, J. Atticism. In: CHRISTIDIS, A. (Ed.) A History of Ancient Greek. From the Beginnings to Late Antiquity. Cambridge, Cambridge University Press, 2007 (english translation). KIRCHOFF, A. Ein Supplement zu Euripides´Bacchen, Philologus 8 (1953), pp. 78-93. LAMPROS, S. βυζαντινή σκηνοθετική διάταξις των Παθών του Χριστοῦ. Νέος Ελληνομνήμων, τχ. 7, 1910, pp. 372-398. LANOWSKI, J. Der Christus Patiens und die Klassiche Tragödie. Probleme der Dramaturgie. Scaenica Saravi-Varsoviensia: Beiträge zum Antike Theater und zu seinem Nachleben, Warschau, 1997, pp. 137-150. LA PIANA, G. La Representazioni sacre nella letteratura bizantina dellé origini al sec. IX. Grottaferrata: Tipografia Italo-Orientale, 1912. ___________. The Byzantine Theather. Speculum, Vol. 11, No. 2 (1936), pp. 171-211. MANTZIOU, M. Συμβολή στη μελέτη της χριστιανικής τραγωδίας Χριστὸς πάσχων. Dodone 3, Ioannina, 1974, pp. 353-370. MASTRONARDE, D. Euripides. Phoenissae. Cambridge: Cambridge University Press, 1994. __________. The Art of Euripides. Dramatic Technique and Social Context. Cambridge, Cambridge University Press, 2010. MATHIEU, J. C’est mon enfant, je sais comment je l’ai engendré : Grégoire de Nazianze (?), Christus Patiens, Passim. Kentron 13, 1-2, 1997, pp. 111-117. _________Remarques sur la métrique du Christus Patiens. Kentron 13, 1-2, 1997b, pp. 93-110. PAGE, D. Euripides. Medea. Edited with Introduction and Commentary. Oxford, Clarendon Press, 1985. PAPAIOANNOU, S. The Byzantine Late Antiquity. In: ROUSSEAU, P. (Ed.) A Companion to Late Antiquity. Malden, Blackwell Publishing Ltd., 2009. PARENTE, J. The Development of Religious Tragedy: the Humanist Reception of the Christos Paschon in the Renaissance. The Sixteenth Century Journal, Vol.16, No. 3 (1985), pp. 351-368. POLLMANN, K. Jesus Christus und Dionysos. Überlegungen zu dem Euripides-Cento Christus Patiens. Jahrbuch der Österreichischen Byzantinistik. 47 Band, 1997, pp. 87-106. PUCHNER, W. Atuação no teatro Bizantino: documentos e problemas. In: EASTERLING, P., HALL, E. (org.) Atores Gregos e Romanos (trad. Raul Fiker). São Paulo, Odysseus Editora Ltda, 2008. _______. Chorführungimmittelalterlichen Chistus Patiens, Acta Universitas Carolinae, Philologica2, Graecolatina Pragensia, (2016), pp. 25-32. RAPP, C. Literary Culture under Justinian. In: MAAS, M. The Cambridge Companion to the Age of Justinian. Cambridge, Cambridge University Press, 2005. REYNOLDS, L, WILSON, N. Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature. Oxford, Oxford University Press, 1991 (3ª Ed.). ROEMER, C. The Papyrus Roll. In: ELIOT, S., ROSE, J. A Companion to the History of the Book. Malden, Blackwell Publishing, 2007. SIMELIDIS, C. Selected Poems of Gregory of Nazianzus. I.217; II.1.10, 19,32: a Criticial Edition with Introduction and Commentary. Göttingen, Vandenhoeck & Ruprecht, 2009. SWART, G. The Christus Patiens and Romanos the Melodist: some considerations on Dependence and Dating. Acta Classica, XXXIII (1990), pp. 53-64. TORRANO, J. Medeia. São Paulo, Ed. Hucitec, 1991. _________. Bacas. O mito de Dioniso. São Paulo, Ed. Hucitec, 1995. TRISOGLIO, F. Il Christus patiens: rassegna delle attribuzioni. Rivista di studi classici, 1974, pp. 351-423. ________. La vergine ed il coro nel Christus Patiens. Rivista di Studi Classici 27 (1979), pp. 338-373 TRISOGLIO, F. I deuteragonisti del Christus Patiens. Dionisio 49 (1978), pp. 117-187. TUILIER, A. La Passion du Christ. Grégoire de Nazianze. (Introduction, Texte Critique, Traduction, Notes et Index). Paris, Les Éditions du Cerf, 1969. _________. Grégoire de Nazianze et le Christus Patiens. À propos d´um ouvrage récent. Revue des Études Grécques, tome 110, 1997, pp. 632-647. ________. La tradition textuelle du Christos Paschôn et le texte d’Euripide. Kentron 13, 1-2, 1997b, pp. 111-117. VAKONAKIS, N. Das Griechische Drama auf dem Weg nach Byzanz – Der euripideische Cento Christos Paschon. Tübingen,Narr Verlag, 2011. WAHLGREN, S. Byzantine Literature and the Classical Past. IN: BAKKER, E. A Companion to the Ancient Greek Language. Malden, Blackwell Publishing Ltd, 2010. WHITE, C. Gregory of Nazianzus. Autobiographical Poems. Cambridge, Cambridge University Press, 1996. |
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