Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica

Detalhes bibliográficos
Autor(a) principal: Gomes, Ana Cecília Aragão
Data de Publicação: 2009
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional da UFRN
Texto Completo: https://repositorio.ufrn.br/jspui/handle/123456789/13565
Resumo: This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterity
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spelling Gomes, Ana Cecília Aragãohttp://lattes.cnpq.br/9691326421578294http://lattes.cnpq.br/7619869688485452Prysthon, ângela Freirehttp://lattes.cnpq.br/8839343621880140Assunção, Luiz Carvalho dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4780134H62014-12-17T14:19:51Z2010-03-122014-12-17T14:19:51Z2009-10-02GOMES, Ana Cecília Aragão. Shot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaica. 2009. 84 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2009.https://repositorio.ufrn.br/jspui/handle/123456789/13565This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterityEsta dissertação trata do encontro com o outro no cinema. Para isso, acolhe a dúvida, a incerteza, o inacabamento do ser humano como postura de observação. Leva em consideração os múltiplos vetores sociais, históricos, subjetivos, temporais e culturais que constituem esses fenômenos. O cinema é usado como recurso cognitivo a fim de incorporar o poético e o imaginário, possibilitando o não esquecimento de gestos e dos saberes que eclodem dos sons, cores, lembranças, imagens, palavras, trocas sociais, reciprocidades cognitivas que nos permitem pensar a cultura, sociedade e a comunicação. Para isso, tem como pressupostos teóricos as ideias de duplo e participação afetiva (projeção-identificação) desenvolvida por Edgar Morin, assim como a ideia de comunicação como possibilidade/impossibilidade de construções de vínculos com o outro por meio do corpo, nossa mídia primária, conceitos desenvolvido por Harry Pross e Norval Baitello Jr.. O filme escolhido para análise é Lavoura Arcaica, filme emblemático na discussão da condição humana e na relação do homem com seu corpo, seus desejos, com sua ambivalência natureza/cultura. Sobre ele são tecidas reflexões sobre o processo de acionamento do duplo (eu mesmooutro) na busca pelo outro por meio dos elementos de construção cinematográfica, tais como: montagem, direção, roteiro, atores, cenografia, figurino e trilha sonora. Conclui que o cinema, ao permitir a participação afetiva e proporcionar a experienciação do duplo, torna-se uma linha de fuga no caminho para o desenvolvimento da alteridadeCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal do Rio Grande do NortePrograma de Pós-Graduação em Ciências SociaisUFRNBRDesenvolvimento Regional; Cultura e RepresentaçõesComunicaçãoIncomunicaçãoCinemaCorpoLavoura ArcaicaCommunicationUncommunicationCinemaBodyLavoura ArcaicaCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOCampo e contracampo : o encontro com o outro no filme Lavoura ArcaicaShot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaicainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNORIGINALCampoContracampoEncontro_Gomes_2009.pdfapplication/pdf1388609https://repositorio.ufrn.br/bitstream/123456789/13565/1/CampoContracampoEncontro_Gomes_2009.pdf226926edbd9268e022eb0debd52179d9MD51TEXTAnaCAGpdf.pdf.txtAnaCAGpdf.pdf.txtExtracted texttext/plain153281https://repositorio.ufrn.br/bitstream/123456789/13565/6/AnaCAGpdf.pdf.txteb5b24e937af049a016e977e5b981a73MD56CampoContracampoEncontro_Gomes_2009.pdf.txtCampoContracampoEncontro_Gomes_2009.pdf.txtExtracted texttext/plain153245https://repositorio.ufrn.br/bitstream/123456789/13565/8/CampoContracampoEncontro_Gomes_2009.pdf.txtd144be3562dd59f329ff05e0e9ea9c6aMD58THUMBNAILAnaCAGpdf.pdf.jpgAnaCAGpdf.pdf.jpgIM Thumbnailimage/jpeg5633https://repositorio.ufrn.br/bitstream/123456789/13565/7/AnaCAGpdf.pdf.jpg4256e4694f0ba4b564c840c26ed62a06MD57CampoContracampoEncontro_Gomes_2009.pdf.jpgCampoContracampoEncontro_Gomes_2009.pdf.jpgGenerated Thumbnailimage/jpeg1746https://repositorio.ufrn.br/bitstream/123456789/13565/9/CampoContracampoEncontro_Gomes_2009.pdf.jpg24b52374d43b567b72ef5f8b575ade40MD59123456789/135652019-05-26 03:02:19.752oai:https://repositorio.ufrn.br:123456789/13565Repositório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2019-05-26T06:02:19Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false
dc.title.por.fl_str_mv Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
dc.title.alternative.eng.fl_str_mv Shot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaica
title Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
spellingShingle Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
Gomes, Ana Cecília Aragão
Comunicação
Incomunicação
Cinema
Corpo
Lavoura Arcaica
Communication
Uncommunication
Cinema
Body
Lavoura Arcaica
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
title_short Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
title_full Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
title_fullStr Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
title_full_unstemmed Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
title_sort Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
author Gomes, Ana Cecília Aragão
author_facet Gomes, Ana Cecília Aragão
author_role author
dc.contributor.authorID.por.fl_str_mv
dc.contributor.authorLattes.por.fl_str_mv http://lattes.cnpq.br/9691326421578294
dc.contributor.advisorID.por.fl_str_mv
dc.contributor.advisorLattes.por.fl_str_mv http://lattes.cnpq.br/7619869688485452
dc.contributor.referees1.pt_BR.fl_str_mv Prysthon, ângela Freire
dc.contributor.referees1ID.por.fl_str_mv
dc.contributor.referees1Lattes.por.fl_str_mv http://lattes.cnpq.br/8839343621880140
dc.contributor.referees2.pt_BR.fl_str_mv Assunção, Luiz Carvalho de
dc.contributor.referees2ID.por.fl_str_mv
dc.contributor.referees2Lattes.por.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4780134H6
dc.contributor.author.fl_str_mv Gomes, Ana Cecília Aragão
dc.subject.por.fl_str_mv Comunicação
Incomunicação
Cinema
Corpo
Lavoura Arcaica
topic Comunicação
Incomunicação
Cinema
Corpo
Lavoura Arcaica
Communication
Uncommunication
Cinema
Body
Lavoura Arcaica
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
dc.subject.eng.fl_str_mv Communication
Uncommunication
Cinema
Body
Lavoura Arcaica
dc.subject.cnpq.fl_str_mv CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
description This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterity
publishDate 2009
dc.date.issued.fl_str_mv 2009-10-02
dc.date.available.fl_str_mv 2010-03-12
2014-12-17T14:19:51Z
dc.date.accessioned.fl_str_mv 2014-12-17T14:19:51Z
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