As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites

Detalhes bibliográficos
Autor(a) principal: Fraga, Roselane de Santana
Data de Publicação: 2018
Tipo de documento: Trabalho de conclusão de curso
Idioma: por
Título da fonte: Repositório Institucional da UFS
Texto Completo: https://ri.ufs.br/jspui/handle/riufs/17894
Resumo: The purpose of this study is to reflect on the narrator's problem, having as a narrative focus the book A Thousand and One Nights, which is taken as a point of reflection for the analysis, the stories "The history of the first elder and the one of the Corsican" and "The Story of the Second Elder and the Two Black Dogs," in order to demonstrate the multiplicity of voices through the characters depicted in Sherazade's narratives, which gives the text a variety of points of view, allowing it to be characterized as a polyphonic work , it is important to clarify that this term is used here in the Bakhtinian conception to express the discourses contained in the own speeches of each of the characters, from the types of narrators described by Walter Benjamin (1987), that is, the narrator of oral tradition and of the contemporary narrator.
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spelling Fraga, Roselane de SantanaSantos, Jeane de Cássia Nascimento2023-07-21T13:30:22Z2023-07-21T13:30:22Z2018FRAGA, Roselane de Santana. As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites. Itabaiana, SE, 2018.https://ri.ufs.br/jspui/handle/riufs/17894The purpose of this study is to reflect on the narrator's problem, having as a narrative focus the book A Thousand and One Nights, which is taken as a point of reflection for the analysis, the stories "The history of the first elder and the one of the Corsican" and "The Story of the Second Elder and the Two Black Dogs," in order to demonstrate the multiplicity of voices through the characters depicted in Sherazade's narratives, which gives the text a variety of points of view, allowing it to be characterized as a polyphonic work , it is important to clarify that this term is used here in the Bakhtinian conception to express the discourses contained in the own speeches of each of the characters, from the types of narrators described by Walter Benjamin (1987), that is, the narrator of oral tradition and of the contemporary narrator.Este estudo tem como objetivo refletir sobre a problemática do narrador, tendo como foco narrativo o livro As Mil e Uma Noites, do qual se toma como ponto de reflexão para a análise, os contos “A história do primeiro ancião e a da corsa” e “A história do segundo ancião e dos dois cães negros”, de modo a demonstrar a multiplicidade de vozes através dos personagens representados nas narrativas da Sherazade, o que concede ao texto uma variedade de pontos de vista, permitindo caracterizá-lo como uma obra polifônica, sendo importante esclarecer que este vocábulo é aqui empregado na concepção bakhtiniana para expressar os discursos contidos nas próprias falas de cada um dos personagens, a partir dos tipos de narradores descritos por Walter Benjamin (1987), ou seja, do narrador da tradição oral e do narrador contemporâneo.Itabaiana, SEporAnálise do discurso literárioAnálise do discurso narrativoEstilo literárioLiterary styleLiterary discourse analysisNarrative discourse analysisLINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESAAs mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noitesinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisUniversidade Federal de Sergipe (UFS)DLI - Departamento de Letras – Letras, Língua Portuguesa – Itabaiana - Presencialreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; 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dc.title.pt_BR.fl_str_mv As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
title As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
spellingShingle As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
Fraga, Roselane de Santana
Análise do discurso literário
Análise do discurso narrativo
Estilo literário
Literary style
Literary discourse analysis
Narrative discourse analysis
LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
title_short As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
title_full As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
title_fullStr As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
title_full_unstemmed As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
title_sort As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites
author Fraga, Roselane de Santana
author_facet Fraga, Roselane de Santana
author_role author
dc.contributor.author.fl_str_mv Fraga, Roselane de Santana
dc.contributor.advisor1.fl_str_mv Santos, Jeane de Cássia Nascimento
contributor_str_mv Santos, Jeane de Cássia Nascimento
dc.subject.por.fl_str_mv Análise do discurso literário
Análise do discurso narrativo
Estilo literário
Literary style
topic Análise do discurso literário
Análise do discurso narrativo
Estilo literário
Literary style
Literary discourse analysis
Narrative discourse analysis
LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
dc.subject.eng.fl_str_mv Literary discourse analysis
Narrative discourse analysis
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::LETRAS::LINGUA PORTUGUESA
description The purpose of this study is to reflect on the narrator's problem, having as a narrative focus the book A Thousand and One Nights, which is taken as a point of reflection for the analysis, the stories "The history of the first elder and the one of the Corsican" and "The Story of the Second Elder and the Two Black Dogs," in order to demonstrate the multiplicity of voices through the characters depicted in Sherazade's narratives, which gives the text a variety of points of view, allowing it to be characterized as a polyphonic work , it is important to clarify that this term is used here in the Bakhtinian conception to express the discourses contained in the own speeches of each of the characters, from the types of narrators described by Walter Benjamin (1987), that is, the narrator of oral tradition and of the contemporary narrator.
publishDate 2018
dc.date.issued.fl_str_mv 2018
dc.date.accessioned.fl_str_mv 2023-07-21T13:30:22Z
dc.date.available.fl_str_mv 2023-07-21T13:30:22Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/bachelorThesis
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dc.identifier.citation.fl_str_mv FRAGA, Roselane de Santana. As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites. Itabaiana, SE, 2018.
dc.identifier.uri.fl_str_mv https://ri.ufs.br/jspui/handle/riufs/17894
identifier_str_mv FRAGA, Roselane de Santana. As mil e uma vozes em Sherazade: o narrador e a multiplicidade de vozes no livro As mil e uma noites. Itabaiana, SE, 2018.
url https://ri.ufs.br/jspui/handle/riufs/17894
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dc.publisher.initials.fl_str_mv Universidade Federal de Sergipe (UFS)
dc.publisher.department.fl_str_mv DLI - Departamento de Letras – Letras, Língua Portuguesa – Itabaiana - Presencial
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