Nariz vermelho : fundamentos do Clown na ação da U. T. Riso

Detalhes bibliográficos
Autor(a) principal: Santos, Ewerton Batista dos
Data de Publicação: 2013
Tipo de documento: Trabalho de conclusão de curso
Idioma: por
Título da fonte: Repositório Institucional da UFS
Texto Completo: https://ri.ufs.br/handle/riufs/6731
Resumo: This work intends to give visibility to the theatrical techniques used by the members of the artistic project Laughter Treatment Unit (UTrIso) in its scenic interaction with patients in the pediatric and oncological areas of the Dr. Osvaldo Leite Oncology Center, annex of General Governador João Alves Filho Hospital, now Sergipe Emergency Hospital, HUSE. The group appropriates the language of clown, since this methodology allows the construction of bonds that allow the expression of spontaneous feelings, and the relationship that is established between the clown and the patient, despite the mishaps involving the dimension of pain. The action of clowns in hospitals is a new reality in the country, increasing the number of initiatives every day, the red nose is their identity. But is it just that the use of the nose reveals a clown? Thus, we discuss in the present work the process of initiation of the actor within a universe that promotes the exposition of ridicule, trying to understand what the contribution of this project to the formation of the artist, which proposes to exercise his art as an office, using the figure of the clown as a way of approaching the sick child, from an artistic view, unrelated to any therapeutic claim.
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spelling Santos, Ewerton Batista dosBenevides, Lourdisnete Silva2017-10-16T14:03:44Z2017-10-16T14:03:44Z2013https://ri.ufs.br/handle/riufs/6731This work intends to give visibility to the theatrical techniques used by the members of the artistic project Laughter Treatment Unit (UTrIso) in its scenic interaction with patients in the pediatric and oncological areas of the Dr. Osvaldo Leite Oncology Center, annex of General Governador João Alves Filho Hospital, now Sergipe Emergency Hospital, HUSE. The group appropriates the language of clown, since this methodology allows the construction of bonds that allow the expression of spontaneous feelings, and the relationship that is established between the clown and the patient, despite the mishaps involving the dimension of pain. The action of clowns in hospitals is a new reality in the country, increasing the number of initiatives every day, the red nose is their identity. But is it just that the use of the nose reveals a clown? Thus, we discuss in the present work the process of initiation of the actor within a universe that promotes the exposition of ridicule, trying to understand what the contribution of this project to the formation of the artist, which proposes to exercise his art as an office, using the figure of the clown as a way of approaching the sick child, from an artistic view, unrelated to any therapeutic claim.O presente trabalho, pretende dar visibilidade às tecnicas teatrais utilizadas pelos integrantes do projeto artístico Unidade de Tratamento do Riso, (U.T.rIso) em sua interação cênica, com pacientes internos das áreas pediátricas e oncológicas, do Centro de Oncologia Dr. Osvaldo Leite, anexo do Hospital Geral Governador João Alves Filho, hoje Hospital de Urgências de Sergipe, HUSE. O grupo se apropria da linguagem do clown (palhaço), uma vez que essa metodologia possibilita a construção de vínculos que permitem a expressão de sentimentos espontâneos, e a relação que se estabelece entre o clown e o paciente, apesar dos percalços que envolvem a dimensão da dor. A ação de palhaços nos hospitais é uma nova realidade no país, aumentando a cada dia o numero de iniciativas, o nariz vermelho é a sua identidade. Mas será que apenas a utilização do nariz revela um palhaço? Sendo assim, discutimos no presente trabalho, o processo de iniciação do ator dentro de um universo que promove a exposição do ridículo, buscando compreender qual a contribuição desse projeto para a formação do artista, que propõe exercer sua arte como oficio, utilizando a figura do palhaço como forma de aproximação da criança enferma, a partir de uma visão artística, desvinculada de qualquer pretensão terapêutica.Laranjeiras, SEporTeatroTheaterEnsino de teatroTheater teachingTerapia do risoOncologiaLaughter TherapyOncologyLINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRALNariz vermelho : fundamentos do Clown na ação da U. T. RisoRed Nose: Clown Essentials in Action from U. T. 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dc.title.pt_BR.fl_str_mv Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
dc.title.alternative.eng.fl_str_mv Red Nose: Clown Essentials in Action from U. T. Laughter
title Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
spellingShingle Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
Santos, Ewerton Batista dos
Teatro
Theater
Ensino de teatro
Theater teaching
Terapia do riso
Oncologia
Laughter Therapy
Oncology
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL
title_short Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
title_full Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
title_fullStr Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
title_full_unstemmed Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
title_sort Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
author Santos, Ewerton Batista dos
author_facet Santos, Ewerton Batista dos
author_role author
dc.contributor.author.fl_str_mv Santos, Ewerton Batista dos
dc.contributor.advisor1.fl_str_mv Benevides, Lourdisnete Silva
contributor_str_mv Benevides, Lourdisnete Silva
dc.subject.por.fl_str_mv Teatro
Theater
Ensino de teatro
Theater teaching
Terapia do riso
Oncologia
topic Teatro
Theater
Ensino de teatro
Theater teaching
Terapia do riso
Oncologia
Laughter Therapy
Oncology
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL
dc.subject.eng.fl_str_mv Laughter Therapy
Oncology
dc.subject.cnpq.fl_str_mv LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL
description This work intends to give visibility to the theatrical techniques used by the members of the artistic project Laughter Treatment Unit (UTrIso) in its scenic interaction with patients in the pediatric and oncological areas of the Dr. Osvaldo Leite Oncology Center, annex of General Governador João Alves Filho Hospital, now Sergipe Emergency Hospital, HUSE. The group appropriates the language of clown, since this methodology allows the construction of bonds that allow the expression of spontaneous feelings, and the relationship that is established between the clown and the patient, despite the mishaps involving the dimension of pain. The action of clowns in hospitals is a new reality in the country, increasing the number of initiatives every day, the red nose is their identity. But is it just that the use of the nose reveals a clown? Thus, we discuss in the present work the process of initiation of the actor within a universe that promotes the exposition of ridicule, trying to understand what the contribution of this project to the formation of the artist, which proposes to exercise his art as an office, using the figure of the clown as a way of approaching the sick child, from an artistic view, unrelated to any therapeutic claim.
publishDate 2013
dc.date.issued.fl_str_mv 2013
dc.date.accessioned.fl_str_mv 2017-10-16T14:03:44Z
dc.date.available.fl_str_mv 2017-10-16T14:03:44Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/bachelorThesis
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.initials.fl_str_mv Universidade Federal de Sergipe
dc.publisher.department.fl_str_mv DTE - Departamento de Teatro – Laranjeiras – Presencial
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