Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/41940 |
Resumo: | In this article I offer an interpretation of why Argentina’s last military government promoted, by way of conditional State funding and financial support, a series of movies that presented a vision of gender and sexuality that was at odds with official discourse on the subjects, especially given that cinematography is an artistic, industrial and commercial enterprise that is central to the mass-media culture and therefore of considerable social and cultural influence. These movies, which were characterized by film journalists and critics as light or roguish sexy comedies, were by no means marginal productions in the filmmaking industry; in fact, they accounted represented a not insignificant percentage of total during those years. |
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Paradoxes of Gender and Sexuality in Films During Argentina’s Military DictatorshipParadojas del género y la sexualidad en la filmografía durante la última dictadura militar argentinaIn this article I offer an interpretation of why Argentina’s last military government promoted, by way of conditional State funding and financial support, a series of movies that presented a vision of gender and sexuality that was at odds with official discourse on the subjects, especially given that cinematography is an artistic, industrial and commercial enterprise that is central to the mass-media culture and therefore of considerable social and cultural influence. These movies, which were characterized by film journalists and critics as light or roguish sexy comedies, were by no means marginal productions in the filmmaking industry; in fact, they accounted represented a not insignificant percentage of total during those years.En este artículo ofrezco una interpretación acerca de por qué el último gobierno militar argentino promovió por medio de la selección condicionada del financiamiento una serie de películas que ensayaron una visión contradictoria a la del discurso oficial sobre el género y la sexualidad, más aún teniendo en cuenta que la cinematografía es un medio artístico, industrial y comercial partícipe de la cultura de masas y, por lo tanto, de considerable influencia social y cultural. Estas películas, que fueron caracterizadas por los periodistas y críticos de cine como sexi comedias, ligeras o picarescas, no fueron marginales en la industria cinematográfica ya que, por el contrario, representaron un porcentaje nada despreciable de lo producido en esos años.Universidade Federal de Santa Catarina2015-11-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/4194010.1590/%xRevista Estudos Feministas; Vol. 23 No. 3 (2015); 913-937Revista Estudos Feministas; Vol. 23 Núm. 3 (2015); 913-937Revista Estudos Feministas; v. 23 n. 3 (2015); 913-9371806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCspahttps://periodicos.ufsc.br/index.php/ref/article/view/41940/30512Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessD’Antonio, Débora Carina2018-08-14T15:38:39Zoai:periodicos.ufsc.br:article/41940Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:28.658854Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship Paradojas del género y la sexualidad en la filmografía durante la última dictadura militar argentina |
title |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship |
spellingShingle |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship D’Antonio, Débora Carina |
title_short |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship |
title_full |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship |
title_fullStr |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship |
title_full_unstemmed |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship |
title_sort |
Paradoxes of Gender and Sexuality in Films During Argentina’s Military Dictatorship |
author |
D’Antonio, Débora Carina |
author_facet |
D’Antonio, Débora Carina |
author_role |
author |
dc.contributor.author.fl_str_mv |
D’Antonio, Débora Carina |
description |
In this article I offer an interpretation of why Argentina’s last military government promoted, by way of conditional State funding and financial support, a series of movies that presented a vision of gender and sexuality that was at odds with official discourse on the subjects, especially given that cinematography is an artistic, industrial and commercial enterprise that is central to the mass-media culture and therefore of considerable social and cultural influence. These movies, which were characterized by film journalists and critics as light or roguish sexy comedies, were by no means marginal productions in the filmmaking industry; in fact, they accounted represented a not insignificant percentage of total during those years. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-11-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/41940 10.1590/%x |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/41940 |
identifier_str_mv |
10.1590/%x |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/41940/30512 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Estudos Feministas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Estudos Feministas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 23 No. 3 (2015); 913-937 Revista Estudos Feministas; Vol. 23 Núm. 3 (2015); 913-937 Revista Estudos Feministas; v. 23 n. 3 (2015); 913-937 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
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