Processos de criação em dança: reapropriando ações para vida

• Autor(a) principal: Albuquerque, Iara Cerqueira Linhares de
• Data de Publicação: 2021
• Tipo de documento: Artigo de conferência
• Idioma: por
• Título da fonte: Repositório Institucional da UFS
• Texto Completo: http://ri.ufs.br/jspui/handle/riufs/16593; http://dx.doi.org/10.29380/2021.15.12.01
• topic: Dança; Práticas do corpo; Telas; Mídia de si mesmo; Practices of the body; Screens

Thinking about dance creation processes in Covid-19's time points out how unequal we are in the face of this health crisis and what implications for being/being in the world are embodied in this confinement in front of the screens. Generating, elaborating and creating artistic actions was the challenge for the curricular component “Practices of the Body on the Scene”, with the beginning students of the Degree in Dance and Theater at the State University of Southwest Bahia – UESB. To think about this, the hypothesis of this article was generated in line with an artistic process with an exhibition at the end of the semester in dialogue with aspects that could reappropriate actions for life, or how to generate other ways of existing in the face of the impossibility of "doing together", which also exists in face-to-face form, which is a relationship that literally translates our life on screen. Let's think about how much we are involved in the discourses we hear, speak, repost and become “subjects” (HAN, 2020)? From this, the video image SEME(AM)ar and the video performance (CORPARTilhar) were materializations from studies, readings and provocations, fertilizing and politicizing subjects as a mídia de si mesmo.