Madonna, the parrêsia, teh simulacrum

Detalhes bibliográficos
Autor(a) principal: Butturi Junior, Atilio
Data de Publicação: 2010
Tipo de documento: Artigo
Idioma: por
Título da fonte: Fórum Linguístico
Texto Completo: https://periodicos.ufsc.br/index.php/forum/article/view/1984-8412.2010v7n2p23
Resumo: <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-520092929 1073786111 9 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0cm; margin-right:0cm; margin-bottom:10.0pt; margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-fareast-font-family:Calibri; mso-bidi-font-family:"Times New Roman"; mso-fareast-language:EN-US;} span.longtext {mso-style-name:long_text; mso-style-unhide:no;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; mso-ascii-font-family:Calibri; mso-fareast-font-family:Calibri; mso-hansi-font-family:Calibri;} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> This paper aims, from the perspective of an archaeogenealogy, discuss possible relationships between the discourse of Madonna and the concept of parrêsia. It is based initially on appointments of Michel Foucault on the modalities of subjectivity by truth emerged and developed along the issues of self-care and parrêsia. Below, lists characteristics of the call cynical parrêsia and draws parallels between this and three statements of Madonna, the book Sex and two contemporary interviews this. Finally, it discusses the same approach according to the differentiation made by Jean Baudrillard between seduction and pleasure, concluding in the Madonna’s speech Madonna not parrêsia but the simulacrum of the entertainment industry.  
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spelling Madonna, the parrêsia, teh simulacrumMadonna, a parrêsia, o simulacro <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-520092929 1073786111 9 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0cm; margin-right:0cm; margin-bottom:10.0pt; margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-fareast-font-family:Calibri; mso-bidi-font-family:"Times New Roman"; mso-fareast-language:EN-US;} span.longtext {mso-style-name:long_text; mso-style-unhide:no;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; mso-ascii-font-family:Calibri; mso-fareast-font-family:Calibri; mso-hansi-font-family:Calibri;} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> This paper aims, from the perspective of an archaeogenealogy, discuss possible relationships between the discourse of Madonna and the concept of parrêsia. It is based initially on appointments of Michel Foucault on the modalities of subjectivity by truth emerged and developed along the issues of self-care and parrêsia. Below, lists characteristics of the call cynical parrêsia and draws parallels between this and three statements of Madonna, the book Sex and two contemporary interviews this. Finally, it discusses the same approach according to the differentiation made by Jean Baudrillard between seduction and pleasure, concluding in the Madonna’s speech Madonna not parrêsia but the simulacrum of the entertainment industry.   Este trabalho pretende, a partir de uma perspectiva arqueogenealógica, discutir as relações possíveis entre o discurso da cantora Madonna e o conceito de parrêsia. Para tanto, recorre inicialmente aos apontamentos de Michel Foucault acerca das modalidades de subjetivação via verdade, surgidas e desenvolvidas segundo as problemáticas do cuidado de si e da parrêsia. Adiante, elenca características da chamada parrêsia cínica e traça paralelos entre esta e três enunciados de Madonna: o livro Sex e duas entrevistas contemporâneas deste. Finalmente, discute a mesma aproximação segundo a diferenciação realizada por Jean Baudrillard entre sedução e gozo, percebendo no discurso de Madonna um complicador parresiástico, qual seja, o simulacro da indústria do entretenimento.Programa de Pós-Graduação em Linguística - UFSC2010-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionavaliado por paresArqueogenealogiaapplication/pdfhttps://periodicos.ufsc.br/index.php/forum/article/view/1984-8412.2010v7n2p2310.5007/1984-8412.2010v7n2p23Fórum Linguístico; Vol. 7 No. 2 (2010); 23-39Fórum Linguístico; Vol. 7 Núm. 2 (2010); 23-39Fórum Linguístico; v. 7 n. 2 (2010); 23-391984-84121415-8698reponame:Fórum Linguísticoinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/forum/article/view/1984-8412.2010v7n2p23/17106Butturi Junior, Atilioinfo:eu-repo/semantics/openAccess2023-01-12T19:27:53Zoai:periodicos.ufsc.br:article/13774Revistahttps://periodicos.ufsc.br/index.php/forum/indexPUBhttps://periodicos.ufsc.br/index.php/forum/oaiportaldeperiodicos.bu@contato.ufsc.br || atilio.butturi@ufsc.br1984-84121984-8412opendoar:2023-01-12T16:40:18.855059Fórum Linguístico - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Madonna, the parrêsia, teh simulacrum
Madonna, a parrêsia, o simulacro
title Madonna, the parrêsia, teh simulacrum
spellingShingle Madonna, the parrêsia, teh simulacrum
Butturi Junior, Atilio
title_short Madonna, the parrêsia, teh simulacrum
title_full Madonna, the parrêsia, teh simulacrum
title_fullStr Madonna, the parrêsia, teh simulacrum
title_full_unstemmed Madonna, the parrêsia, teh simulacrum
title_sort Madonna, the parrêsia, teh simulacrum
author Butturi Junior, Atilio
author_facet Butturi Junior, Atilio
author_role author
dc.contributor.author.fl_str_mv Butturi Junior, Atilio
description <!-- /* Font Definitions */ @font-face {font-family:"Cambria Math"; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:roman; mso-font-pitch:variable; mso-font-signature:-1610611985 1107304683 0 0 415 0;} @font-face {font-family:Calibri; panose-1:2 15 5 2 2 2 4 3 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:-520092929 1073786111 9 0 415 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-unhide:no; mso-style-qformat:yes; mso-style-parent:""; margin-top:0cm; margin-right:0cm; margin-bottom:10.0pt; margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-fareast-font-family:Calibri; mso-bidi-font-family:"Times New Roman"; mso-fareast-language:EN-US;} span.longtext {mso-style-name:long_text; mso-style-unhide:no;} .MsoChpDefault {mso-style-type:export-only; mso-default-props:yes; font-size:10.0pt; mso-ansi-font-size:10.0pt; mso-bidi-font-size:10.0pt; mso-ascii-font-family:Calibri; mso-fareast-font-family:Calibri; mso-hansi-font-family:Calibri;} @page Section1 {size:612.0pt 792.0pt; margin:70.85pt 3.0cm 70.85pt 3.0cm; mso-header-margin:36.0pt; mso-footer-margin:36.0pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> This paper aims, from the perspective of an archaeogenealogy, discuss possible relationships between the discourse of Madonna and the concept of parrêsia. It is based initially on appointments of Michel Foucault on the modalities of subjectivity by truth emerged and developed along the issues of self-care and parrêsia. Below, lists characteristics of the call cynical parrêsia and draws parallels between this and three statements of Madonna, the book Sex and two contemporary interviews this. Finally, it discusses the same approach according to the differentiation made by Jean Baudrillard between seduction and pleasure, concluding in the Madonna’s speech Madonna not parrêsia but the simulacrum of the entertainment industry.  
publishDate 2010
dc.date.none.fl_str_mv 2010-12-20
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Arqueogenealogia
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dc.publisher.none.fl_str_mv Programa de Pós-Graduação em Linguística - UFSC
publisher.none.fl_str_mv Programa de Pós-Graduação em Linguística - UFSC
dc.source.none.fl_str_mv Fórum Linguístico; Vol. 7 No. 2 (2010); 23-39
Fórum Linguístico; Vol. 7 Núm. 2 (2010); 23-39
Fórum Linguístico; v. 7 n. 2 (2010); 23-39
1984-8412
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