A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935)
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | http://ri.ufs.br/jspui/handle/riufs/17336 |
Resumo: | Autobiography, as described in this work, corresponds to a textual or literary genre that features numerous shapes and developments, which makes the attempt to find a fixed definition into something slippery and fluctuating. Under this bias, this literary-discursive genre is considered, by many critics, a hybrid genre, in view of its flexible character with regard to breaking the ties of traditional literary referentiality. That said, this dissertation seeks to identify the autobiographical marks present in the narrative Roberto, through a critical-literary investigation, as a form of memorialistic search and identity discovery of SérgioMilliet. However, the discussions will be based, in addition to the theories presented, on the “autobiographical pact” of Philippe Lejeune, for though the literary work presents numerous aspects that associate Milliet with Roberto, the narrative is not an autobiography, for reasons that are discussed in this work. In terms of structure, this dissertation is divided into three chapters. In the first, we present the biobibliographic profile of SérgioMilliet. In the second, in the light of the theories of Antonio Candido and his workA personagem de ficção(The fictional character) (2009), we analyze the constitutive elements of the narrative Roberto, examining the composition of the characters, space and time. Finally, in the third and last chapter, the autobiographical aspects of the narrative are analyzed, intersecting fiction and reality, the main objective of this work. This last chapter is divided into three sections: “Childhood”, “Adolescence” and “Participation and political engagement in the 1930s”, so that autobiographical marks can be outlined in such sections, with regard to Roberto, in a more organized and precise way. To support the discussions in this chapter, we established a dialogue between the literary work and the two volumes of the memory book De ontem, de hoje, de sempre (Yesterday, today, always) (1960 – 1962). |
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Santos, Maria da ConceiçãoPinheiro, Valter Cesar2023-04-05T15:58:26Z2023-04-05T15:58:26Z2022-08-08SANTOS, Maria da Conceição. A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935). 2022. 80 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2022.http://ri.ufs.br/jspui/handle/riufs/17336Autobiography, as described in this work, corresponds to a textual or literary genre that features numerous shapes and developments, which makes the attempt to find a fixed definition into something slippery and fluctuating. Under this bias, this literary-discursive genre is considered, by many critics, a hybrid genre, in view of its flexible character with regard to breaking the ties of traditional literary referentiality. That said, this dissertation seeks to identify the autobiographical marks present in the narrative Roberto, through a critical-literary investigation, as a form of memorialistic search and identity discovery of SérgioMilliet. However, the discussions will be based, in addition to the theories presented, on the “autobiographical pact” of Philippe Lejeune, for though the literary work presents numerous aspects that associate Milliet with Roberto, the narrative is not an autobiography, for reasons that are discussed in this work. In terms of structure, this dissertation is divided into three chapters. In the first, we present the biobibliographic profile of SérgioMilliet. In the second, in the light of the theories of Antonio Candido and his workA personagem de ficção(The fictional character) (2009), we analyze the constitutive elements of the narrative Roberto, examining the composition of the characters, space and time. Finally, in the third and last chapter, the autobiographical aspects of the narrative are analyzed, intersecting fiction and reality, the main objective of this work. This last chapter is divided into three sections: “Childhood”, “Adolescence” and “Participation and political engagement in the 1930s”, so that autobiographical marks can be outlined in such sections, with regard to Roberto, in a more organized and precise way. To support the discussions in this chapter, we established a dialogue between the literary work and the two volumes of the memory book De ontem, de hoje, de sempre (Yesterday, today, always) (1960 – 1962).A autobiografia, conforme descrita neste trabalho, corresponde a um gênero textual ou literário que apresenta inúmeros contornos e desdobramentos, o que torna a tentativa de uma definição fixa algo escorregadio e flutuante. Sob esse viés, este gênero literário-discursivo é considerado, por muitos críticos, um gênero híbrido, tendo em vista seu caráter flexível no que diz respeito ao rompimento das amarras da referencialidade literária tradicional. Isto posto, esta dissertação busca identificar as marcas autobiográficas presentes na narrativa Roberto, por meio de uma investigação crítico-literária, como forma de busca memorialística e descoberta identitária de Sérgio Milliet. Entretanto, as discussões tecidas serão fundamentadas, para além das teorias apresentadas, no “pacto autobiográfico” de Philippe Lejeune, pois, embora a obra apresente inúmeros aspectos que associam Milliet a Roberto, a narrativa não é uma autobiografia, por razões que serão discutidas no trabalho. Em termos de estrutura, esta dissertaçãoestá dividida em três capítulos. No primeiro, apresentamos o perfil biobibliográfico de Sérgio Miliet. No segundo, à luz da obra A personagem de ficção (2009), de Antonio Candido, faremos uma análise dos elementos constitutivos da narrativa Roberto, examinando a composição das personagens, do espaço e do tempo. Por fim, no terceiro e último capítulo, serão analisados os aspectos autobiográficos da narrativa, interseccionando ficção e realidade, objetivo maior deste trabalho. Este último capítulo subdivide-se em três seções, “Infância”, “Adolescência” e “Participação e engajamento político nos anos 1930”, a fim de que sejam nelas delineadas as marcas autobiográficas de Roberto de maneira mais organizada e precisa. Para respaldarmos as discussões deste capítulo, estabelecemos um diálogo entre a obra e os dois volumes do livro de memórias De ontem, de hoje, de sempre(1960 -1962).São CristóvãoporSérgio MillietModernismoAutobiografiaRomance de 30Roberto (obra literária)ModernismAutobiographyNovel of the 30sLINGUISTICA, LETRAS E ARTES::LETRASA obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935)info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisPós-Graduação em LetrasUniversidade Federal de Sergipereponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessTEXTMARIA_CONCEICAO_SANTOS.pdf.txtMARIA_CONCEICAO_SANTOS.pdf.txtExtracted texttext/plain201702https://ri.ufs.br/jspui/bitstream/riufs/17336/3/MARIA_CONCEICAO_SANTOS.pdf.txt4e395625d17a0d7f87738139b42e6690MD53THUMBNAILMARIA_CONCEICAO_SANTOS.pdf.jpgMARIA_CONCEICAO_SANTOS.pdf.jpgGenerated Thumbnailimage/jpeg1326https://ri.ufs.br/jspui/bitstream/riufs/17336/4/MARIA_CONCEICAO_SANTOS.pdf.jpg44841c2c23422cb093f1c0d3f7eb4692MD54ORIGINALMARIA_CONCEICAO_SANTOS.pdfMARIA_CONCEICAO_SANTOS.pdfapplication/pdf712483https://ri.ufs.br/jspui/bitstream/riufs/17336/2/MARIA_CONCEICAO_SANTOS.pdf49f5ab21ce636c02cd10fe9cf5e479deMD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/17336/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51riufs/173362023-04-05 12:58:27.074oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2023-04-05T15:58:27Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
title |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
spellingShingle |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) Santos, Maria da Conceição Sérgio Milliet Modernismo Autobiografia Romance de 30 Roberto (obra literária) Modernism Autobiography Novel of the 30s LINGUISTICA, LETRAS E ARTES::LETRAS |
title_short |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
title_full |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
title_fullStr |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
title_full_unstemmed |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
title_sort |
A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935) |
author |
Santos, Maria da Conceição |
author_facet |
Santos, Maria da Conceição |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Maria da Conceição |
dc.contributor.advisor1.fl_str_mv |
Pinheiro, Valter Cesar |
contributor_str_mv |
Pinheiro, Valter Cesar |
dc.subject.por.fl_str_mv |
Sérgio Milliet Modernismo Autobiografia Romance de 30 Roberto (obra literária) |
topic |
Sérgio Milliet Modernismo Autobiografia Romance de 30 Roberto (obra literária) Modernism Autobiography Novel of the 30s LINGUISTICA, LETRAS E ARTES::LETRAS |
dc.subject.eng.fl_str_mv |
Modernism Autobiography Novel of the 30s |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::LETRAS |
description |
Autobiography, as described in this work, corresponds to a textual or literary genre that features numerous shapes and developments, which makes the attempt to find a fixed definition into something slippery and fluctuating. Under this bias, this literary-discursive genre is considered, by many critics, a hybrid genre, in view of its flexible character with regard to breaking the ties of traditional literary referentiality. That said, this dissertation seeks to identify the autobiographical marks present in the narrative Roberto, through a critical-literary investigation, as a form of memorialistic search and identity discovery of SérgioMilliet. However, the discussions will be based, in addition to the theories presented, on the “autobiographical pact” of Philippe Lejeune, for though the literary work presents numerous aspects that associate Milliet with Roberto, the narrative is not an autobiography, for reasons that are discussed in this work. In terms of structure, this dissertation is divided into three chapters. In the first, we present the biobibliographic profile of SérgioMilliet. In the second, in the light of the theories of Antonio Candido and his workA personagem de ficção(The fictional character) (2009), we analyze the constitutive elements of the narrative Roberto, examining the composition of the characters, space and time. Finally, in the third and last chapter, the autobiographical aspects of the narrative are analyzed, intersecting fiction and reality, the main objective of this work. This last chapter is divided into three sections: “Childhood”, “Adolescence” and “Participation and political engagement in the 1930s”, so that autobiographical marks can be outlined in such sections, with regard to Roberto, in a more organized and precise way. To support the discussions in this chapter, we established a dialogue between the literary work and the two volumes of the memory book De ontem, de hoje, de sempre (Yesterday, today, always) (1960 – 1962). |
publishDate |
2022 |
dc.date.issued.fl_str_mv |
2022-08-08 |
dc.date.accessioned.fl_str_mv |
2023-04-05T15:58:26Z |
dc.date.available.fl_str_mv |
2023-04-05T15:58:26Z |
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info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/masterThesis |
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masterThesis |
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publishedVersion |
dc.identifier.citation.fl_str_mv |
SANTOS, Maria da Conceição. A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935). 2022. 80 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2022. |
dc.identifier.uri.fl_str_mv |
http://ri.ufs.br/jspui/handle/riufs/17336 |
identifier_str_mv |
SANTOS, Maria da Conceição. A obra ficcional de Sérgio Milliet : marcas autobiográficas na narrativa Roberto (1935). 2022. 80 f. Dissertação (Mestrado em Letras) – Universidade Federal de Sergipe, São Cristóvão, 2022. |
url |
http://ri.ufs.br/jspui/handle/riufs/17336 |
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por |
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por |
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Pós-Graduação em Letras |
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Universidade Federal de Sergipe |
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