O homem comum na produção documentária alagoana contemporânea
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/jspui/handle/riufs/14633 |
Resumo: | The paper analyzes how the alagono documentaries, resulted of audiovisual training workshops, portray the ordinary man.These films do not emphasize the event itself, they turn to the characters life’s history, the family relations, works with diferentes times of the moment, with the construction of the narrative, the mise en scène, of the elements that register for another time that is not instantaneous. The research is divided into four parts. The first consists to analyze the term “whatever” in Agamben permeated by other concepts such as biopolitics, the state of exception and the society of the spectacle that transforms bodies of the ordinary man into “anyone”. The second part it is related to the Brazilian documentary, how the ordinary man, his “bare life” (zoe) and politics (bio) was told according to historical moments. The third part discusses the contextualization of the cinema in Alagoas and the relevance of the cycle of training workshops in the state, portraying how the films are presented as responses to the development of the alagoano audiovisual, as a political and social fator that fights a biopolitical language. The last part consists of an empirical incursion into the set of documentaries filmed in the audiovisual training workshops in Alagoas, in order to analyze them through the methodology of the Cinema Comparado (SOUTO,2017), the general image of the ordinary man into four documentaries: Anda, Zé Pequeno, anda (2009), O velho e a lagoa (2009), Nome, idade, profissão e onde mora (2009) e Marinete (2011). These films present a certain similarity with the contemporary Brazilian documentary that pursues to treat the characters in their singularities. There is a picture of the ordinary man’s life and the community to which he belongs without the concern to contextualize them in a determined social group of identity, as the speakers of their communities, making invisible singularities visible in the spectacular media world. |
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Silva, Leandro Alves daGomes, Ana Ângela Farias2021-10-04T21:29:52Z2021-10-04T21:29:52Z2018-07-31SILVA, Leandro Alves da. O homem comum na produção documentária alagoana contemporânea. 2018. 139 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2018.https://ri.ufs.br/jspui/handle/riufs/14633The paper analyzes how the alagono documentaries, resulted of audiovisual training workshops, portray the ordinary man.These films do not emphasize the event itself, they turn to the characters life’s history, the family relations, works with diferentes times of the moment, with the construction of the narrative, the mise en scène, of the elements that register for another time that is not instantaneous. The research is divided into four parts. The first consists to analyze the term “whatever” in Agamben permeated by other concepts such as biopolitics, the state of exception and the society of the spectacle that transforms bodies of the ordinary man into “anyone”. The second part it is related to the Brazilian documentary, how the ordinary man, his “bare life” (zoe) and politics (bio) was told according to historical moments. The third part discusses the contextualization of the cinema in Alagoas and the relevance of the cycle of training workshops in the state, portraying how the films are presented as responses to the development of the alagoano audiovisual, as a political and social fator that fights a biopolitical language. The last part consists of an empirical incursion into the set of documentaries filmed in the audiovisual training workshops in Alagoas, in order to analyze them through the methodology of the Cinema Comparado (SOUTO,2017), the general image of the ordinary man into four documentaries: Anda, Zé Pequeno, anda (2009), O velho e a lagoa (2009), Nome, idade, profissão e onde mora (2009) e Marinete (2011). These films present a certain similarity with the contemporary Brazilian documentary that pursues to treat the characters in their singularities. There is a picture of the ordinary man’s life and the community to which he belongs without the concern to contextualize them in a determined social group of identity, as the speakers of their communities, making invisible singularities visible in the spectacular media world.O trabalho analisa como os documentários alagoanos, emergidos de oficinas de formação audiovisual, retratam a figura do sujeito comum, esses filmes não enfatizam o acontecimento em si, eles voltam-se para história de vida dos personagens, as relações familiares, trabalha com tempos diferentes do momento, com a construção da narrativa, do mise en scène, dos elementos que registrem para um outro tempo que não seja instantâneo. Para isso a pesquisa está dividida em quatro partes. A primeira consiste em analisar o termo “qualquer” em Agamben, permeado por outros conceitos, como o da biopolítica, o estado de exceção e a sociedade do espetáculo que transforma os corpos do sujeito comum em “qualquer um”. A segunda parte trata do documentário brasileiro, de como a figura do homem ordinário, sua “vida nua” (zoe) e política (bios) foi sendo narrada de acordo com os momentos históricos. Na terceira parte, uma contextualização do cinema em Alagoas e a relevância do ciclo de oficinas de formação audiovisual no Estado, retratando como os filmes se colocam como respostas ao desenvolvimento do audiovisual alagoano como fator político e social que combatem uma linguagem biopolítica (FELDMAN, 2008). A última parte consiste numa incursão empírica sobre o conjunto específico dos documentários realizados através das oficinas de formação audiovisual em Alagoas, para que a partir daí se possa analisar, através da metodologia do Cinema Comparado (SOUTO, 2016), a figura do sujeito comum em quatro documentários: Anda, Zé Pequeno, anda (2009), O velho e a lagoa (2009), Nome, idade, profissão e onde mora (2009) e Marinete (2011). Esses filmes apresentam uma certa similaridade com o documentário brasileiro contemporâneo que busca tratar os personagens em suas singularidades, há um retrato da vida do sujeito ordinário e a comunidade a qual pertence sem a preocupação em contextualizá-los em um determinado grupo social identitário, coloca-os como sujeitos falantes das suas comunidades, tornando visíveis singularidades invisíveis no mundo midiático espetacular.São Cristóvão, SEporCinemaDocumentário (Cinema)EnredosEnredosHomemCinema alagoanoOficinas audiovisuaisDocumentárioHomem comumAlagoano cinemaAudiovisual workshopsDocumentaryOrdinary manLINGUISTICA, LETRAS E ARTES::ARTES::CINEMAO homem comum na produção documentária alagoana contemporâneainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em CinemaUniversidade Federal de Sergipereponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/14633/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALLEANDRO_ALVES_SILVA.pdfLEANDRO_ALVES_SILVA.pdfapplication/pdf3581490https://ri.ufs.br/jspui/bitstream/riufs/14633/2/LEANDRO_ALVES_SILVA.pdfb254857ca4c3d95e47aec3896a60b2b0MD52TEXTLEANDRO_ALVES_SILVA.pdf.txtLEANDRO_ALVES_SILVA.pdf.txtExtracted texttext/plain324347https://ri.ufs.br/jspui/bitstream/riufs/14633/3/LEANDRO_ALVES_SILVA.pdf.txt7f66c0b5c14b17161fbdbe669df7645aMD53THUMBNAILLEANDRO_ALVES_SILVA.pdf.jpgLEANDRO_ALVES_SILVA.pdf.jpgGenerated Thumbnailimage/jpeg1248https://ri.ufs.br/jspui/bitstream/riufs/14633/4/LEANDRO_ALVES_SILVA.pdf.jpg117b84dc76a51895c1453a9b06fd9a91MD54riufs/146332021-10-04 18:34:02.413oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2021-10-04T21:34:02Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
O homem comum na produção documentária alagoana contemporânea |
title |
O homem comum na produção documentária alagoana contemporânea |
spellingShingle |
O homem comum na produção documentária alagoana contemporânea Silva, Leandro Alves da Cinema Documentário (Cinema) Enredos Enredos Homem Cinema alagoano Oficinas audiovisuais Documentário Homem comum Alagoano cinema Audiovisual workshops Documentary Ordinary man LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
title_short |
O homem comum na produção documentária alagoana contemporânea |
title_full |
O homem comum na produção documentária alagoana contemporânea |
title_fullStr |
O homem comum na produção documentária alagoana contemporânea |
title_full_unstemmed |
O homem comum na produção documentária alagoana contemporânea |
title_sort |
O homem comum na produção documentária alagoana contemporânea |
author |
Silva, Leandro Alves da |
author_facet |
Silva, Leandro Alves da |
author_role |
author |
dc.contributor.author.fl_str_mv |
Silva, Leandro Alves da |
dc.contributor.advisor1.fl_str_mv |
Gomes, Ana Ângela Farias |
contributor_str_mv |
Gomes, Ana Ângela Farias |
dc.subject.por.fl_str_mv |
Cinema Documentário (Cinema) Enredos Enredos Homem Cinema alagoano Oficinas audiovisuais Documentário Homem comum |
topic |
Cinema Documentário (Cinema) Enredos Enredos Homem Cinema alagoano Oficinas audiovisuais Documentário Homem comum Alagoano cinema Audiovisual workshops Documentary Ordinary man LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
dc.subject.eng.fl_str_mv |
Alagoano cinema Audiovisual workshops Documentary Ordinary man |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
description |
The paper analyzes how the alagono documentaries, resulted of audiovisual training workshops, portray the ordinary man.These films do not emphasize the event itself, they turn to the characters life’s history, the family relations, works with diferentes times of the moment, with the construction of the narrative, the mise en scène, of the elements that register for another time that is not instantaneous. The research is divided into four parts. The first consists to analyze the term “whatever” in Agamben permeated by other concepts such as biopolitics, the state of exception and the society of the spectacle that transforms bodies of the ordinary man into “anyone”. The second part it is related to the Brazilian documentary, how the ordinary man, his “bare life” (zoe) and politics (bio) was told according to historical moments. The third part discusses the contextualization of the cinema in Alagoas and the relevance of the cycle of training workshops in the state, portraying how the films are presented as responses to the development of the alagoano audiovisual, as a political and social fator that fights a biopolitical language. The last part consists of an empirical incursion into the set of documentaries filmed in the audiovisual training workshops in Alagoas, in order to analyze them through the methodology of the Cinema Comparado (SOUTO,2017), the general image of the ordinary man into four documentaries: Anda, Zé Pequeno, anda (2009), O velho e a lagoa (2009), Nome, idade, profissão e onde mora (2009) e Marinete (2011). These films present a certain similarity with the contemporary Brazilian documentary that pursues to treat the characters in their singularities. There is a picture of the ordinary man’s life and the community to which he belongs without the concern to contextualize them in a determined social group of identity, as the speakers of their communities, making invisible singularities visible in the spectacular media world. |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018-07-31 |
dc.date.accessioned.fl_str_mv |
2021-10-04T21:29:52Z |
dc.date.available.fl_str_mv |
2021-10-04T21:29:52Z |
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info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SILVA, Leandro Alves da. O homem comum na produção documentária alagoana contemporânea. 2018. 139 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2018. |
dc.identifier.uri.fl_str_mv |
https://ri.ufs.br/jspui/handle/riufs/14633 |
identifier_str_mv |
SILVA, Leandro Alves da. O homem comum na produção documentária alagoana contemporânea. 2018. 139 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2018. |
url |
https://ri.ufs.br/jspui/handle/riufs/14633 |
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por |
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por |
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openAccess |
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Pós-Graduação Interdisciplinar em Cinema |
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Universidade Federal de Sergipe |
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