Notations for a history of the painting in Latin America
Autor(a) principal: | |
---|---|
Data de Publicação: | 2008 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Esboços (Online) |
Texto Completo: | https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p177 |
Resumo: | This article is constituted by three notations to an Art History in Latin America, considering the pictorial arsenal produced in the XIX century and in the first half of the XX century. This is the first enterprise that intends to sketch some senses to the image, specially considering those works in which the feminine body presents in a more explicit way some sensibilities and perceptions inherent to the plastic thought, as well as to outline a problematic about the imagistic arsenal and its approach possibilities, specially in what refers to questions related to chronology and anachronism, text and context, copy and original, proximity and distance, superficies and depth. |
id |
UFSC-26_f41e9e8da971d0143ff77cfee727279f |
---|---|
oai_identifier_str |
oai:periodicos.ufsc.br:article/9337 |
network_acronym_str |
UFSC-26 |
network_name_str |
Esboços (Online) |
repository_id_str |
|
spelling |
Notations for a history of the painting in Latin AmericaNotações para uma história da pintura na América LatinaThis article is constituted by three notations to an Art History in Latin America, considering the pictorial arsenal produced in the XIX century and in the first half of the XX century. This is the first enterprise that intends to sketch some senses to the image, specially considering those works in which the feminine body presents in a more explicit way some sensibilities and perceptions inherent to the plastic thought, as well as to outline a problematic about the imagistic arsenal and its approach possibilities, specially in what refers to questions related to chronology and anachronism, text and context, copy and original, proximity and distance, superficies and depth.Este artigo é constituido de três notações para uma história da arte na América Latina, considerando o arsenal pictórico produzido entre meados do século XIX e primeira metade do século XX. Trata-se de empreendimento inicial que pretende delinear alguns sentidos para a imagem, especialmente considerando aquelas obras em que o corpo feminino apresenta de modo mais explícito certas sensibilidades e percepções inerentes ao pensamento plástico, bem como esboçar uma problemática sobre o arsenal imagético e suas possibilidades de abordagen, particularmente ao que se refere a questões relacionadas à cronologia e anacronismo, texto e contexto, cópia e original, proximidade e distância, superfície e profundidade.Universidade Federal de Santa Catarina2008-03-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p17710.5007/2175-7976.2008v15n19p177Esboços: histories in global contexts; Vol. 15 No. 19 (2008); 177-186Esboços: historias en contextos globales; Vol. 15 Núm. 19 (2008); 177-186Esboços: histórias em contextos globais; v. 15 n. 19 (2008); 177-1862175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p177/9179Copyright (c) 2019 Rosângela Miranda Chereminfo:eu-repo/semantics/openAccessCherem, Rosângela Miranda2023-01-12T15:08:37Zoai:periodicos.ufsc.br:article/9337Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-01-12T15:08:37Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Notations for a history of the painting in Latin America Notações para uma história da pintura na América Latina |
title |
Notations for a history of the painting in Latin America |
spellingShingle |
Notations for a history of the painting in Latin America Cherem, Rosângela Miranda |
title_short |
Notations for a history of the painting in Latin America |
title_full |
Notations for a history of the painting in Latin America |
title_fullStr |
Notations for a history of the painting in Latin America |
title_full_unstemmed |
Notations for a history of the painting in Latin America |
title_sort |
Notations for a history of the painting in Latin America |
author |
Cherem, Rosângela Miranda |
author_facet |
Cherem, Rosângela Miranda |
author_role |
author |
dc.contributor.author.fl_str_mv |
Cherem, Rosângela Miranda |
description |
This article is constituted by three notations to an Art History in Latin America, considering the pictorial arsenal produced in the XIX century and in the first half of the XX century. This is the first enterprise that intends to sketch some senses to the image, specially considering those works in which the feminine body presents in a more explicit way some sensibilities and perceptions inherent to the plastic thought, as well as to outline a problematic about the imagistic arsenal and its approach possibilities, specially in what refers to questions related to chronology and anachronism, text and context, copy and original, proximity and distance, superficies and depth. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-03-21 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p177 10.5007/2175-7976.2008v15n19p177 |
url |
https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p177 |
identifier_str_mv |
10.5007/2175-7976.2008v15n19p177 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/esbocos/article/view/2175-7976.2008v15n19p177/9179 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Rosângela Miranda Cherem info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Rosângela Miranda Cherem |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Esboços: histories in global contexts; Vol. 15 No. 19 (2008); 177-186 Esboços: historias en contextos globales; Vol. 15 Núm. 19 (2008); 177-186 Esboços: histórias em contextos globais; v. 15 n. 19 (2008); 177-186 2175-7976 1414-722X reponame:Esboços (Online) instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Esboços (Online) |
collection |
Esboços (Online) |
repository.name.fl_str_mv |
Esboços (Online) - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
portaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br|| |
_version_ |
1797174878522048512 |