A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Sociologia & Antropologia |
Texto Completo: | http://old.scielo.br/scielo.php?script=sci_arttext&pid=S2238-38752018000300849 |
Resumo: | Abstract In the 1950s, Mário Pedro claimed Alfredo Volpi to be the greatest national painter and a master to be followed by younger artists. This was a conflict-ridden process, which put at stake the old canons of Brazilian modernism and also the way in which the history of national art was written. Following this process, we also come face-to-face with the mechanism responsible for mobilizing the presence of people, the persistence of national values and the importance of cities in the Brazilian artistic field. |
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Sociologia & Antropologia |
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A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSAConcrete artAlfredo VolpiMário Pedrosamodernismartistic fieldAbstract In the 1950s, Mário Pedro claimed Alfredo Volpi to be the greatest national painter and a master to be followed by younger artists. This was a conflict-ridden process, which put at stake the old canons of Brazilian modernism and also the way in which the history of national art was written. Following this process, we also come face-to-face with the mechanism responsible for mobilizing the presence of people, the persistence of national values and the importance of cities in the Brazilian artistic field.Universidade Federal do Rio de Janeiro2018-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttp://old.scielo.br/scielo.php?script=sci_arttext&pid=S2238-38752018000300849Sociologia & Antropologia v.8 n.3 2018reponame:Sociologia & Antropologiainstname:Universidade Federal do Rio de Janeiro (UFRJ)instacron:UFRJ10.1590/2238-38752018v835info:eu-repo/semantics/openAccessRosa,Marcos Pedroeng2018-11-28T00:00:00Zoai:scielo:S2238-38752018000300849Revistahttp://www.revistappgsa.ifcs.ufrj.br/PUBhttps://old.scielo.br/oai/scielo-oai.phprevistappgsa@gmail.com2238-38752236-7527opendoar:2018-11-28T00:00Sociologia & Antropologia - Universidade Federal do Rio de Janeiro (UFRJ)false |
dc.title.none.fl_str_mv |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
title |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
spellingShingle |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA Rosa,Marcos Pedro Concrete art Alfredo Volpi Mário Pedrosa modernism artistic field |
title_short |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
title_full |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
title_fullStr |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
title_full_unstemmed |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
title_sort |
A TALE OF MASTERS AND ISLANDS: VOLPI CLAIMED BY MÁRIO PEDROSA |
author |
Rosa,Marcos Pedro |
author_facet |
Rosa,Marcos Pedro |
author_role |
author |
dc.contributor.author.fl_str_mv |
Rosa,Marcos Pedro |
dc.subject.por.fl_str_mv |
Concrete art Alfredo Volpi Mário Pedrosa modernism artistic field |
topic |
Concrete art Alfredo Volpi Mário Pedrosa modernism artistic field |
description |
Abstract In the 1950s, Mário Pedro claimed Alfredo Volpi to be the greatest national painter and a master to be followed by younger artists. This was a conflict-ridden process, which put at stake the old canons of Brazilian modernism and also the way in which the history of national art was written. Following this process, we also come face-to-face with the mechanism responsible for mobilizing the presence of people, the persistence of national values and the importance of cities in the Brazilian artistic field. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S2238-38752018000300849 |
url |
http://old.scielo.br/scielo.php?script=sci_arttext&pid=S2238-38752018000300849 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
10.1590/2238-38752018v835 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Universidade Federal do Rio de Janeiro |
publisher.none.fl_str_mv |
Universidade Federal do Rio de Janeiro |
dc.source.none.fl_str_mv |
Sociologia & Antropologia v.8 n.3 2018 reponame:Sociologia & Antropologia instname:Universidade Federal do Rio de Janeiro (UFRJ) instacron:UFRJ |
instname_str |
Universidade Federal do Rio de Janeiro (UFRJ) |
instacron_str |
UFRJ |
institution |
UFRJ |
reponame_str |
Sociologia & Antropologia |
collection |
Sociologia & Antropologia |
repository.name.fl_str_mv |
Sociologia & Antropologia - Universidade Federal do Rio de Janeiro (UFRJ) |
repository.mail.fl_str_mv |
revistappgsa@gmail.com |
_version_ |
1754734733157203968 |