Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit

Detalhes bibliográficos
Autor(a) principal: Breder, Debora
Data de Publicação: 2017
Outros Autores: Coelho, Paloma
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Estudos Feministas
Texto Completo: https://periodicos.ufsc.br/index.php/ref/article/view/40362
Resumo: This article proposes a reflection on the web of meanings that intertwine Pedro Almodóvar’s The Skin I Live In (2011) plot - these are often contradictory meanings that illuminate the shadow zones in which thought thematizes difference. First, we analyze the explicit discourse of the film, which deals with the plasticity of the body and the fluidity of genre, showing its constructive character when it dissociates itself from fixed and essentialist categorizations. Next, his implicit discourse is analyzed, considering that every film, as a product of social practices, is also constituted by a set of ideas that escape the author’s own intentions. Ultimately, it is a matter of thinking to what extent the implicit discourse of the plot constitutes a kind of counter discourse in relation to what the feature film explicitly proclaims.
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spelling Unveiling Images: the Visible and the Unspeakable on the Skin We InhabitDesvelando imagens: o visível e o indizível na pele que habitamosThis article proposes a reflection on the web of meanings that intertwine Pedro Almodóvar’s The Skin I Live In (2011) plot - these are often contradictory meanings that illuminate the shadow zones in which thought thematizes difference. First, we analyze the explicit discourse of the film, which deals with the plasticity of the body and the fluidity of genre, showing its constructive character when it dissociates itself from fixed and essentialist categorizations. Next, his implicit discourse is analyzed, considering that every film, as a product of social practices, is also constituted by a set of ideas that escape the author’s own intentions. Ultimately, it is a matter of thinking to what extent the implicit discourse of the plot constitutes a kind of counter discourse in relation to what the feature film explicitly proclaims.Este artigo propõe uma reflexão sobre a teia de significados que entretecem a trama de A pele que habito, de Pedro Almodóvar (2011) – significados estes, não raro, contraditórios, que iluminam as zonas de sombra nas quais o pensamento tematiza a diferença. Primeiro, analisa-se o discurso explícito do filme, que versa sobre a plasticidade do corpo e a fluidez do gênero, demonstrando seu caráter construtivo ao se desvincular de categorizações fixas e essencialistas. A seguir, analisa-se o seu discurso implícito, considerando que todo filme, como produto de práticas sociais, é constituído também por um conjunto de ideias que escapam às próprias intenções do autor. Em última instância, trata-se de pensar em que medida o discurso implícito da trama constitui uma espécie de contra discurso em relação ao que o longametragem explicitamente proclama.Universidade Federal de Santa Catarina2017-10-23info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/4036210.1590/%xRevista Estudos Feministas; Vol. 25 No. 3 (2017); 1489-1502Revista Estudos Feministas; Vol. 25 Núm. 3 (2017); 1489-1502Revista Estudos Feministas; v. 25 n. 3 (2017); 1489-15021806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/40362/35191Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessBreder, DeboraCoelho, Paloma2018-04-19T11:46:30Zoai:periodicos.ufsc.br:article/40362Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:27.383218Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true
dc.title.none.fl_str_mv Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
Desvelando imagens: o visível e o indizível na pele que habitamos
title Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
spellingShingle Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
Breder, Debora
title_short Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
title_full Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
title_fullStr Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
title_full_unstemmed Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
title_sort Unveiling Images: the Visible and the Unspeakable on the Skin We Inhabit
author Breder, Debora
author_facet Breder, Debora
Coelho, Paloma
author_role author
author2 Coelho, Paloma
author2_role author
dc.contributor.author.fl_str_mv Breder, Debora
Coelho, Paloma
description This article proposes a reflection on the web of meanings that intertwine Pedro Almodóvar’s The Skin I Live In (2011) plot - these are often contradictory meanings that illuminate the shadow zones in which thought thematizes difference. First, we analyze the explicit discourse of the film, which deals with the plasticity of the body and the fluidity of genre, showing its constructive character when it dissociates itself from fixed and essentialist categorizations. Next, his implicit discourse is analyzed, considering that every film, as a product of social practices, is also constituted by a set of ideas that escape the author’s own intentions. Ultimately, it is a matter of thinking to what extent the implicit discourse of the plot constitutes a kind of counter discourse in relation to what the feature film explicitly proclaims.
publishDate 2017
dc.date.none.fl_str_mv 2017-10-23
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/40362
10.1590/%x
url https://periodicos.ufsc.br/index.php/ref/article/view/40362
identifier_str_mv 10.1590/%x
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/ref/article/view/40362/35191
dc.rights.driver.fl_str_mv Copyright (c) 2018 Revista Estudos Feministas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Revista Estudos Feministas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Revista Estudos Feministas; Vol. 25 No. 3 (2017); 1489-1502
Revista Estudos Feministas; Vol. 25 Núm. 3 (2017); 1489-1502
Revista Estudos Feministas; v. 25 n. 3 (2017); 1489-1502
1806-9584
0104-026X
reponame:Revista Estudos Feministas
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Revista Estudos Feministas
collection Revista Estudos Feministas
repository.name.fl_str_mv Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ||ref@cfh.ufsc.br
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