Nariz vermelho : fundamentos do Clown na ação da U. T. Riso
Autor(a) principal: | |
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Data de Publicação: | 2013 |
Tipo de documento: | Trabalho de conclusão de curso |
Idioma: | por |
Título da fonte: | Repositório Institucional da UFS |
Texto Completo: | https://ri.ufs.br/handle/riufs/6731 |
Resumo: | This work intends to give visibility to the theatrical techniques used by the members of the artistic project Laughter Treatment Unit (UTrIso) in its scenic interaction with patients in the pediatric and oncological areas of the Dr. Osvaldo Leite Oncology Center, annex of General Governador João Alves Filho Hospital, now Sergipe Emergency Hospital, HUSE. The group appropriates the language of clown, since this methodology allows the construction of bonds that allow the expression of spontaneous feelings, and the relationship that is established between the clown and the patient, despite the mishaps involving the dimension of pain. The action of clowns in hospitals is a new reality in the country, increasing the number of initiatives every day, the red nose is their identity. But is it just that the use of the nose reveals a clown? Thus, we discuss in the present work the process of initiation of the actor within a universe that promotes the exposition of ridicule, trying to understand what the contribution of this project to the formation of the artist, which proposes to exercise his art as an office, using the figure of the clown as a way of approaching the sick child, from an artistic view, unrelated to any therapeutic claim. |
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Santos, Ewerton Batista dosBenevides, Lourdisnete Silva2017-10-16T14:03:44Z2017-10-16T14:03:44Z2013https://ri.ufs.br/handle/riufs/6731This work intends to give visibility to the theatrical techniques used by the members of the artistic project Laughter Treatment Unit (UTrIso) in its scenic interaction with patients in the pediatric and oncological areas of the Dr. Osvaldo Leite Oncology Center, annex of General Governador João Alves Filho Hospital, now Sergipe Emergency Hospital, HUSE. The group appropriates the language of clown, since this methodology allows the construction of bonds that allow the expression of spontaneous feelings, and the relationship that is established between the clown and the patient, despite the mishaps involving the dimension of pain. The action of clowns in hospitals is a new reality in the country, increasing the number of initiatives every day, the red nose is their identity. But is it just that the use of the nose reveals a clown? Thus, we discuss in the present work the process of initiation of the actor within a universe that promotes the exposition of ridicule, trying to understand what the contribution of this project to the formation of the artist, which proposes to exercise his art as an office, using the figure of the clown as a way of approaching the sick child, from an artistic view, unrelated to any therapeutic claim.O presente trabalho, pretende dar visibilidade às tecnicas teatrais utilizadas pelos integrantes do projeto artístico Unidade de Tratamento do Riso, (U.T.rIso) em sua interação cênica, com pacientes internos das áreas pediátricas e oncológicas, do Centro de Oncologia Dr. Osvaldo Leite, anexo do Hospital Geral Governador João Alves Filho, hoje Hospital de Urgências de Sergipe, HUSE. O grupo se apropria da linguagem do clown (palhaço), uma vez que essa metodologia possibilita a construção de vínculos que permitem a expressão de sentimentos espontâneos, e a relação que se estabelece entre o clown e o paciente, apesar dos percalços que envolvem a dimensão da dor. A ação de palhaços nos hospitais é uma nova realidade no país, aumentando a cada dia o numero de iniciativas, o nariz vermelho é a sua identidade. Mas será que apenas a utilização do nariz revela um palhaço? Sendo assim, discutimos no presente trabalho, o processo de iniciação do ator dentro de um universo que promove a exposição do ridículo, buscando compreender qual a contribuição desse projeto para a formação do artista, que propõe exercer sua arte como oficio, utilizando a figura do palhaço como forma de aproximação da criança enferma, a partir de uma visão artística, desvinculada de qualquer pretensão terapêutica.Laranjeiras, SEporTeatroTheaterEnsino de teatroTheater teachingTerapia do risoOncologiaLaughter TherapyOncologyLINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRALNariz vermelho : fundamentos do Clown na ação da U. T. RisoRed Nose: Clown Essentials in Action from U. T. Laughterinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bachelorThesisUniversidade Federal de SergipeDTE - Departamento de Teatro – Laranjeiras – Presencialreponame:Repositório Institucional da UFSinstname:Universidade Federal de Sergipe (UFS)instacron:UFSinfo:eu-repo/semantics/openAccessLICENSElicense.txtlicense.txttext/plain; charset=utf-81475https://ri.ufs.br/jspui/bitstream/riufs/6731/1/license.txt098cbbf65c2c15e1fb2e49c5d306a44cMD51ORIGINALEwerton Batista dos Santos.pdfEwerton Batista dos Santos.pdfapplication/pdf3424289https://ri.ufs.br/jspui/bitstream/riufs/6731/2/Ewerton%20Batista%20dos%20Santos.pdfaadb5a916895a9c40aed313214e67aacMD52TEXTEwerton Batista dos Santos.pdf.txtEwerton Batista dos Santos.pdf.txtExtracted texttext/plain120541https://ri.ufs.br/jspui/bitstream/riufs/6731/3/Ewerton%20Batista%20dos%20Santos.pdf.txt590f78dae61690050dd4840bf1c6804cMD53THUMBNAILEwerton Batista dos Santos.pdf.jpgEwerton Batista dos Santos.pdf.jpgGenerated Thumbnailimage/jpeg1202https://ri.ufs.br/jspui/bitstream/riufs/6731/4/Ewerton%20Batista%20dos%20Santos.pdf.jpg15b2af27c87ed63cfcc6e65a7662b059MD54riufs/67312017-11-01 20:46:11.399oai:ufs.br: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Repositório InstitucionalPUBhttps://ri.ufs.br/oai/requestrepositorio@academico.ufs.bropendoar:2017-11-01T23:46:11Repositório Institucional da UFS - Universidade Federal de Sergipe (UFS)false |
dc.title.pt_BR.fl_str_mv |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
dc.title.alternative.eng.fl_str_mv |
Red Nose: Clown Essentials in Action from U. T. Laughter |
title |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
spellingShingle |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso Santos, Ewerton Batista dos Teatro Theater Ensino de teatro Theater teaching Terapia do riso Oncologia Laughter Therapy Oncology LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL |
title_short |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
title_full |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
title_fullStr |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
title_full_unstemmed |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
title_sort |
Nariz vermelho : fundamentos do Clown na ação da U. T. Riso |
author |
Santos, Ewerton Batista dos |
author_facet |
Santos, Ewerton Batista dos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Ewerton Batista dos |
dc.contributor.advisor1.fl_str_mv |
Benevides, Lourdisnete Silva |
contributor_str_mv |
Benevides, Lourdisnete Silva |
dc.subject.por.fl_str_mv |
Teatro Theater Ensino de teatro Theater teaching Terapia do riso Oncologia |
topic |
Teatro Theater Ensino de teatro Theater teaching Terapia do riso Oncologia Laughter Therapy Oncology LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL |
dc.subject.eng.fl_str_mv |
Laughter Therapy Oncology |
dc.subject.cnpq.fl_str_mv |
LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL |
description |
This work intends to give visibility to the theatrical techniques used by the members of the artistic project Laughter Treatment Unit (UTrIso) in its scenic interaction with patients in the pediatric and oncological areas of the Dr. Osvaldo Leite Oncology Center, annex of General Governador João Alves Filho Hospital, now Sergipe Emergency Hospital, HUSE. The group appropriates the language of clown, since this methodology allows the construction of bonds that allow the expression of spontaneous feelings, and the relationship that is established between the clown and the patient, despite the mishaps involving the dimension of pain. The action of clowns in hospitals is a new reality in the country, increasing the number of initiatives every day, the red nose is their identity. But is it just that the use of the nose reveals a clown? Thus, we discuss in the present work the process of initiation of the actor within a universe that promotes the exposition of ridicule, trying to understand what the contribution of this project to the formation of the artist, which proposes to exercise his art as an office, using the figure of the clown as a way of approaching the sick child, from an artistic view, unrelated to any therapeutic claim. |
publishDate |
2013 |
dc.date.issued.fl_str_mv |
2013 |
dc.date.accessioned.fl_str_mv |
2017-10-16T14:03:44Z |
dc.date.available.fl_str_mv |
2017-10-16T14:03:44Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
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info:eu-repo/semantics/bachelorThesis |
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bachelorThesis |
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publishedVersion |
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por |
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por |
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info:eu-repo/semantics/openAccess |
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openAccess |
dc.publisher.initials.fl_str_mv |
Universidade Federal de Sergipe |
dc.publisher.department.fl_str_mv |
DTE - Departamento de Teatro – Laranjeiras – Presencial |
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