Melancholy Images of Manuscript Forgotten: an Original of Jorge Amado

• Autor(a) principal: Oliveira, Cristiano Mello
• Data de Publicação: 2014
• Outros Autores: Dias, Joe José, Oliveira, Tânia Regina de
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Ágora (Florianópolis. Online)
• Texto Completo: https://agora.emnuvens.com.br/ra/article/view/456
• topic: Jorge Amado; (Self) Exile; Stefan Zweig; Brazilian Literature; Jorge Amado; Brazilian Literature; Jorge Amado; (auto) exílio; Fontes primárias; Arquivo; Stefan Zweig; Literatura Brasileira; Jorge Amado

In 2011, professor Leonor SCLIAR Cabral (UFSC) donated a suitcase of documents that belonged to the Bahian writer Jorge Amado. The suitcase of documents belonged to the mother of the researcher, whose material was the result of his friendship with Jorge Amado maintained during the short period of the New State policy in the years 1941-1942, in the cities of Buenos Aires and Montevideo. These manuscripts reveal the author's memory archivist Bahia, elucidating the size of existing historical-fiction in his early novels, allowing the researcher interested in knowing the genetic mishaps and contexts of its production. During a visit to the Center for Literature and Memory, housed at the Federal University of Santa Catarina, coordinated by Professor Dr. Tania Oliveira Ramos had access to the contents of these materials were made available to participants for their discipline: The historiography of Brazilian literature. This article outlines so informative publication written by Jorge Amado, heartily endorsing the abrupt death of the Austrian writer Stefan Zweig, in the city of Petropolis in Rio de Janeiro. During the writing of this publication, Amado reinforces the loss that the author of the classic Brazil, a country of the future, would the national culture, showing the baggage left by erudite author. Ballast theoretical develop some authors, each in his own way, working the importance of archives and primary sources: Cunha (2003); Willemart (1999); Farge (2009), among others necessary. The contribution of this article is intended to make some results on the collaboration of Jorge Amado in newspapers of the time, as well as clarify the murky period of their cultural participation.