Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/jspui/handle/riufs/18627 |
Resumo: | Kleber Mendonça Filho's film productions, as he himself states, have a chronic character in reporting vital aspects of Brazilian society. Based on this principle, our goal is to delve into these films as a field, conducting an ethnocartographic observation of this territory, scrutinizing aspects of necropolitics present therein. Observing them in these films is akin to observing them in the social, economic, cultural, and subjective structure of our country. Necropolitics involves assuming the permanence of a state of exception for a specific population. It relies on scientific and racial fallacies to perpetuate a regime of death, inciting fear and violence in the name of sustaining an economic and geopolitical system that consumes lives with a sense of disposability. To provide such an observation of how this concept is disseminated, we will draw from various authors, especially Achille Mbembe, Michel Foucault, Marilena Chaui, and Jessé Souza. The films "Neighboring Sounds" (2012), "Aquarius" (2016), and "Bacurau" (2019) are the primary subjects of study for the mentioned issues, which have framed vital provocations on the screens of Brazil and the world, contributing to our resistance against cyclical and active violence. |
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Santos, Geovanna Pirillo Carnevalle dosGomes, Ana Ângela Farias2023-11-06T19:03:14Z2023-11-06T19:03:14Z2023-07-25SANTOS, Geovanna Pirillo Carnevalle dos. Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho. 2023. 114 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2023.https://ri.ufs.br/jspui/handle/riufs/18627Kleber Mendonça Filho's film productions, as he himself states, have a chronic character in reporting vital aspects of Brazilian society. Based on this principle, our goal is to delve into these films as a field, conducting an ethnocartographic observation of this territory, scrutinizing aspects of necropolitics present therein. Observing them in these films is akin to observing them in the social, economic, cultural, and subjective structure of our country. Necropolitics involves assuming the permanence of a state of exception for a specific population. It relies on scientific and racial fallacies to perpetuate a regime of death, inciting fear and violence in the name of sustaining an economic and geopolitical system that consumes lives with a sense of disposability. To provide such an observation of how this concept is disseminated, we will draw from various authors, especially Achille Mbembe, Michel Foucault, Marilena Chaui, and Jessé Souza. The films "Neighboring Sounds" (2012), "Aquarius" (2016), and "Bacurau" (2019) are the primary subjects of study for the mentioned issues, which have framed vital provocations on the screens of Brazil and the world, contributing to our resistance against cyclical and active violence.As produções fílmicas de Kleber Mendonça Filho, como o próprio coloca, tem um caráter crônico de relatar aspectos vitais da sociedade brasileira. Partindo desse princípio, nosso objetivo é adentrar nesses filmes, enquanto campo, fazendo uma observação etnocartográfica desse território, perscrutando aspectos da necropolítica ali presentes. Observa-los nesses filmes, é como observá-los na estrutura social, econômica, cultural e subjetiva do nosso país. A necropolítica consiste em assumir a permanência de um estado de exceção para um recorte populacional. Ela se mune de falácias científicas e raciais para perpetuar um regime de morte, incitando medo e violência, em nome de perpetuar um sistema econômico e geopolítico que consome vidas com senso de descartabilidade. Para prestar tal observação de como esse conceito é difundido, contaremos com diversos autores, especialmente Achille Mbembe, Michel Foucault, Marilena Chaui e Jessé Souza. Os filmes O som ao redor (2012), Aquarius (2016) e Bacurau (2019) são aqui os principais campos de estudo para as questões citadas, que emolduraram nas telas de cinema do Brasil e do mundo, provocações vitais para nosso processo de resistência a violências cíclicas e ativas.São CristóvãoporCinema brasileiroEtnologiaArte e sociedadeCulturaGeopolíticaKleber Mendonça FilhoNecropolíticaEtnocartografiaBrazilian cinemaNecropoliticsEthnocartographyLINGUISTICA, LETRAS E ARTES::ARTES::CINEMAAspectos políticos na obra cinematográfica de Kleber Mendonça Filhoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação Interdisciplinar em CinemaUniversidade Federal de Sergipe (UFS)reponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/18627/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALGEOVANNA_PIRILLO_CARNEVALLE_SANTOS.pdfGEOVANNA_PIRILLO_CARNEVALLE_SANTOS.pdfapplication/pdf2062325https://ri.ufs.br/jspui/bitstream/riufs/18627/2/GEOVANNA_PIRILLO_CARNEVALLE_SANTOS.pdf5a3125bd4018fea2036ce48204ddedc6MD52riufs/186272023-11-06 16:04:06.411oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2023-11-06T19:04:06Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
title |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
spellingShingle |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho Santos, Geovanna Pirillo Carnevalle dos Cinema brasileiro Etnologia Arte e sociedade Cultura Geopolítica Kleber Mendonça Filho Necropolítica Etnocartografia Brazilian cinema Necropolitics Ethnocartography LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
title_short |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
title_full |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
title_fullStr |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
title_full_unstemmed |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
title_sort |
Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho |
author |
Santos, Geovanna Pirillo Carnevalle dos |
author_facet |
Santos, Geovanna Pirillo Carnevalle dos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Geovanna Pirillo Carnevalle dos |
dc.contributor.advisor1.fl_str_mv |
Gomes, Ana Ângela Farias |
contributor_str_mv |
Gomes, Ana Ângela Farias |
dc.subject.por.fl_str_mv |
Cinema brasileiro Etnologia Arte e sociedade Cultura Geopolítica Kleber Mendonça Filho Necropolítica Etnocartografia |
topic |
Cinema brasileiro Etnologia Arte e sociedade Cultura Geopolítica Kleber Mendonça Filho Necropolítica Etnocartografia Brazilian cinema Necropolitics Ethnocartography LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
dc.subject.eng.fl_str_mv |
Brazilian cinema Necropolitics Ethnocartography |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA |
description |
Kleber Mendonça Filho's film productions, as he himself states, have a chronic character in reporting vital aspects of Brazilian society. Based on this principle, our goal is to delve into these films as a field, conducting an ethnocartographic observation of this territory, scrutinizing aspects of necropolitics present therein. Observing them in these films is akin to observing them in the social, economic, cultural, and subjective structure of our country. Necropolitics involves assuming the permanence of a state of exception for a specific population. It relies on scientific and racial fallacies to perpetuate a regime of death, inciting fear and violence in the name of sustaining an economic and geopolitical system that consumes lives with a sense of disposability. To provide such an observation of how this concept is disseminated, we will draw from various authors, especially Achille Mbembe, Michel Foucault, Marilena Chaui, and Jessé Souza. The films "Neighboring Sounds" (2012), "Aquarius" (2016), and "Bacurau" (2019) are the primary subjects of study for the mentioned issues, which have framed vital provocations on the screens of Brazil and the world, contributing to our resistance against cyclical and active violence. |
publishDate |
2023 |
dc.date.accessioned.fl_str_mv |
2023-11-06T19:03:14Z |
dc.date.available.fl_str_mv |
2023-11-06T19:03:14Z |
dc.date.issued.fl_str_mv |
2023-07-25 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, Geovanna Pirillo Carnevalle dos. Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho. 2023. 114 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
dc.identifier.uri.fl_str_mv |
https://ri.ufs.br/jspui/handle/riufs/18627 |
identifier_str_mv |
SANTOS, Geovanna Pirillo Carnevalle dos. Aspectos políticos na obra cinematográfica de Kleber Mendonça Filho. 2023. 114 f. Dissertação (Mestrado Interdisciplinar em Cinema e Narrativas Sociais) – Universidade Federal de Sergipe, São Cristóvão, 2023. |
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