Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media

Detalhes bibliográficos
Autor(a) principal: Lacerda, Gustavo Haiden
Data de Publicação: 2022
Outros Autores: Di Raimo, Luciana Cristina Ferreira Dias
Tipo de documento: Artigo
Idioma: por
Título da fonte: Texto digital
Texto Completo: https://periodicos.ufsc.br/index.php/textodigital/article/view/83195
Resumo: In this paper, we aim at stablishing a link between the operation of ideology and the functioning of the imaginary in the signification of reactions on social media. To do so, grounded on Pêcheux’s Discourse Analysis (AD), we render a theoretical summary on the concept of identification, at first from Lacan’s work (1996), and then re-reading those definitions through the lenses of AD, based on Pêcheux’s studies (1990; 1995) as well as Orlandi’s (1999; 2005), introducing the subjective modalities presented by Pêcheux (1995 [1975]): identification, counter-identification and disidentification. Besides that, we weave some words regarding the notion of overidentification as suggested by Zizek (2010; 2017). The aim is to recapture these theoretical discussions in order to analyze the reaction-effects as forms of (counter/dis/over)identification of subjects to the discourses they are exposed on digital media, presenting as a specific analytical material a sequence of photograms of a reaction-effect on Facebook, about the Covid-19 pandemic, in 2020.
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spelling Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social mediaProcessos de (super/des/contra-) identificação online e produção de subjetividade no efeito-reação em redes sociaisIn this paper, we aim at stablishing a link between the operation of ideology and the functioning of the imaginary in the signification of reactions on social media. To do so, grounded on Pêcheux’s Discourse Analysis (AD), we render a theoretical summary on the concept of identification, at first from Lacan’s work (1996), and then re-reading those definitions through the lenses of AD, based on Pêcheux’s studies (1990; 1995) as well as Orlandi’s (1999; 2005), introducing the subjective modalities presented by Pêcheux (1995 [1975]): identification, counter-identification and disidentification. Besides that, we weave some words regarding the notion of overidentification as suggested by Zizek (2010; 2017). The aim is to recapture these theoretical discussions in order to analyze the reaction-effects as forms of (counter/dis/over)identification of subjects to the discourses they are exposed on digital media, presenting as a specific analytical material a sequence of photograms of a reaction-effect on Facebook, about the Covid-19 pandemic, in 2020.Neste artigo, buscamos estabelecer um vínculo entre o trabalho da ideologia com o funcionamento do imaginário na maneira como estão significando as reações nas redes sociais. Para isso, filiados à Análise de Discurso pecheuxtiana (AD), dedicamo-nos a um apanhado teórico do conceito de identificação, partindo primeiramente dos trabalhos de Lacan (1996), e relendo essas definições com as lentes da AD, com base nos estudos de Pêcheux (1990; 1995) e Orlandi (1999; 2005), introduzindo as modalidades subjetivas apresentadas por Pêcheux (1995 [1975]): identificação, contra-identificação e desidentificação. Junto a isso, tecemos algumas palavras a respeito da noção de superidentificação sugerida por Zizek (2010; 2017). O objetivo é recuperar essas discussões teóricas com vistas a analisar os efeitos-reação enquanto modos de (contra/des/super)identificação dos sujeitos aos discursos a que se expõem nas mídias digitais, tendo por material específico de análise uma sequência de fotogramas de um efeito-reação no Facebook, acerca da pandemia de Covid-19, em 2020.Center for Research in Computing, Literature, and Linguistics (NuPILL)2022-05-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/8319510.5007/1807-9288.2022.e83195Texto Digital; Vol. 18 No. 1 (2022): As artes digitais e seu amplo campo; 115-139Texto Digital; Vol. 18 No 1 (2022): As artes digitais e seu amplo campo; 115-139Texto Digital; v. 18 n. 1 (2022): As artes digitais e seu amplo campo; 115-1391807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/83195/48727Copyright (c) 2022 Gustavo Haiden Lacerda, Luciana Cristina Ferreira Dias Di Raimohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessLacerda, Gustavo HaidenDi Raimo, Luciana Cristina Ferreira Dias2022-05-02T17:23:48Zoai:periodicos.ufsc.br:article/83195Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2022-05-02T17:23:48Texto digital - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
Processos de (super/des/contra-) identificação online e produção de subjetividade no efeito-reação em redes sociais
title Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
spellingShingle Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
Lacerda, Gustavo Haiden
title_short Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
title_full Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
title_fullStr Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
title_full_unstemmed Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
title_sort Online (over/dis/counter)identification processes and production of subjectivity in reaction-effects on social media
author Lacerda, Gustavo Haiden
author_facet Lacerda, Gustavo Haiden
Di Raimo, Luciana Cristina Ferreira Dias
author_role author
author2 Di Raimo, Luciana Cristina Ferreira Dias
author2_role author
dc.contributor.author.fl_str_mv Lacerda, Gustavo Haiden
Di Raimo, Luciana Cristina Ferreira Dias
description In this paper, we aim at stablishing a link between the operation of ideology and the functioning of the imaginary in the signification of reactions on social media. To do so, grounded on Pêcheux’s Discourse Analysis (AD), we render a theoretical summary on the concept of identification, at first from Lacan’s work (1996), and then re-reading those definitions through the lenses of AD, based on Pêcheux’s studies (1990; 1995) as well as Orlandi’s (1999; 2005), introducing the subjective modalities presented by Pêcheux (1995 [1975]): identification, counter-identification and disidentification. Besides that, we weave some words regarding the notion of overidentification as suggested by Zizek (2010; 2017). The aim is to recapture these theoretical discussions in order to analyze the reaction-effects as forms of (counter/dis/over)identification of subjects to the discourses they are exposed on digital media, presenting as a specific analytical material a sequence of photograms of a reaction-effect on Facebook, about the Covid-19 pandemic, in 2020.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/83195
10.5007/1807-9288.2022.e83195
url https://periodicos.ufsc.br/index.php/textodigital/article/view/83195
identifier_str_mv 10.5007/1807-9288.2022.e83195
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/textodigital/article/view/83195/48727
dc.rights.driver.fl_str_mv Copyright (c) 2022 Gustavo Haiden Lacerda, Luciana Cristina Ferreira Dias Di Raimo
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Gustavo Haiden Lacerda, Luciana Cristina Ferreira Dias Di Raimo
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
publisher.none.fl_str_mv Center for Research in Computing, Literature, and Linguistics (NuPILL)
dc.source.none.fl_str_mv Texto Digital; Vol. 18 No. 1 (2022): As artes digitais e seu amplo campo; 115-139
Texto Digital; Vol. 18 No 1 (2022): As artes digitais e seu amplo campo; 115-139
Texto Digital; v. 18 n. 1 (2022): As artes digitais e seu amplo campo; 115-139
1807-9288
reponame:Texto digital
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Texto digital
collection Texto digital
repository.name.fl_str_mv Texto digital - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv textodigital@cce.ufsc.br
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