Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine
Autor(a) principal: | |
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Data de Publicação: | 2014 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Estudos Feministas |
Texto Completo: | https://periodicos.ufsc.br/index.php/ref/article/view/36748 |
Resumo: | In the first decades of the twentieth century, the myth of the Androgyne returns as a promise of spiritual happiness. Among the Surrealists, the androgyny, along with the cult of the woman, worked as alterity, as appreciation of underground modernity. Androgyny appears in several works of Frida Kahlo in Mexico and in Ismael Nery, in Brazil, both with a surrealistic approach. In Frida, the myth oscillates between spiritual and political, between transgression and subjection, going to the lesbianism and the desire to invert the traditional gender roles to the dissolution of her own identity, submitted in love by her husband. In Ismael, the duplicity of his selfportraits and iconography of loving couples expresses the fusion of the sexes as part of the world of ideas. “Artistic sex par excellence,” the myths appear more strongly in the art of Ismael Nery. |
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Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal FeminineAndroginia e Surrealismo a propósito de Frida e Ismael – velhos mitos: eterno femininoIn the first decades of the twentieth century, the myth of the Androgyne returns as a promise of spiritual happiness. Among the Surrealists, the androgyny, along with the cult of the woman, worked as alterity, as appreciation of underground modernity. Androgyny appears in several works of Frida Kahlo in Mexico and in Ismael Nery, in Brazil, both with a surrealistic approach. In Frida, the myth oscillates between spiritual and political, between transgression and subjection, going to the lesbianism and the desire to invert the traditional gender roles to the dissolution of her own identity, submitted in love by her husband. In Ismael, the duplicity of his selfportraits and iconography of loving couples expresses the fusion of the sexes as part of the world of ideas. “Artistic sex par excellence,” the myths appear more strongly in the art of Ismael Nery.Nas primeiras décadas do século XX, retorna o mito do Andrógino como promessa de felicidade espiritual. Entre os surrealistas, a androginia junto ao culto da mulher funcionou como alteridade, como valorização dos subterrâneos da modernidade. A androginia aparece em vários trabalhos de Frida Kahlo no México e Ismael Nery no Brasil, ambos com aproximação ao Surrealismo. Em Frida, o mito oscila entre espiritual e político, entre transgressão e sujeição, vai do lesbianismo e do desejo de inversão dos tradicionais papéis de gênero à dissolução de sua própria identidade, submetida no amor pelo marido. Ismael, na duplicidade de seus autorretratos e na iconografia dos casais amorosos, expressa a fusão dos sexos como parte do mundo das ideias. “Sexo artístico por excelência”, os mitos aparecem com maior força na arte de Ismael Nery.Universidade Federal de Santa Catarina2014-09-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/ref/article/view/3674810.1590/%xRevista Estudos Feministas; Vol. 22 No. 3 (2014); 815-837Revista Estudos Feministas; Vol. 22 Núm. 3 (2014); 815-837Revista Estudos Feministas; v. 22 n. 3 (2014); 815-8371806-95840104-026Xreponame:Revista Estudos Feministasinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/ref/article/view/36748/28569Copyright (c) 2018 Revista Estudos Feministasinfo:eu-repo/semantics/openAccessFlores, Maria Bernardete Ramos2018-08-14T16:03:44Zoai:periodicos.ufsc.br:article/36748Revistahttps://periodicos.ufsc.br/index.php/ref/indexPUBhttps://periodicos.ufsc.br/index.php/ref/oai||ref@cfh.ufsc.br1806-95840104-026Xopendoar:2022-11-21T11:38:22.369775Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC)true |
dc.title.none.fl_str_mv |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine Androginia e Surrealismo a propósito de Frida e Ismael – velhos mitos: eterno feminino |
title |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine |
spellingShingle |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine Flores, Maria Bernardete Ramos |
title_short |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine |
title_full |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine |
title_fullStr |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine |
title_full_unstemmed |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine |
title_sort |
Androgyny and Surrealism Regarding Frida and Ismael – Old Myths: Eternal Feminine |
author |
Flores, Maria Bernardete Ramos |
author_facet |
Flores, Maria Bernardete Ramos |
author_role |
author |
dc.contributor.author.fl_str_mv |
Flores, Maria Bernardete Ramos |
description |
In the first decades of the twentieth century, the myth of the Androgyne returns as a promise of spiritual happiness. Among the Surrealists, the androgyny, along with the cult of the woman, worked as alterity, as appreciation of underground modernity. Androgyny appears in several works of Frida Kahlo in Mexico and in Ismael Nery, in Brazil, both with a surrealistic approach. In Frida, the myth oscillates between spiritual and political, between transgression and subjection, going to the lesbianism and the desire to invert the traditional gender roles to the dissolution of her own identity, submitted in love by her husband. In Ismael, the duplicity of his selfportraits and iconography of loving couples expresses the fusion of the sexes as part of the world of ideas. “Artistic sex par excellence,” the myths appear more strongly in the art of Ismael Nery. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014-09-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/36748 10.1590/%x |
url |
https://periodicos.ufsc.br/index.php/ref/article/view/36748 |
identifier_str_mv |
10.1590/%x |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/ref/article/view/36748/28569 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Estudos Feministas info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Estudos Feministas |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Estudos Feministas; Vol. 22 No. 3 (2014); 815-837 Revista Estudos Feministas; Vol. 22 Núm. 3 (2014); 815-837 Revista Estudos Feministas; v. 22 n. 3 (2014); 815-837 1806-9584 0104-026X reponame:Revista Estudos Feministas instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Revista Estudos Feministas |
collection |
Revista Estudos Feministas |
repository.name.fl_str_mv |
Revista Estudos Feministas - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||ref@cfh.ufsc.br |
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