Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís

Detalhes bibliográficos
Autor(a) principal: Costa Cavalcante, José Dino
Data de Publicação: 2021
Outros Autores: Borges Vieira, Mauro Cezar
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/25263
Resumo: This work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by Josué Montello. With the focus on the role of the writer's library in the process of literary creation, we hope to reconstruct a way of reading that brings the Montello reader of Stendhal closer to the Montello writer. For this, we used the discussions about intertextuality in Samoyault (2008) and the writer's library in Lopez (2007), in addition to the critical apparatus of Montello (1973) and Oliveira (2007) and the marginalia collected in the library of Josué Montello in Stendhal (1939). As methodological procedures, after going through the theoretical questions about intertextuality in the writer's library, we will compare Montello's critical writings on the two works with an emphasis on the treatment of historical events that comprise them, in addition to analyzing the examples of Stendhal's work that appear in the Josué Montello's library. As a result, several points of convergence were found between aspects of the works that showed the influence of one on the other, making it clear that the process of literary creation uses different techniques to achieve its final result.
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spelling Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São LuísJosué Montello leitor de Stendhal: relações intertextuais entre O Vermelho e o Negro e Os Tambores de São LuísJosué Montello, Stendhal, intertextuality, writer's libraryJosué Montello, Stendhal, intertextualidade, biblioteca do escritorThis work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by Josué Montello. With the focus on the role of the writer's library in the process of literary creation, we hope to reconstruct a way of reading that brings the Montello reader of Stendhal closer to the Montello writer. For this, we used the discussions about intertextuality in Samoyault (2008) and the writer's library in Lopez (2007), in addition to the critical apparatus of Montello (1973) and Oliveira (2007) and the marginalia collected in the library of Josué Montello in Stendhal (1939). As methodological procedures, after going through the theoretical questions about intertextuality in the writer's library, we will compare Montello's critical writings on the two works with an emphasis on the treatment of historical events that comprise them, in addition to analyzing the examples of Stendhal's work that appear in the Josué Montello's library. As a result, several points of convergence were found between aspects of the works that showed the influence of one on the other, making it clear that the process of literary creation uses different techniques to achieve its final result.Este trabalho tem como objetivo analisar as relações intertextuais existentes entre a obra O vermelho e o negro, de Stendhal, e Os tambores de São Luís, de Josué Montello. Com o foco não papel da biblioteca do escritor no processo de criação literária, esperamos reconstruir um caminho de leitura que aproxime o Montello leitor de Stendhal do Montello escritor. Para isso, nos utilizamos das discussões acerca da intertextualidade em Samoyault (2008) e da biblioteca do escritor em Lopez (2007), além do aparato crítico de Montello (1973) e Oliveira (2007) e da marginália recolhida na biblioteca de Josué Montello em Stendhal (1939). Como procedimentos metodológicos, após perpassar as questões teóricas sobre a intertextualidade na biblioteca do escritor, iremos comparar escritos críticos de Montello sobre as duas obras com ênfase no tratamento dos eventos históricos que as compõem, além de analisarmos os exemplares da obra de Stendhal que figuram na biblioteca de Josué Montello. Como resultado, foram encontrados diversos pontos de convergência entre aspectos das obras que evidenciaram a influência de uma na outra, deixando claro que o processo de criação literária se utiliza de diversas técnicas para concretizar seu resultado final.UFRN2021-12-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/2526310.21680/1983-2435.2021v6n2ID25263Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 71-90Revue Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 71-90Revista Odisseia; v. 6 n. 2 (2021): Revista Odisseia; 71-901983-243510.21680/1983-2435.2021v6n2reponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/25263/15105Copyright (c) 2021 Revista Odisseiainfo:eu-repo/semantics/openAccessCosta Cavalcante, José Dino Borges Vieira, Mauro Cezar2021-12-27T21:29:03Zoai:periodicos.ufrn.br:article/25263Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2021-12-27T21:29:03Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
Josué Montello leitor de Stendhal: relações intertextuais entre O Vermelho e o Negro e Os Tambores de São Luís
title Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
spellingShingle Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
Costa Cavalcante, José Dino
Josué Montello, Stendhal, intertextuality, writer's library
Josué Montello, Stendhal, intertextualidade, biblioteca do escritor
title_short Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_full Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_fullStr Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_full_unstemmed Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
title_sort Josué Montello reader of Stendhal: intertextual relations between O Vermelho e o Negro and Os tambores de São Luís
author Costa Cavalcante, José Dino
author_facet Costa Cavalcante, José Dino
Borges Vieira, Mauro Cezar
author_role author
author2 Borges Vieira, Mauro Cezar
author2_role author
dc.contributor.author.fl_str_mv Costa Cavalcante, José Dino
Borges Vieira, Mauro Cezar
dc.subject.por.fl_str_mv Josué Montello, Stendhal, intertextuality, writer's library
Josué Montello, Stendhal, intertextualidade, biblioteca do escritor
topic Josué Montello, Stendhal, intertextuality, writer's library
Josué Montello, Stendhal, intertextualidade, biblioteca do escritor
description This work aims to analyze the intertextual relations between the work O Vermelho e o Negro, by Stendhal, and Os tambourines de São Luís, by Josué Montello. With the focus on the role of the writer's library in the process of literary creation, we hope to reconstruct a way of reading that brings the Montello reader of Stendhal closer to the Montello writer. For this, we used the discussions about intertextuality in Samoyault (2008) and the writer's library in Lopez (2007), in addition to the critical apparatus of Montello (1973) and Oliveira (2007) and the marginalia collected in the library of Josué Montello in Stendhal (1939). As methodological procedures, after going through the theoretical questions about intertextuality in the writer's library, we will compare Montello's critical writings on the two works with an emphasis on the treatment of historical events that comprise them, in addition to analyzing the examples of Stendhal's work that appear in the Josué Montello's library. As a result, several points of convergence were found between aspects of the works that showed the influence of one on the other, making it clear that the process of literary creation uses different techniques to achieve its final result.
publishDate 2021
dc.date.none.fl_str_mv 2021-12-21
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dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/25263
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url https://periodicos.ufrn.br/odisseia/article/view/25263
identifier_str_mv 10.21680/1983-2435.2021v6n2ID25263
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dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/25263/15105
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista Odisseia
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rights_invalid_str_mv Copyright (c) 2021 Revista Odisseia
eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv UFRN
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dc.source.none.fl_str_mv Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 71-90
Revue Odisseia; Vol. 6 No. 2 (2021): Revista Odisseia; 71-90
Revista Odisseia; v. 6 n. 2 (2021): Revista Odisseia; 71-90
1983-2435
10.21680/1983-2435.2021v6n2
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