The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema

Detalhes bibliográficos
Autor(a) principal: Amorim Melo Alvim, Luíza Beatriz
Data de Publicação: 2023
Outros Autores: Crepaldi Carvalho, Danielle, Coelho de Mello Menezes, Juliana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Esboços (Online)
Texto Completo: https://periodicos.ufsc.br/index.php/esbocos/article/view/82760
Resumo: This article discusses the uses of sound in early cinema based on a case study: the film adaptation of the “fantastic-lyric drama” O Remorso Vivo (1867), by Furtado Coelho and Joaquim Serra, filmed by Photo-Cinematographia Brasileira (1909); exhibited in Rio de Janeiro with musical accompaniment by Arthur Napoleão, the author of the original music of the play. It recovers the critical fortune of both the play and the film, in order to explain the continuities between the theater and the early cinema. The article especially emphasizes the uses of sound in this cinema, and the role played by Arthur Napoleão in the musical scene of Rio de Janeiro at the time. The research is situated at the interface of cinema, theater and music historiographies, mobilizing, above all, primary sources from the press.
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spelling The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early CinemaO percurso de O Remorso Vivo dos palcos às telas (1867–1909) e a relação do músico Arthur Napoleão com o Primeiro CinemaCinema and other artsO Remorso VivoArthur NapoleãoCinema e outras artesO Remorso VivoArthur NapoleãoThis article discusses the uses of sound in early cinema based on a case study: the film adaptation of the “fantastic-lyric drama” O Remorso Vivo (1867), by Furtado Coelho and Joaquim Serra, filmed by Photo-Cinematographia Brasileira (1909); exhibited in Rio de Janeiro with musical accompaniment by Arthur Napoleão, the author of the original music of the play. It recovers the critical fortune of both the play and the film, in order to explain the continuities between the theater and the early cinema. The article especially emphasizes the uses of sound in this cinema, and the role played by Arthur Napoleão in the musical scene of Rio de Janeiro at the time. The research is situated at the interface of cinema, theater and music historiographies, mobilizing, above all, primary sources from the press.Este artigo discute os usos dos sons no primeiro cinema a partir de um estudo de caso: a adaptação cinematográfica do “drama fantástico-lírico” O Remorso Vivo (1867), de Furtado Coelho e Joaquim Serra, filmada pela Photo-Cinematographia Brasileira (1909); exibida, no Rio de Janeiro, com acompanhamento musical de Arthur Napoleão, autor da música original da peça. Recuperamos a fortuna crítica da peça e do filme no intuito de explicitar as continuidades existentes entre o teatro e o primeiro cinema. O artigo destaca especialmente a questão dos usos dos sons neste cinema e o papel desempenhado por Arthur Napoleão no âmbito musical carioca de então. O trabalho inclina-se aos estudos interartes, situando-se na interface das historiografias do cinema, do teatro e da música, mobilizando, sobretudo, fontes primárias oriundas da imprensa do período.Universidade Federal de Santa Catarina2023-07-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/esbocos/article/view/8276010.5007/2175-7976.2023.e92760Esboços: histories in global contexts; Vol. 30 No. 53 (2023); 102-123Esboços: historias en contextos globales; Vol. 30 Núm. 53 (2023); 102-123Esboços: histórias em contextos globais; v. 30 n. 53 (2023); 102-1232175-79761414-722Xreponame:Esboços (Online)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/esbocos/article/view/82760/53522Copyright (c) 2023 Luíza Beatriz Amorim Melo Alvim, Danielle Crepaldi Carvalho, Juliana Coelho de Mello Menezeshttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAmorim Melo Alvim, Luíza Beatriz Crepaldi Carvalho, Danielle Coelho de Mello Menezes, Juliana2023-07-12T17:35:51Zoai:periodicos.ufsc.br:article/82760Revistahttps://periodicos.ufsc.br/index.php/esbocos/indexPUBhttps://periodicos.ufsc.br/index.php/esbocos/oaiportaldeperiodicos.bu@contato.ufsc.br||esbocos@contato.ufsc.br||2175-79761414-722Xopendoar:2023-07-12T17:35:51Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
O percurso de O Remorso Vivo dos palcos às telas (1867–1909) e a relação do músico Arthur Napoleão com o Primeiro Cinema
title The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
spellingShingle The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
Amorim Melo Alvim, Luíza Beatriz
Cinema and other arts
O Remorso Vivo
Arthur Napoleão
Cinema e outras artes
O Remorso Vivo
Arthur Napoleão
title_short The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
title_full The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
title_fullStr The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
title_full_unstemmed The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
title_sort The journey of O Remorso Vivo from stage to screen (1867-1909) and the relationship of musician Arthur Napoleão with the Early Cinema
author Amorim Melo Alvim, Luíza Beatriz
author_facet Amorim Melo Alvim, Luíza Beatriz
Crepaldi Carvalho, Danielle
Coelho de Mello Menezes, Juliana
author_role author
author2 Crepaldi Carvalho, Danielle
Coelho de Mello Menezes, Juliana
author2_role author
author
dc.contributor.author.fl_str_mv Amorim Melo Alvim, Luíza Beatriz
Crepaldi Carvalho, Danielle
Coelho de Mello Menezes, Juliana
dc.subject.por.fl_str_mv Cinema and other arts
O Remorso Vivo
Arthur Napoleão
Cinema e outras artes
O Remorso Vivo
Arthur Napoleão
topic Cinema and other arts
O Remorso Vivo
Arthur Napoleão
Cinema e outras artes
O Remorso Vivo
Arthur Napoleão
description This article discusses the uses of sound in early cinema based on a case study: the film adaptation of the “fantastic-lyric drama” O Remorso Vivo (1867), by Furtado Coelho and Joaquim Serra, filmed by Photo-Cinematographia Brasileira (1909); exhibited in Rio de Janeiro with musical accompaniment by Arthur Napoleão, the author of the original music of the play. It recovers the critical fortune of both the play and the film, in order to explain the continuities between the theater and the early cinema. The article especially emphasizes the uses of sound in this cinema, and the role played by Arthur Napoleão in the musical scene of Rio de Janeiro at the time. The research is situated at the interface of cinema, theater and music historiographies, mobilizing, above all, primary sources from the press.
publishDate 2023
dc.date.none.fl_str_mv 2023-07-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/82760
10.5007/2175-7976.2023.e92760
url https://periodicos.ufsc.br/index.php/esbocos/article/view/82760
identifier_str_mv 10.5007/2175-7976.2023.e92760
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/esbocos/article/view/82760/53522
dc.rights.driver.fl_str_mv https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Catarina
publisher.none.fl_str_mv Universidade Federal de Santa Catarina
dc.source.none.fl_str_mv Esboços: histories in global contexts; Vol. 30 No. 53 (2023); 102-123
Esboços: historias en contextos globales; Vol. 30 Núm. 53 (2023); 102-123
Esboços: histórias em contextos globais; v. 30 n. 53 (2023); 102-123
2175-7976
1414-722X
reponame:Esboços (Online)
instname:Universidade Federal de Santa Catarina (UFSC)
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instname_str Universidade Federal de Santa Catarina (UFSC)
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reponame_str Esboços (Online)
collection Esboços (Online)
repository.name.fl_str_mv Esboços (Online) - Universidade Federal de Santa Catarina (UFSC)
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