Break: o grito corporal da periferia
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFRN |
Texto Completo: | https://repositorio.ufrn.br/jspui/handle/123456789/13616 |
Resumo: | In order to question a sociology as it considers appropriate the body dimensions, which contributes in a mean singular in relation to body, not only as a matter, but mainly as a producer of knowledge, our research shows a reflection on corporality as the production of knowledge and to understand different perspectives and social logic here in contemporaneity, whose rationality seems to be placed in question through a performance expressed, a lot of 'breaks', including the space, which the dancer break appropriates of a reversed form and not more than linear. Our problem is the possibility of a greater understanding of this young body with dance the break, is not only 'breaking' his body, but fluent in their own body fragments, producing probably a break in relation to a dominant power established, by creating a kind of 'social resistance' to provide another sense for his life, out of the senses by the dominant of a social field. This is the area of production of knowledge, of the 'body' that cries keep our eyes, the challenge of dive in the depth of gestures, beyond the physical structure, restoring in a strong political constitution and cultural in so far as this body faces. The body as spectacular becomes 'cause and effect' of communication, this body is not only individual, it is not expression only for itself; when the young dance outside their walls individuals, makes it relational, turning to relate with the other, with the space, time and the world. The methodological point of view, to study this corporality in element break, the body as language of senses, we considered withdrawals in the field, observations of movements of the universe of break creative dance, performance and analysis of "attitudes" (expression peculiar world hip hop ), as well as my experience with dancing in the street interventions through 'urban' and our own attitudes to the object of research which challenges us academically and, it all, existentially |
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Menezes, Julieta de Souzahttp://lattes.cnpq.br/8960283007512045http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781949U5Silva, Josimey Costa dahttp://lattes.cnpq.br/7619869688485452Queiroz, Tereza Correia da N.http://lattes.cnpq.br/36918005358636302014-12-17T14:19:59Z2012-09-252014-12-17T14:19:59Z2010-06-30MENEZES, Julieta de Souza. Break: o grito corporal da periferia . 2010. 92 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2010.https://repositorio.ufrn.br/jspui/handle/123456789/13616In order to question a sociology as it considers appropriate the body dimensions, which contributes in a mean singular in relation to body, not only as a matter, but mainly as a producer of knowledge, our research shows a reflection on corporality as the production of knowledge and to understand different perspectives and social logic here in contemporaneity, whose rationality seems to be placed in question through a performance expressed, a lot of 'breaks', including the space, which the dancer break appropriates of a reversed form and not more than linear. Our problem is the possibility of a greater understanding of this young body with dance the break, is not only 'breaking' his body, but fluent in their own body fragments, producing probably a break in relation to a dominant power established, by creating a kind of 'social resistance' to provide another sense for his life, out of the senses by the dominant of a social field. This is the area of production of knowledge, of the 'body' that cries keep our eyes, the challenge of dive in the depth of gestures, beyond the physical structure, restoring in a strong political constitution and cultural in so far as this body faces. The body as spectacular becomes 'cause and effect' of communication, this body is not only individual, it is not expression only for itself; when the young dance outside their walls individuals, makes it relational, turning to relate with the other, with the space, time and the world. The methodological point of view, to study this corporality in element break, the body as language of senses, we considered withdrawals in the field, observations of movements of the universe of break creative dance, performance and analysis of "attitudes" (expression peculiar world hip hop ), as well as my experience with dancing in the street interventions through 'urban' and our own attitudes to the object of research which challenges us academically and, it all, existentiallyNo sentido de questionar uma sociologia que considere relevantes as dimensões corporais de existência, que contribua em um pensar singular em relação ao corpo, não somente enquanto matéria, mas principalmente como produtor de conhecimentos, esta pesquisa evidencia uma reflexão sobre a corporeidade como produção de saberes e como compreender diferentes olhares e lógicas sociais presentes nesta contemporaneidade, cuja racionalidade parece estar colocada em questão através de uma performance que expressa diversas quebras, inclusive a do espaço físico, do qual o dançarino de break se apropria de forma invertida e não mais linear. Nossa problemática encontra-se na possibilidade de uma maior compreensão deste corpo jovem que dança o break, que não está apenas quebrando o seu corpo, mas fluindo em seus próprios fragmentos corporais, produzindo provavelmente uma quebra em relação a um poder dominante instituído, criando uma espécie de resistência social que lhes forneça outro sentido para sua vida, fora dos sentidos dados pelo campo social dominante. É nesse espaço de produção do conhecimento, dos gritos corporais, que direcionamos nosso olhar, no desafio de mergulhar na profundidade dos gestos, ultrapassando a estrutura física, restituindo em uma forte constituição política e cultural na medida em que este corpo confronta. O corpo enquanto espetáculo se torna causa e efeito de comunicação. Esse corpo não parece ser só individual, ele não se expressaria apenas para si. Quando o jovem dança fora dos seus muros particulares, torna-se relacional, passando a se relacionar com o outro, com o espaço, o tempo e o mundo. Do ponto de vista metodológico, para análise dessa corporeidade no elemento break, do corpo, enquanto linguagem de sentidos, iremos considerar levantamentos em campo, observações de movimentos do universo do break dance, performances criativas e análise de atitudes (expressão peculiar do mundo hip hop), bem como minha experiência com a dança na rua através de intervenções urbanas e nossas próprias atitudes diante do objeto de pesquisa que nos interpela academicamente e, sobretudo, existencialmenteapplication/pdfporUniversidade Federal do Rio Grande do NortePrograma de Pós-Graduação em Ciências SociaisUFRNBRDesenvolvimento Regional; Cultura e RepresentaçõesCorporeidadeHip hopBreakCorporealityHip hopBreakCNPQ::OUTROS::CIENCIAS SOCIAISBreak: o grito corporal da periferiainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFRNinstname:Universidade Federal do Rio Grande do Norte (UFRN)instacron:UFRNORIGINALBreakGritoCorporal_Menezes_2010.pdfapplication/pdf960641https://repositorio.ufrn.br/bitstream/123456789/13616/1/BreakGritoCorporal_Menezes_2010.pdfba1f89209a5d2a5dfc3a474903ea2090MD51TEXTJulietaSM_DISSERT.pdf.txtJulietaSM_DISSERT.pdf.txtExtracted texttext/plain192124https://repositorio.ufrn.br/bitstream/123456789/13616/6/JulietaSM_DISSERT.pdf.txtcb24f091f76e0e6bed430f2f0ee3ddbcMD56BreakGritoCorporal_Menezes_2010.pdf.txtBreakGritoCorporal_Menezes_2010.pdf.txtExtracted texttext/plain191711https://repositorio.ufrn.br/bitstream/123456789/13616/8/BreakGritoCorporal_Menezes_2010.pdf.txt6f448ff13ca1da61ac519d0777b788beMD58THUMBNAILJulietaSM_DISSERT.pdf.jpgJulietaSM_DISSERT.pdf.jpgIM Thumbnailimage/jpeg4811https://repositorio.ufrn.br/bitstream/123456789/13616/7/JulietaSM_DISSERT.pdf.jpgecfcce520591290cbc8564bea7a885c4MD57BreakGritoCorporal_Menezes_2010.pdf.jpgBreakGritoCorporal_Menezes_2010.pdf.jpgGenerated Thumbnailimage/jpeg1488https://repositorio.ufrn.br/bitstream/123456789/13616/9/BreakGritoCorporal_Menezes_2010.pdf.jpg2e37be37d8fed90e28781944b228dc65MD59123456789/136162019-05-26 02:36:00.975oai:https://repositorio.ufrn.br:123456789/13616Repositório de PublicaçõesPUBhttp://repositorio.ufrn.br/oai/opendoar:2019-05-26T05:36Repositório Institucional da UFRN - Universidade Federal do Rio Grande do Norte (UFRN)false |
dc.title.por.fl_str_mv |
Break: o grito corporal da periferia |
title |
Break: o grito corporal da periferia |
spellingShingle |
Break: o grito corporal da periferia Menezes, Julieta de Souza Corporeidade Hip hop Break Corporeality Hip hop Break CNPQ::OUTROS::CIENCIAS SOCIAIS |
title_short |
Break: o grito corporal da periferia |
title_full |
Break: o grito corporal da periferia |
title_fullStr |
Break: o grito corporal da periferia |
title_full_unstemmed |
Break: o grito corporal da periferia |
title_sort |
Break: o grito corporal da periferia |
author |
Menezes, Julieta de Souza |
author_facet |
Menezes, Julieta de Souza |
author_role |
author |
dc.contributor.authorID.por.fl_str_mv |
|
dc.contributor.authorLattes.por.fl_str_mv |
http://lattes.cnpq.br/8960283007512045 |
dc.contributor.advisorID.por.fl_str_mv |
|
dc.contributor.advisorLattes.por.fl_str_mv |
http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4781949U5 |
dc.contributor.referees1.pt_BR.fl_str_mv |
Silva, Josimey Costa da |
dc.contributor.referees1ID.por.fl_str_mv |
|
dc.contributor.referees1Lattes.por.fl_str_mv |
http://lattes.cnpq.br/7619869688485452 |
dc.contributor.referees2.pt_BR.fl_str_mv |
Queiroz, Tereza Correia da N. |
dc.contributor.referees2ID.por.fl_str_mv |
|
dc.contributor.referees2Lattes.por.fl_str_mv |
http://lattes.cnpq.br/3691800535863630 |
dc.contributor.author.fl_str_mv |
Menezes, Julieta de Souza |
dc.subject.por.fl_str_mv |
Corporeidade Hip hop Break |
topic |
Corporeidade Hip hop Break Corporeality Hip hop Break CNPQ::OUTROS::CIENCIAS SOCIAIS |
dc.subject.eng.fl_str_mv |
Corporeality Hip hop Break |
dc.subject.cnpq.fl_str_mv |
CNPQ::OUTROS::CIENCIAS SOCIAIS |
description |
In order to question a sociology as it considers appropriate the body dimensions, which contributes in a mean singular in relation to body, not only as a matter, but mainly as a producer of knowledge, our research shows a reflection on corporality as the production of knowledge and to understand different perspectives and social logic here in contemporaneity, whose rationality seems to be placed in question through a performance expressed, a lot of 'breaks', including the space, which the dancer break appropriates of a reversed form and not more than linear. Our problem is the possibility of a greater understanding of this young body with dance the break, is not only 'breaking' his body, but fluent in their own body fragments, producing probably a break in relation to a dominant power established, by creating a kind of 'social resistance' to provide another sense for his life, out of the senses by the dominant of a social field. This is the area of production of knowledge, of the 'body' that cries keep our eyes, the challenge of dive in the depth of gestures, beyond the physical structure, restoring in a strong political constitution and cultural in so far as this body faces. The body as spectacular becomes 'cause and effect' of communication, this body is not only individual, it is not expression only for itself; when the young dance outside their walls individuals, makes it relational, turning to relate with the other, with the space, time and the world. The methodological point of view, to study this corporality in element break, the body as language of senses, we considered withdrawals in the field, observations of movements of the universe of break creative dance, performance and analysis of "attitudes" (expression peculiar world hip hop ), as well as my experience with dancing in the street interventions through 'urban' and our own attitudes to the object of research which challenges us academically and, it all, existentially |
publishDate |
2010 |
dc.date.issued.fl_str_mv |
2010-06-30 |
dc.date.available.fl_str_mv |
2012-09-25 2014-12-17T14:19:59Z |
dc.date.accessioned.fl_str_mv |
2014-12-17T14:19:59Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
MENEZES, Julieta de Souza. Break: o grito corporal da periferia . 2010. 92 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2010. |
dc.identifier.uri.fl_str_mv |
https://repositorio.ufrn.br/jspui/handle/123456789/13616 |
identifier_str_mv |
MENEZES, Julieta de Souza. Break: o grito corporal da periferia . 2010. 92 f. Dissertação (Mestrado em Desenvolvimento Regional; Cultura e Representações) - Universidade Federal do Rio Grande do Norte, Natal, 2010. |
url |
https://repositorio.ufrn.br/jspui/handle/123456789/13616 |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
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Universidade Federal do Rio Grande do Norte |
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Programa de Pós-Graduação em Ciências Sociais |
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UFRN |
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BR |
dc.publisher.department.fl_str_mv |
Desenvolvimento Regional; Cultura e Representações |
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Universidade Federal do Rio Grande do Norte |
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