Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem

Detalhes bibliográficos
Autor(a) principal: da Silva, Marcelo Medeiros
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista odisséia
Texto Completo: https://periodicos.ufrn.br/odisseia/article/view/15528
Resumo: This article examines Ignez Mariz’s novel, A Barragem (1937). The article’s objective is to examine the representations of women found in the novel, beginning with the female archetypes circulating the narrative. Furthermore, it aims to ascribe to both the author and her work their position within Brazilian literary regionalism of 1930, and to highlight their place in Paraíba’s literary landscape. Based on the method of textual criticism, we indeed undertake the analysis of this novel subsidized by the theoretical-critical orientations of Bueno (2006), Sales (2005), Santos (1994) and Rago (2005). We hence conclude our article reiterating Ignez Mariz's pioneering spirit, in the process of reflection on the society of Paraíba, specially concerning the feminine condition in the first decades of the twentieth century.
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spelling Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A BarragemFlores do sertão:: mulheres e representação social em A Barragem, de Ignez MarizRepresentation of womenLiterature of ParaíbaIgnez MarizRepresentação FemininaLiteratura ParaibanaIgnez MarizThis article examines Ignez Mariz’s novel, A Barragem (1937). The article’s objective is to examine the representations of women found in the novel, beginning with the female archetypes circulating the narrative. Furthermore, it aims to ascribe to both the author and her work their position within Brazilian literary regionalism of 1930, and to highlight their place in Paraíba’s literary landscape. Based on the method of textual criticism, we indeed undertake the analysis of this novel subsidized by the theoretical-critical orientations of Bueno (2006), Sales (2005), Santos (1994) and Rago (2005). We hence conclude our article reiterating Ignez Mariz's pioneering spirit, in the process of reflection on the society of Paraíba, specially concerning the feminine condition in the first decades of the twentieth century.O presente trabalho volta-se para o estudo do romance A barragem (1937), de Ignez Mariz, a fim de evidenciar a presença feminina em tal obra a partir dos tipos de mulher que circulam na narrativa ao mesmo tempo em que relacionamos autora e obra dentro do cenário literário brasileiro, filiando-as ao regionalismo de 1930, e apontamos o lugar que ambas ocupam no cenário literário paraibano. Para tanto, a partir do método da crítica textual, empreendemos a análise do referido romance, a qual estará também subsidiada nas orientações teórico-críticas de Bueno (2006), Sales (2005), Santos (1994), Rago (2005). Finalizamos o nosso artigo, reiterando o pioneirismo de Ignez Mariz no processo de reflexão sobre a sociedade paraibana, em especial acerca da condição feminina nas primeiras décadas do século XX. UFRN2018-11-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufrn.br/odisseia/article/view/1552810.21680/1983-2435.2018v3n2ID15528Odisseia; Vol. 3 No. 2 (2018); p. 88 - 108Revue Odisseia; Vol. 3 No. 2 (2018); p. 88 - 108Revista Odisseia; v. 3 n. 2 (2018); p. 88 - 1081983-243510.21680/1983-2435.2018v3n2reponame:Revista odisséiainstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNporhttps://periodicos.ufrn.br/odisseia/article/view/15528/10816Copyright (c) 2018 Revista Odisseiainfo:eu-repo/semantics/openAccessda Silva, Marcelo Medeiros2019-06-05T23:44:07Zoai:periodicos.ufrn.br:article/15528Revistahttps://periodicos.ufrn.br/odisseia/indexPUBhttps://periodicos.ufrn.br/odisseia/oai||revistaodisseia2016@gmail.com1983-24351983-2435opendoar:2019-06-05T23:44:07Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.none.fl_str_mv Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
Flores do sertão:: mulheres e representação social em A Barragem, de Ignez Mariz
title Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
spellingShingle Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
da Silva, Marcelo Medeiros
Representation of women
Literature of Paraíba
Ignez Mariz
Representação Feminina
Literatura Paraibana
Ignez Mariz
title_short Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
title_full Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
title_fullStr Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
title_full_unstemmed Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
title_sort Flowers of the sertão: women and their social representation in Ignez Mariz’s novel, A Barragem
author da Silva, Marcelo Medeiros
author_facet da Silva, Marcelo Medeiros
author_role author
dc.contributor.author.fl_str_mv da Silva, Marcelo Medeiros
dc.subject.por.fl_str_mv Representation of women
Literature of Paraíba
Ignez Mariz
Representação Feminina
Literatura Paraibana
Ignez Mariz
topic Representation of women
Literature of Paraíba
Ignez Mariz
Representação Feminina
Literatura Paraibana
Ignez Mariz
description This article examines Ignez Mariz’s novel, A Barragem (1937). The article’s objective is to examine the representations of women found in the novel, beginning with the female archetypes circulating the narrative. Furthermore, it aims to ascribe to both the author and her work their position within Brazilian literary regionalism of 1930, and to highlight their place in Paraíba’s literary landscape. Based on the method of textual criticism, we indeed undertake the analysis of this novel subsidized by the theoretical-critical orientations of Bueno (2006), Sales (2005), Santos (1994) and Rago (2005). We hence conclude our article reiterating Ignez Mariz's pioneering spirit, in the process of reflection on the society of Paraíba, specially concerning the feminine condition in the first decades of the twentieth century.
publishDate 2018
dc.date.none.fl_str_mv 2018-11-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/15528
10.21680/1983-2435.2018v3n2ID15528
url https://periodicos.ufrn.br/odisseia/article/view/15528
identifier_str_mv 10.21680/1983-2435.2018v3n2ID15528
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufrn.br/odisseia/article/view/15528/10816
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Odisseia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Odisseia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFRN
publisher.none.fl_str_mv UFRN
dc.source.none.fl_str_mv Odisseia; Vol. 3 No. 2 (2018); p. 88 - 108
Revue Odisseia; Vol. 3 No. 2 (2018); p. 88 - 108
Revista Odisseia; v. 3 n. 2 (2018); p. 88 - 108
1983-2435
10.21680/1983-2435.2018v3n2
reponame:Revista odisséia
instname:Universidade Federal do Rio Grande do Norte (UFRN)
instacron:UFRN
instname_str Universidade Federal do Rio Grande do Norte (UFRN)
instacron_str UFRN
institution UFRN
reponame_str Revista odisséia
collection Revista odisséia
repository.name.fl_str_mv Revista odisséia - Universidade Federal do Rio Grande do Norte (UFRN)
repository.mail.fl_str_mv ||revistaodisseia2016@gmail.com
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