Imagining Palmares: The Work of Gayl Jones

Detalhes bibliográficos
Autor(a) principal: Coser, Stelamaris
Data de Publicação: 2005
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Estudos Feministas
Texto Completo: https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2005000300010
Resumo: The long narrative poem Song for Anninho (1981), written by black U.S. writer Gayl Jones, interferes in the narrative of Brazilian colonial history as it highlights the female presence in the Republic of Palmares, rewrites the tale of resistance from the point of view of a black woman in the 17th Century, and, through her, reinvents the everyday lives, loves, disputes, and dreams of common people in the quilombo. The text reflects about historical truth, the constructed character of documents, selections and exclusions in language, and the importance of oral accounts to give visibility to experiences and identities marginalized by official history. In this special version, the dramatic report of the dreams, struggles, and destruction of the most famous Brazilian quilombo uses literary imagination to expand the memory and the archives of one of the most important facts in the history of the Americas, contributing to stimulate inter-American dialogue and to illuminate the African diaspora in Brazil and in the American continent.
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spelling Imagining Palmares: The Work of Gayl JonesImaginando Palmares: a obra de Gayl JonesThe long narrative poem Song for Anninho (1981), written by black U.S. writer Gayl Jones, interferes in the narrative of Brazilian colonial history as it highlights the female presence in the Republic of Palmares, rewrites the tale of resistance from the point of view of a black woman in the 17th Century, and, through her, reinvents the everyday lives, loves, disputes, and dreams of common people in the quilombo. The text reflects about historical truth, the constructed character of documents, selections and exclusions in language, and the importance of oral accounts to give visibility to experiences and identities marginalized by official history. In this special version, the dramatic report of the dreams, struggles, and destruction of the most famous Brazilian quilombo uses literary imagination to expand the memory and the archives of one of the most important facts in the history of the Americas, contributing to stimulate inter-American dialogue and to illuminate the African diaspora in Brazil and in the American continent.O longo poema narrativo Song for Anninho (1981), da escritora negra Gayl Jones (Estados Unidos), interfere na narrativa da história colonial brasileira ao resgatar a figura feminina na República de Palmares, reescrever a saga de resistência dos palmaristas do ponto de vista imaginário de uma mulher negra do século XVII e, através dela, reinventar o cotidiano, os amores, as disputas e os sonhos das pessoas comuns que integravam o quilombo. O texto reflete sobre a verdade histórica, o aspecto construído de documentos, as seleções e exclusões da linguagem, e a importância do relato oral para o conhecimento de vivências e identidades à margem da história oficial. Nessa versão especial, o relato dramático do sonho, da luta e da destruição do mais famoso quilombo brasileiro usa a imaginação literária para expandir a memória e os arquivos de um dos fatos mais importantes da história das Américas, contribuindo para estimular o diálogo interamericano e iluminar a diáspora africana no Brasil e no continente.Universidade Federal de Santa Catarina2005-01-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X200500030001010.1590/S0104-026X2005000300010Revista Estudos Feministas; Vol. 13 No. 3 (2005); 629Revista Estudos Feministas; Vol. 13 Núm. 3 (2005); 629Revista Estudos Feministas; v. 13 n. 3 (2005); 6291806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2005000300010/7718Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessCoser, Stelamaris2022-11-21T14:21:50Zoai:periodicos.ufsc.br:article/8381Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:37:25.977541Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv Imagining Palmares: The Work of Gayl Jones
Imaginando Palmares: a obra de Gayl Jones
title Imagining Palmares: The Work of Gayl Jones
spellingShingle Imagining Palmares: The Work of Gayl Jones
Coser, Stelamaris
title_short Imagining Palmares: The Work of Gayl Jones
title_full Imagining Palmares: The Work of Gayl Jones
title_fullStr Imagining Palmares: The Work of Gayl Jones
title_full_unstemmed Imagining Palmares: The Work of Gayl Jones
title_sort Imagining Palmares: The Work of Gayl Jones
author Coser, Stelamaris
author_facet Coser, Stelamaris
author_role author
dc.contributor.author.fl_str_mv Coser, Stelamaris
description The long narrative poem Song for Anninho (1981), written by black U.S. writer Gayl Jones, interferes in the narrative of Brazilian colonial history as it highlights the female presence in the Republic of Palmares, rewrites the tale of resistance from the point of view of a black woman in the 17th Century, and, through her, reinvents the everyday lives, loves, disputes, and dreams of common people in the quilombo. The text reflects about historical truth, the constructed character of documents, selections and exclusions in language, and the importance of oral accounts to give visibility to experiences and identities marginalized by official history. In this special version, the dramatic report of the dreams, struggles, and destruction of the most famous Brazilian quilombo uses literary imagination to expand the memory and the archives of one of the most important facts in the history of the Americas, contributing to stimulate inter-American dialogue and to illuminate the African diaspora in Brazil and in the American continent.
publishDate 2005
dc.date.none.fl_str_mv 2005-01-01
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identifier_str_mv 10.1590/S0104-026X2005000300010
dc.language.iso.fl_str_mv por
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dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/S0104-026X2005000300010/7718
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 13 No. 3 (2005); 629
Revista Estudos Feministas; Vol. 13 Núm. 3 (2005); 629
Revista Estudos Feministas; v. 13 n. 3 (2005); 629
1806-9584
0104-026X
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