Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns
Autor(a) principal: | |
---|---|
Data de Publicação: | 2020 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/61738 |
Resumo: | This paper proposes a reflection on gender issues involving female clowning practices, based on the coexistence and interviews with a group of female clowns in Brazil. It develops the idea that social discourses forge bodies and gender standards, therefore crossing the creative processes in clowning. Founded on the concept of parodistic practices developed by Judith Butler, this work aims to think on the processes of female clowning in its character of parody of oneself, as well as on its reverberations in the creation of a critic and non-self-derogatory comicality. The concept of parody is proposed based on the works of Judith Butler, Linda Hutcheon and Giorgio Agamben as a way of outlining the notion of parody in the quality of critical detachment, and in the possibility of affecting the female artists’ modes of subjectivation. |
id |
UFSC-11_d05e7235a513b62e092d3b112102681b |
---|---|
oai_identifier_str |
oai:periodicos.ufsc.br:article/61738 |
network_acronym_str |
UFSC-11 |
network_name_str |
Revista Estudos Feministas |
repository_id_str |
|
spelling |
Critic Comicality and Self-derogatory Laugh: A Study with Female ClownsComicidade crítica e riso autodepreciativo: um estudo com mulheres palhaçasThis paper proposes a reflection on gender issues involving female clowning practices, based on the coexistence and interviews with a group of female clowns in Brazil. It develops the idea that social discourses forge bodies and gender standards, therefore crossing the creative processes in clowning. Founded on the concept of parodistic practices developed by Judith Butler, this work aims to think on the processes of female clowning in its character of parody of oneself, as well as on its reverberations in the creation of a critic and non-self-derogatory comicality. The concept of parody is proposed based on the works of Judith Butler, Linda Hutcheon and Giorgio Agamben as a way of outlining the notion of parody in the quality of critical detachment, and in the possibility of affecting the female artists’ modes of subjectivation.O presente artigo propõe uma reflexão sobre as questões de gênero que envolvem as práticas da palhaçaria feminina, a partir do convívio e de entrevistas com um grupo de mulheres palhaças no Brasil. Trabalha-se a ideia de que os discursos sociais forjam os corpos e os padrões de gênero e, portanto, perpassam os processos criativos na palhaçaria. Com base no conceito de práticas parodísticas desenvolvido por Judith Butler, este trabalho busca pensar nos processos da palhaçaria feminina no seu caráter de paródia de si e em suas reverberações na criação de uma comicidade crítica e não autodepreciativa. Propõe-se o conceito de paródia a partir dos trabalhos de Judith Butler, Linda Hutcheon e Giorgio Agamben como forma de delinear a noção de paródia na qualidade de distanciamento crítico e na possibilidade de afetar os modos de subjetivação das artistas.Universidade Federal de Santa Catarina2020-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionEntrevista;observação participanteapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/6173810.1590/1806-9584-2020v28n61738Revista Estudos Feministas; Vol. 28 No. 3 (2020)Revista Estudos Feministas; Vol. 28 Núm. 3 (2020)Revista Estudos Feministas; v. 28 n. 3 (2020)1806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/61738/44928Copyright (c) 2020 Revista Estudos Feministashttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFuchs, Ana Carolina MullerIcle, Gilberto2020-12-18T20:43:55Zoai:periodicos.ufsc.br:article/61738Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:48.798460Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns Comicidade crítica e riso autodepreciativo: um estudo com mulheres palhaças |
title |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns |
spellingShingle |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns Fuchs, Ana Carolina Muller |
title_short |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns |
title_full |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns |
title_fullStr |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns |
title_full_unstemmed |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns |
title_sort |
Critic Comicality and Self-derogatory Laugh: A Study with Female Clowns |
author |
Fuchs, Ana Carolina Muller |
author_facet |
Fuchs, Ana Carolina Muller Icle, Gilberto |
author_role |
author |
author2 |
Icle, Gilberto |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Fuchs, Ana Carolina Muller Icle, Gilberto |
description |
This paper proposes a reflection on gender issues involving female clowning practices, based on the coexistence and interviews with a group of female clowns in Brazil. It develops the idea that social discourses forge bodies and gender standards, therefore crossing the creative processes in clowning. Founded on the concept of parodistic practices developed by Judith Butler, this work aims to think on the processes of female clowning in its character of parody of oneself, as well as on its reverberations in the creation of a critic and non-self-derogatory comicality. The concept of parody is proposed based on the works of Judith Butler, Linda Hutcheon and Giorgio Agamben as a way of outlining the notion of parody in the quality of critical detachment, and in the possibility of affecting the female artists’ modes of subjectivation. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Entrevista;observação participante |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/61738 10.1590/1806-9584-2020v28n61738 |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/61738 |
identifier_str_mv |
10.1590/1806-9584-2020v28n61738 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/61738/44928 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Revista Estudos Feministas https://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Revista Estudos Feministas https://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 28 No. 3 (2020) Revista Estudos Feministas; Vol. 28 Núm. 3 (2020) Revista Estudos Feministas; v. 28 n. 3 (2020) 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
_version_ |
1789435253457158144 |