Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica
Autor(a) principal: | |
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Data de Publicação: | 2009 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFRN |
Texto Completo: | https://repositorio.ufrn.br/jspui/handle/123456789/13565 |
Resumo: | This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterity |
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Gomes, Ana Cecília Aragãohttp://lattes.cnpq.br/9691326421578294http://lattes.cnpq.br/7619869688485452Prysthon, ângela Freirehttp://lattes.cnpq.br/8839343621880140Assunção, Luiz Carvalho dehttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4780134H62014-12-17T14:19:51Z2010-03-122014-12-17T14:19:51Z2009-10-02GOMES, Ana Cecília Aragão. Shot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaica. 2009. 84 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2009.https://repositorio.ufrn.br/jspui/handle/123456789/13565This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterityEsta dissertação trata do encontro com o outro no cinema. Para isso, acolhe a dúvida, a incerteza, o inacabamento do ser humano como postura de observação. Leva em consideração os múltiplos vetores sociais, históricos, subjetivos, temporais e culturais que constituem esses fenômenos. O cinema é usado como recurso cognitivo a fim de incorporar o poético e o imaginário, possibilitando o não esquecimento de gestos e dos saberes que eclodem dos sons, cores, lembranças, imagens, palavras, trocas sociais, reciprocidades cognitivas que nos permitem pensar a cultura, sociedade e a comunicação. Para isso, tem como pressupostos teóricos as ideias de duplo e participação afetiva (projeção-identificação) desenvolvida por Edgar Morin, assim como a ideia de comunicação como possibilidade/impossibilidade de construções de vínculos com o outro por meio do corpo, nossa mídia primária, conceitos desenvolvido por Harry Pross e Norval Baitello Jr.. O filme escolhido para análise é Lavoura Arcaica, filme emblemático na discussão da condição humana e na relação do homem com seu corpo, seus desejos, com sua ambivalência natureza/cultura. Sobre ele são tecidas reflexões sobre o processo de acionamento do duplo (eu mesmooutro) na busca pelo outro por meio dos elementos de construção cinematográfica, tais como: montagem, direção, roteiro, atores, cenografia, figurino e trilha sonora. Conclui que o cinema, ao permitir a participação afetiva e proporcionar a experienciação do duplo, torna-se uma linha de fuga no caminho para o desenvolvimento da alteridadeCoordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal do Rio Grande do NortePrograma de Pós-Graduação em Ciências SociaisUFRNBRDesenvolvimento Regional; Cultura e RepresentaçõesComunicaçãoIncomunicaçãoCinemaCorpoLavoura ArcaicaCommunicationUncommunicationCinemaBodyLavoura ArcaicaCNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAOCampo e contracampo : o encontro com o outro no filme Lavoura ArcaicaShot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaicainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNORIGINALCampoContracampoEncontro_Gomes_2009.pdfapplication/pdf1388609https://repositorio.ufrn.br/bitstream/123456789/13565/1/CampoContracampoEncontro_Gomes_2009.pdf226926edbd9268e022eb0debd52179d9MD51TEXTAnaCAGpdf.pdf.txtAnaCAGpdf.pdf.txtExtracted texttext/plain153281https://repositorio.ufrn.br/bitstream/123456789/13565/6/AnaCAGpdf.pdf.txteb5b24e937af049a016e977e5b981a73MD56CampoContracampoEncontro_Gomes_2009.pdf.txtCampoContracampoEncontro_Gomes_2009.pdf.txtExtracted texttext/plain153245https://repositorio.ufrn.br/bitstream/123456789/13565/8/CampoContracampoEncontro_Gomes_2009.pdf.txtd144be3562dd59f329ff05e0e9ea9c6aMD58THUMBNAILAnaCAGpdf.pdf.jpgAnaCAGpdf.pdf.jpgIM Thumbnailimage/jpeg5633https://repositorio.ufrn.br/bitstream/123456789/13565/7/AnaCAGpdf.pdf.jpg4256e4694f0ba4b564c840c26ed62a06MD57CampoContracampoEncontro_Gomes_2009.pdf.jpgCampoContracampoEncontro_Gomes_2009.pdf.jpgGenerated Thumbnailimage/jpeg1746https://repositorio.ufrn.br/bitstream/123456789/13565/9/CampoContracampoEncontro_Gomes_2009.pdf.jpg24b52374d43b567b72ef5f8b575ade40MD59123456789/135652019-05-26 03:02:19.752oai:https://repositorio.ufrn.br:123456789/13565Repositório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2019-05-26T06:02:19Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false |
dc.title.por.fl_str_mv |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
dc.title.alternative.eng.fl_str_mv |
Shot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaica |
title |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
spellingShingle |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica Gomes, Ana Cecília Aragão Comunicação Incomunicação Cinema Corpo Lavoura Arcaica Communication Uncommunication Cinema Body Lavoura Arcaica CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
title_short |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
title_full |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
title_fullStr |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
title_full_unstemmed |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
title_sort |
Campo e contracampo : o encontro com o outro no filme Lavoura Arcaica |
author |
Gomes, Ana Cecília Aragão |
author_facet |
Gomes, Ana Cecília Aragão |
author_role |
author |
dc.contributor.authorID.por.fl_str_mv |
|
dc.contributor.authorLattes.por.fl_str_mv |
http://lattes.cnpq.br/9691326421578294 |
dc.contributor.advisorID.por.fl_str_mv |
|
dc.contributor.advisorLattes.por.fl_str_mv |
http://lattes.cnpq.br/7619869688485452 |
dc.contributor.referees1.pt_BR.fl_str_mv |
Prysthon, ângela Freire |
dc.contributor.referees1ID.por.fl_str_mv |
|
dc.contributor.referees1Lattes.por.fl_str_mv |
http://lattes.cnpq.br/8839343621880140 |
dc.contributor.referees2.pt_BR.fl_str_mv |
Assunção, Luiz Carvalho de |
dc.contributor.referees2ID.por.fl_str_mv |
|
dc.contributor.referees2Lattes.por.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4780134H6 |
dc.contributor.author.fl_str_mv |
Gomes, Ana Cecília Aragão |
dc.subject.por.fl_str_mv |
Comunicação Incomunicação Cinema Corpo Lavoura Arcaica |
topic |
Comunicação Incomunicação Cinema Corpo Lavoura Arcaica Communication Uncommunication Cinema Body Lavoura Arcaica CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
dc.subject.eng.fl_str_mv |
Communication Uncommunication Cinema Body Lavoura Arcaica |
dc.subject.cnpq.fl_str_mv |
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO |
description |
This dissertation aims to comprehend how we meet with the other at cinema. For this, it receives the doubt, the uncertainty, the way that the human being is unfinished as stance of observation. It takes into consideration the multiples social vectors, historical, subjective, temporal and cultural which constitute these phenomena. The cinema is used as a cognitive resource in order to incorporate the poetic and the imaginary, making possible not forgetting gestures and knowledge that hatch from sounds, colours, remembrances, images, words, social exchanges, cognitive reciprocity that allow us to think about the culture, the society and the communication. For this, it has as theoretical prerequisites ideas of double (myselfthe other) and effective participation (projection-identification) developed by Edgar Morin, as well as the idea of communication as possibility/impossibility of constructions of bonds with the other through the body, our primary media, concepts developed by Harry Pross and Norval Baitello Jr. The chosen film to analysis is Lavoura Arcaica, it is an emblematic movie in the discussion of the human condition and in the relationship between the man and its body, its desires, with its nature/culture ambivalence. About this film are made reflections about the process of activation of the double (myself-the other) in the searching for the other through cinematographically elements of construction, as: montage, direction, screenplay, actors, scenography, costumes and soundtrack. In conclusion, the cinema, when it allows the effective participation and provides t e experiment of the double, becomes a gateway line in the path to development of the alterity |
publishDate |
2009 |
dc.date.issued.fl_str_mv |
2009-10-02 |
dc.date.available.fl_str_mv |
2010-03-12 2014-12-17T14:19:51Z |
dc.date.accessioned.fl_str_mv |
2014-12-17T14:19:51Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
GOMES, Ana Cecília Aragão. Shot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaica. 2009. 84 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2009. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufrn.br/jspui/handle/123456789/13565 |
identifier_str_mv |
GOMES, Ana Cecília Aragão. Shot and reaction-shot of the body: the meet with the other in the movie Lavoura Arcaica. 2009. 84 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2009. |
url |
https://repositorio.ufrn.br/jspui/handle/123456789/13565 |
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por |
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openAccess |
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Universidade Federal do Rio Grande do Norte |
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Programa de Pós-Graduação em Ciências Sociais |
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UFRN |
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BR |
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Desenvolvimento Regional; Cultura e Representações |
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Universidade Federal do Rio Grande do Norte |
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