From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/83674 |
Resumo: | The text addresses a curatorship held at the UFSM Botanical Garden in a pre-pandemic period triggered by Corona VIrus Disease, a non-human actant, as well as interactive projects carried out for one occasion, but also presents projects carried out during 2020/2021, in the midst of the pandemic. The objective is to stimulate and expand as exhibition networks of digital art beyond the traditional art system, flirting with activism and with interdisciplinarity. The text intends to use the art and design of interfaces related to current issues, such as institutions, networks and the biosphere. The theoretical foundation is driven by Latour (2012; 2020); Zizek (2020), Morin (2020) and Rifkin (2019). The design methodology used is the 5I`s Method for interactive interface projects (GASPARETTO, 2020). As a result, it presents a reflection on empathy, relationships between humans and non-humans and an urgent need for a biospheric awareness to actually reach political ecology. |
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From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projectsDa Bio re(s)[ex]istência ao Covid Planner: curadoria e projetos interativosArte DigitalDesign de InterfacesBiosferaAtivismoDigital ArteInterface DesignBiosphereActivismThe text addresses a curatorship held at the UFSM Botanical Garden in a pre-pandemic period triggered by Corona VIrus Disease, a non-human actant, as well as interactive projects carried out for one occasion, but also presents projects carried out during 2020/2021, in the midst of the pandemic. The objective is to stimulate and expand as exhibition networks of digital art beyond the traditional art system, flirting with activism and with interdisciplinarity. The text intends to use the art and design of interfaces related to current issues, such as institutions, networks and the biosphere. The theoretical foundation is driven by Latour (2012; 2020); Zizek (2020), Morin (2020) and Rifkin (2019). The design methodology used is the 5I`s Method for interactive interface projects (GASPARETTO, 2020). As a result, it presents a reflection on empathy, relationships between humans and non-humans and an urgent need for a biospheric awareness to actually reach political ecology.O texto aborda uma curadoria realizada junto ao Jardim botânico da UFSM em um período pré-pandemia deflagrada pelo COrona VIrus Disease, um actante não-humano, bem como os projetos interativos realizados para a ocasião, mas também apresenta projetos realizado durante 2020/2021, em meio à pandemia. O objetivo é estimular e ampliar as redes expositivas da arte digital para além do tradicional sistema da arte, flertando com o ativismo e com a interdisciplinaridade. O texto tem a intenção de por meio da arte e do design de interfaces tocar em questões sensíveis à atualidade, como as instituições, as redes e a biosfera. A fundamentação teórica é impulsionada por Latour (2012; 2020); Zizek (2020), Morin (2020) e Rifkin (2019). A metodologia projetual utilizada é o Método 5I`s para projetos de interfaces interativas (GASPARETTO, 2020). Como resultado apresenta uma reflexão sobre empatia, relações entre humanos e não-humanos e a urgência de uma consciência biosférica para que se chegue de fato à ecologia política.Center for Research in Computing, Literature, and Linguistics (NuPILL)2022-11-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/8367410.5007/1807-9288.2022.e83674Texto Digital; Vol. 18 No. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27Texto Digital; Vol. 18 No 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27Texto Digital; v. 18 n. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-271807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/83674/51924Copyright (c) 2022 Débora Gasparettohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGasparetto, Débora2022-11-09T18:20:07Zoai:periodicos.ufsc.br:article/83674Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2022-11-09T18:20:07Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects Da Bio re(s)[ex]istência ao Covid Planner: curadoria e projetos interativos |
title |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects |
spellingShingle |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects Gasparetto, Débora Arte Digital Design de Interfaces Biosfera Ativismo Digital Arte Interface Design Biosphere Activism |
title_short |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects |
title_full |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects |
title_fullStr |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects |
title_full_unstemmed |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects |
title_sort |
From Bio re(s)[ex]istência to Covid Planner: curatorship and in-teractive projects |
author |
Gasparetto, Débora |
author_facet |
Gasparetto, Débora |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gasparetto, Débora |
dc.subject.por.fl_str_mv |
Arte Digital Design de Interfaces Biosfera Ativismo Digital Arte Interface Design Biosphere Activism |
topic |
Arte Digital Design de Interfaces Biosfera Ativismo Digital Arte Interface Design Biosphere Activism |
description |
The text addresses a curatorship held at the UFSM Botanical Garden in a pre-pandemic period triggered by Corona VIrus Disease, a non-human actant, as well as interactive projects carried out for one occasion, but also presents projects carried out during 2020/2021, in the midst of the pandemic. The objective is to stimulate and expand as exhibition networks of digital art beyond the traditional art system, flirting with activism and with interdisciplinarity. The text intends to use the art and design of interfaces related to current issues, such as institutions, networks and the biosphere. The theoretical foundation is driven by Latour (2012; 2020); Zizek (2020), Morin (2020) and Rifkin (2019). The design methodology used is the 5I`s Method for interactive interface projects (GASPARETTO, 2020). As a result, it presents a reflection on empathy, relationships between humans and non-humans and an urgent need for a biospheric awareness to actually reach political ecology. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-11-09 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/83674 10.5007/1807-9288.2022.e83674 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/83674 |
identifier_str_mv |
10.5007/1807-9288.2022.e83674 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/83674/51924 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Débora Gasparetto http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Débora Gasparetto http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 18 No. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27 Texto Digital; Vol. 18 No 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27 Texto Digital; v. 18 n. 2 (2022): As artes digitais e seu amplo campo — Parte II; 5-27 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
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1797174794872946688 |