Gerald Thomas e a (des)encenação do mundo: as paisagens visuais como grafia de intertextualidades, citações e hipertextos

• Autor(a) principal: Araújo, Rummenigge Medeiros
• Data de Publicação: 2011
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFRN
• Texto Completo: https://repositorio.ufrn.br/jspui/handle/123456789/12437
• topic: Paisagens visuais; Pós-dramático; Hibridismo; Gerald Thomas; Visual landscapes; Post-dramatic; Hybridsm; Gerald Thomas; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES

This work is the result of a personal uneasy about the form and development taken by contemporaneous theater concerning its relationship with other media to create new hybrid organisms and organizing itself through new possibilities, connections, as well as with different levels of arrangements in the construction of the scene. The purpose of this research is to study the connections between the scene and the media within the context of the formation of hybrid organism wich is the key element. That stands for an aesthetic characteristic of the post-dramatic condition of contemporary theatre in Brazil. Thus, this work will investigate the concept of visual landscapes within the context of Gerald Thomas Sievers work in Brazil in the period of the first decade of twenty-first century having the play Rainha Mentira (2007) (Queen Liar, 2007) as the main empirical object of analysis, discussion and application of the framework developed in the text