From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects

Detalhes bibliográficos
Autor(a) principal: Gasparetto, Débora
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/83674
Resumo: The text addresses a curatorship held at the UFSM Botanical Garden in a pre-pandemic period triggered by Corona VIrus Disease, a non-human actant, as well as interactive projects carried out for one occasion, but also presents projects carried out during 2020/2021, in the midst of the pandemic. The objective is to stimulate and expand as exhibition networks of digital art beyond the traditional art system, flirting with activism and with interdisciplinarity. The text intends to use the art and design of interfaces related to current issues, such as institutions, networks and the biosphere. The theoretical foundation is driven by Latour (2012; 2020); Zizek (2020), Morin (2020) and Rifkin (2019). The design methodology used is the 5I`s Method for interactive interface projects (GASPARETTO, 2020). As a result, it presents a reflection on empathy, relationships between humans and non-humans and an urgent need for a biospheric awareness to actually reach political ecology.
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spelling From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projectsDa Bio re(s)[ex]istência ao Covid Planner: curadoria e projetos interativosArte DigitalDesign de InterfacesBiosferaAtivismoDigital ArteInterface DesignBiosphereActivismThe text addresses a curatorship held at the UFSM Botanical Garden in a pre-pandemic period triggered by Corona VIrus Disease, a non-human actant, as well as interactive projects carried out for one occasion, but also presents projects carried out during 2020/2021, in the midst of the pandemic. The objective is to stimulate and expand as exhibition networks of digital art beyond the traditional art system, flirting with activism and with interdisciplinarity. The text intends to use the art and design of interfaces related to current issues, such as institutions, networks and the biosphere. The theoretical foundation is driven by Latour (2012; 2020); Zizek (2020), Morin (2020) and Rifkin (2019). The design methodology used is the 5I`s Method for interactive interface projects (GASPARETTO, 2020). As a result, it presents a reflection on empathy, relationships between humans and non-humans and an urgent need for a biospheric awareness to actually reach political ecology.O texto aborda uma curadoria realizada junto ao Jardim botânico da UFSM em um período pré-pandemia deflagrada pelo COrona VIrus Disease, um actante não-humano, bem como os projetos interativos realizados para a ocasião, mas também apresenta projetos realizado durante 2020/2021, em meio à pandemia. O objetivo é estimular e ampliar as redes expositivas da arte digital para além do tradicional sistema da arte, flertando com o ativismo e com a interdisciplinaridade. O texto tem a intenção de por meio da arte e do design de interfaces tocar em questões sensíveis à atualidade, como as instituições, as redes e a biosfera. A fundamentação teórica é impulsionada por Latour (2012; 2020); Zizek (2020), Morin (2020) e Rifkin (2019). A metodologia projetual utilizada é o Método 5I`s para projetos de interfaces interativas (GASPARETTO, 2020). Como resultado apresenta uma reflexão sobre empatia, relações entre humanos e não-humanos e a urgência de uma consciência biosférica para que se chegue de fato à ecologia política.Center for Research in Computing, Literature, and Linguistics (NuPILL)2022-11-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/8367410.5007/1807-9288.2022.e83674Texto Digital; Vol. 18 No. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27Texto Digital; Vol. 18 No 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27Texto Digital; v. 18 n. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-271807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/83674/51924Copyright (c) 2022 Débora Gasparettohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGasparetto, Débora2022-11-09T18:20:07Zoai:periodicos.ufsc.br:article/83674Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2022-11-09T18:20:07Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
Da Bio re(s)[ex]istência ao Covid Planner: curadoria e projetos interativos
title From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
spellingShingle From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
Gasparetto, Débora
Arte Digital
Design de Interfaces
Biosfera
Ativismo
Digital Arte
Interface Design
Biosphere
Activism
title_short From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
title_full From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
title_fullStr From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
title_full_unstemmed From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
title_sort From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
author Gasparetto, Débora
author_facet Gasparetto, Débora
author_role author
dc.contributor.author.fl_str_mv Gasparetto, Débora
dc.subject.por.fl_str_mv Arte Digital
Design de Interfaces
Biosfera
Ativismo
Digital Arte
Interface Design
Biosphere
Activism
topic Arte Digital
Design de Interfaces
Biosfera
Ativismo
Digital Arte
Interface Design
Biosphere
Activism
description The text addresses a curatorship held at the UFSM Botanical Garden in a pre-pandemic period triggered by Corona VIrus Disease, a non-human actant, as well as interactive projects carried out for one occasion, but also presents projects carried out during 2020/2021, in the midst of the pandemic. The objective is to stimulate and expand as exhibition networks of digital art beyond the traditional art system, flirting with activism and with interdisciplinarity. The text intends to use the art and design of interfaces related to current issues, such as institutions, networks and the biosphere. The theoretical foundation is driven by Latour (2012; 2020); Zizek (2020), Morin (2020) and Rifkin (2019). The design methodology used is the 5I`s Method for interactive interface projects (GASPARETTO, 2020). As a result, it presents a reflection on empathy, relationships between humans and non-humans and an urgent need for a biospheric awareness to actually reach political ecology.
publishDate 2022
dc.date.none.fl_str_mv 2022-11-09
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/83674
10.5007/1807-9288.2022.e83674
url https://periodicos.ufsc.br/index.php/textodigital/article/view/83674
identifier_str_mv 10.5007/1807-9288.2022.e83674
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/83674/51924
dc.rights.driver.fl_str_mv Copyright (c) 2022 Débora Gasparetto
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Débora Gasparetto
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 18 No. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27
Texto Digital; Vol. 18 No 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27
Texto Digital; v. 18 n. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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