Literary laughter in the work of Adriana Falcão

Detalhes bibliográficos
Autor(a) principal: Santos, Concísia Lopes
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/24261
Resumo: The work of contemporary Brazilian writer Adriana Falcão is strongly permeated by several literary resources that lead to laughter, such as exaggerations, ironies, jokes, comedy, breaks of expectations and stereotypes, humor, the play on words, language games, laughable characters, etc. This leads us to affirm that the author uses literary laughter, here understood as that produced from a literary writing, derived from the subjectivity of the writer. To understand how this occurs, we tried to think of two of these elements from the novel Luna Clara and Apolo Onze (2002), namely: the laughability of the words and the laughability of the characters. For this, we will use Henri Bergson (1991) as a theoretical framework to think about laughter and these elements. It is an exploratory study, seeking to show how laughter is constituted in the work under analysis; qualitative, with evaluative results; bibliographic and comparative.
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spelling Literary laughter in the work of Adriana FalcãoO riso literário na obra de Adriana FalcãoAdriana Falcão. Luna Clara and Apolo Onze. Laughter.Adriana Falcão. Luna Clara e Apolo Onze. Riso.The work of contemporary Brazilian writer Adriana Falcão is strongly permeated by several literary resources that lead to laughter, such as exaggerations, ironies, jokes, comedy, breaks of expectations and stereotypes, humor, the play on words, language games, laughable characters, etc. This leads us to affirm that the author uses literary laughter, here understood as that produced from a literary writing, derived from the subjectivity of the writer. To understand how this occurs, we tried to think of two of these elements from the novel Luna Clara and Apolo Onze (2002), namely: the laughability of the words and the laughability of the characters. For this, we will use Henri Bergson (1991) as a theoretical framework to think about laughter and these elements. It is an exploratory study, seeking to show how laughter is constituted in the work under analysis; qualitative, with evaluative results; bibliographic and comparative.A obra da escritora brasileira contemporânea Adriana Falcão é fortemente permeada por diversos recursos literários que levam ao riso, como os exageros, as ironias, as piadas, a comédia, as quebras de expectativa e de estereótipos, o humor, o jogo de palavras, os jogos de linguagem, as personagens risíveis etc. Isso nos leva a afirmar que a autora se utiliza do riso literário, aqui entendido como aquele produzido a partir de uma escrita literária, proveniente da subjetividade da escritora. Para compreender como isso ocorre, procuramos pensar dois desses elementos a partir do romance Luna Clara e Apolo Onze (2002), a saber: o risível das palavras e o risível das personagens. Para isso, utilizaremos Henri Bergson (1991) como referencial teórico para pensar o riso e esses elementos. Trata-se de um estudo exploratório, buscando mostrar como se constitui o riso na obra em análise; qualitativo, com resultados valorativos; bibliográfico e comparativo.UFRN2021-06-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/2426110.21680/1983-2435.2021v6n1ID24261Odisseia; Vol. 6 No. 1 (2021); 71-91Revue Odisseia; Vol. 6 No. 1 (2021); 71-91Revista Odisseia; v. 6 n. 1 (2021); 71-911983-243510.21680/1983-2435.2021v6n1reponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/24261/14300Copyright (c) 2021 Revista Odisseiainfo:eu-repo/semantics/openAccessSantos, Concísia Lopes2021-07-01T14:32:31Zoai:periodicos.ufrn.br:article/24261Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2021-07-01T14:32:31Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv Literary laughter in the work of Adriana Falcão
O riso literário na obra de Adriana Falcão
title Literary laughter in the work of Adriana Falcão
spellingShingle Literary laughter in the work of Adriana Falcão
Santos, Concísia Lopes
Adriana Falcão. Luna Clara and Apolo Onze. Laughter.
Adriana Falcão. Luna Clara e Apolo Onze. Riso.
title_short Literary laughter in the work of Adriana Falcão
title_full Literary laughter in the work of Adriana Falcão
title_fullStr Literary laughter in the work of Adriana Falcão
title_full_unstemmed Literary laughter in the work of Adriana Falcão
title_sort Literary laughter in the work of Adriana Falcão
author Santos, Concísia Lopes
author_facet Santos, Concísia Lopes
author_role author
dc.contributor.author.fl_str_mv Santos, Concísia Lopes
dc.subject.por.fl_str_mv Adriana Falcão. Luna Clara and Apolo Onze. Laughter.
Adriana Falcão. Luna Clara e Apolo Onze. Riso.
topic Adriana Falcão. Luna Clara and Apolo Onze. Laughter.
Adriana Falcão. Luna Clara e Apolo Onze. Riso.
description The work of contemporary Brazilian writer Adriana Falcão is strongly permeated by several literary resources that lead to laughter, such as exaggerations, ironies, jokes, comedy, breaks of expectations and stereotypes, humor, the play on words, language games, laughable characters, etc. This leads us to affirm that the author uses literary laughter, here understood as that produced from a literary writing, derived from the subjectivity of the writer. To understand how this occurs, we tried to think of two of these elements from the novel Luna Clara and Apolo Onze (2002), namely: the laughability of the words and the laughability of the characters. For this, we will use Henri Bergson (1991) as a theoretical framework to think about laughter and these elements. It is an exploratory study, seeking to show how laughter is constituted in the work under analysis; qualitative, with evaluative results; bibliographic and comparative.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/24261
10.21680/1983-2435.2021v6n1ID24261
url https://periodicos.ufrn.br/odisseia/article/view/24261
identifier_str_mv 10.21680/1983-2435.2021v6n1ID24261
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/24261/14300
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista Odisseia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Revista Odisseia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 6 No. 1 (2021); 71-91
Revue Odisseia; Vol. 6 No. 1 (2021); 71-91
Revista Odisseia; v. 6 n. 1 (2021); 71-91
1983-2435
10.21680/1983-2435.2021v6n1
reponame:Revista odisséia
instname:Universidade Federal do Rio Grande do Norte (UFRN)
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instname_str Universidade Federal do Rio Grande do Norte (UFRN)
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reponame_str Revista odisséia
collection Revista odisséia
repository.name.fl_str_mv Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv ||revistaodisseia2016@gmail.com
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