Cinema and historic event: the death of Francisco Franco in the screen

Detalhes bibliográficos
Autor(a) principal: Berthier, Nancy
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p150
Resumo: The death of Francisco Franco Bahamonde, which took place on November 20, 1975, after a long agony, beyond the mark, from the biological point of view, the end of the life of a head of state, has worked as authentic turning point in contemporary history of Spain, and became a place of memories. The image has played a special role in the memory of the event of the death of Franco. This text will focus on the question of the relationship between cinema and history from the study of the representation of Franco’s death as an event in the modern sense of the word, an event that marks a break, and as such continues to produce sense later memories. A corpus is reduced from four audiovisual productions (The death of Franco, 1975, the last fall, 1975, so Franco died, 1995, a good trip Excellence!, 2003), offering views representing various forms, both generic and in its evolution over time, from the same month of the death of Franco until 2000.
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spelling Cinema and historic event: the death of Francisco Franco in the screenCine y evento histórico: la muerte de Franco en la pantallaThe death of Francisco Franco Bahamonde, which took place on November 20, 1975, after a long agony, beyond the mark, from the biological point of view, the end of the life of a head of state, has worked as authentic turning point in contemporary history of Spain, and became a place of memories. The image has played a special role in the memory of the event of the death of Franco. This text will focus on the question of the relationship between cinema and history from the study of the representation of Franco’s death as an event in the modern sense of the word, an event that marks a break, and as such continues to produce sense later memories. A corpus is reduced from four audiovisual productions (The death of Franco, 1975, the last fall, 1975, so Franco died, 1995, a good trip Excellence!, 2003), offering views representing various forms, both generic and in its evolution over time, from the same month of the death of Franco until 2000.La muerte de Francisco Franco Bahamonde, que tuvo lugar el 20 de noviembre de 1975, después de una larga agonía, más allá de marcar, desde el punto de vista biológico, el final de la vida de un jefe de Estado, ha funcionado como auténtico punto de inflexión de la historia contemporánea de España, y se convirtió en un lugar de memorias. La imagen ha desempeñado un papel particular en la memoria del evento de la muerte de Franco. Este texto enfocará la cuestión de las relaciones entre cine e historia a partir del estudio de la representación de la muerte de Franco como evento en el sentido moderno de la palabra, un evento que marca una ruptura, y que como tal sigue produciendo sentido posteriormente en las memorias. Se estudia un corpus reducido de cuatro producciones audiovisuales (La muerte de Franco, 1975, El último caído, 1975, Así murió Franco, 1995, ¡Buen viaje Excelencia !, 2003), que permiten contemplar diversas modalidades representativas, tanto a nivel genérico como en su evolución en el tiempo, desde el mismo mes de la muerte de Franco hasta los años 2000.Universidade Federal de Santa Catarina2012-06-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p15010.5007/2175-7976.2012v19n27p150Esboços: histories in global contexts; Vol. 19 No. 27 (2012): Dossiê História e Cinema; 150-170Esboços: historias en contextos globales; Vol. 19 Núm. 27 (2012): Dossiê História e Cinema; 150-170Esboços: histórias em contextos globais; v. 19 n. 27 (2012): Dossiê História e Cinema; 150-1702175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p150/23189Copyright (c) 2019 Nancy Berthierinfo:eu-repo/semantics/openAccessBerthier, Nancy2019-03-01T10:07:14Zoai:periodicos.ufsc.br:article/26769Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2019-03-01T10:07:14Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Cinema and historic event: the death of Francisco Franco in the screen
Cine y evento histórico: la muerte de Franco en la pantalla
title Cinema and historic event: the death of Francisco Franco in the screen
spellingShingle Cinema and historic event: the death of Francisco Franco in the screen
Berthier, Nancy
title_short Cinema and historic event: the death of Francisco Franco in the screen
title_full Cinema and historic event: the death of Francisco Franco in the screen
title_fullStr Cinema and historic event: the death of Francisco Franco in the screen
title_full_unstemmed Cinema and historic event: the death of Francisco Franco in the screen
title_sort Cinema and historic event: the death of Francisco Franco in the screen
author Berthier, Nancy
author_facet Berthier, Nancy
author_role author
dc.contributor.author.fl_str_mv Berthier, Nancy
description The death of Francisco Franco Bahamonde, which took place on November 20, 1975, after a long agony, beyond the mark, from the biological point of view, the end of the life of a head of state, has worked as authentic turning point in contemporary history of Spain, and became a place of memories. The image has played a special role in the memory of the event of the death of Franco. This text will focus on the question of the relationship between cinema and history from the study of the representation of Franco’s death as an event in the modern sense of the word, an event that marks a break, and as such continues to produce sense later memories. A corpus is reduced from four audiovisual productions (The death of Franco, 1975, the last fall, 1975, so Franco died, 1995, a good trip Excellence!, 2003), offering views representing various forms, both generic and in its evolution over time, from the same month of the death of Franco until 2000.
publishDate 2012
dc.date.none.fl_str_mv 2012-06-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p150
10.5007/2175-7976.2012v19n27p150
url https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p150
identifier_str_mv 10.5007/2175-7976.2012v19n27p150
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2012v19n27p150/23189
dc.rights.driver.fl_str_mv Copyright (c) 2019 Nancy Berthier
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Nancy Berthier
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 19 No. 27 (2012): Dossiê História e Cinema; 150-170
Esboços: historias en contextos globales; Vol. 19 Núm. 27 (2012): Dossiê História e Cinema; 150-170
Esboços: histórias em contextos globais; v. 19 n. 27 (2012): Dossiê História e Cinema; 150-170
2175-7976
1414-722X
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instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||
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