Imagined Constructions: the aesthetics of digital intervention
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Publication Date: | 2020 |
Format: | Article |
Language: | por |
Source: | Texto digital |
Download full: | https://periodicos.ufsc.br/index.php/textodigital/article/view/77431 |
Summary: | This study aims to analyze the impact of digital intervention, having as corpus images from three films with creative constructions, of persuasion and seduction, creating virtual illusions: SimOne (Andrew Niccol, 2002), The App (Elisa Fukasa, 2019) and Her (Spike Jonze, 2013). The protagonist of The App is tricked into believing that he is talking to someone who is intriguing; Her's protagonist, despite accepting virtuality, must admit the end of his digital experience. In SimOne, the invention of the actress's image persuades viewers, but for a limited time. I present, as relevant, Peter Weibel's (2005) concepts of “post-media computer possibilities”, which Lev Manovich (2001) calls “post-media aesthetics”, but I suggest another possibility, when applying the concept of “aesthetics of hypervention” , “hyper” based on Baudrillard's hyperreality and “vention” as a digital invention / intervention. The methodology adopted for the analysis is based on Hans-Georg Gadamer´s dialectics. |
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Imagined Constructions: the aesthetics of digital interventionConstruções Imaginadas: a estética da intervenção digitalThis study aims to analyze the impact of digital intervention, having as corpus images from three films with creative constructions, of persuasion and seduction, creating virtual illusions: SimOne (Andrew Niccol, 2002), The App (Elisa Fukasa, 2019) and Her (Spike Jonze, 2013). The protagonist of The App is tricked into believing that he is talking to someone who is intriguing; Her's protagonist, despite accepting virtuality, must admit the end of his digital experience. In SimOne, the invention of the actress's image persuades viewers, but for a limited time. I present, as relevant, Peter Weibel's (2005) concepts of “post-media computer possibilities”, which Lev Manovich (2001) calls “post-media aesthetics”, but I suggest another possibility, when applying the concept of “aesthetics of hypervention” , “hyper” based on Baudrillard's hyperreality and “vention” as a digital invention / intervention. The methodology adopted for the analysis is based on Hans-Georg Gadamer´s dialectics. Este estudo tem como objetivo analisar o impacto da intervenção digital, tendo como corpus imagens de três filmes com construções criativas, de persuasão e sedução, criando ilusões virtuais: SimOne (Andrew Niccol, 2002),The App (Elisa Fukasa, 2019) e Her (Spike Jonze, 2013). O protagonista de The App é induzido a acreditar que está falando com alguém intrigante; o de Her, apesar de aceitar a virtualidade, deve admitir o fim de sua experiência digital. Em SimOne, a invenção da imagem da atriz convence espectadores, mas por tempo limitado. Apresento como relevantes os conceitos de Peter Weibel (2005) de “post-media computer possibilities”, que Lev Manovich (2001) denomina de “post-media aesthetics”, mas sugiro outra possibilidade, ao aplicar o conceito de “estética da hipervenção”, “hiper” embasado na hiper-realidade de Baudrillard e “venção” como invenção/intervenção digital. A metodologia de base adotada para a análise é a dialética de Hans-Georg Gadamer.Palavras-chave:Estética da Hipervenção. Hiper-realidade. Imagens Virtuais. Pós-mídia. Tecnologias Digitais Center for Research in Computing, Literature, and Linguistics (NuPILL)2020-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7743110.5007/1807-9288.2020v16n2p157Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 157-170Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 157-170Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 157-1701807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/77431/45066Copyright (c) 2020 Denize Correa Araujohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessAraujo, Denize Correa2020-12-22T21:32:02Zoai:periodicos.ufsc.br:article/77431Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2020-12-22T21:32:02Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Imagined Constructions: the aesthetics of digital intervention Construções Imaginadas: a estética da intervenção digital |
title |
Imagined Constructions: the aesthetics of digital intervention |
spellingShingle |
Imagined Constructions: the aesthetics of digital intervention Araujo, Denize Correa |
title_short |
Imagined Constructions: the aesthetics of digital intervention |
title_full |
Imagined Constructions: the aesthetics of digital intervention |
title_fullStr |
Imagined Constructions: the aesthetics of digital intervention |
title_full_unstemmed |
Imagined Constructions: the aesthetics of digital intervention |
title_sort |
Imagined Constructions: the aesthetics of digital intervention |
author |
Araujo, Denize Correa |
author_facet |
Araujo, Denize Correa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Araujo, Denize Correa |
description |
This study aims to analyze the impact of digital intervention, having as corpus images from three films with creative constructions, of persuasion and seduction, creating virtual illusions: SimOne (Andrew Niccol, 2002), The App (Elisa Fukasa, 2019) and Her (Spike Jonze, 2013). The protagonist of The App is tricked into believing that he is talking to someone who is intriguing; Her's protagonist, despite accepting virtuality, must admit the end of his digital experience. In SimOne, the invention of the actress's image persuades viewers, but for a limited time. I present, as relevant, Peter Weibel's (2005) concepts of “post-media computer possibilities”, which Lev Manovich (2001) calls “post-media aesthetics”, but I suggest another possibility, when applying the concept of “aesthetics of hypervention” , “hyper” based on Baudrillard's hyperreality and “vention” as a digital invention / intervention. The methodology adopted for the analysis is based on Hans-Georg Gadamer´s dialectics. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77431 10.5007/1807-9288.2020v16n2p157 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77431 |
identifier_str_mv |
10.5007/1807-9288.2020v16n2p157 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77431/45066 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Denize Correa Araujo http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Denize Correa Araujo http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 157-170 Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 157-170 Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 157-170 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
_version_ |
1797174793016967168 |