The maleability of digital images and the trackable visuality
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Data de Publicação: | 2020 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Texto digital |
Texto Completo: | https://periodicos.ufsc.br/index.php/textodigital/article/view/77360 |
Resumo: | The informational core of images, together with global connectivity, introduce a new set of practices that, in addition to formal and discursive derivations, produce a network effect. These possibilities of transcoding, aggregation and flow, are embedded in several domains of society, including visual studies’ methodologies. Driven by concepts and examples, which combine art, science and technology, the article addresses how digital mediation, based on computer systems and artificial intelligence applied as techniques for cognitive and aesthetic amplification, consolidate the contemporary visuality regime, as a product of the synergy between the human and artificial vision. This study is part of the doctoral research in multimedia art, towards the development of a participatory model of visualization of collective memories. |
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The maleability of digital images and the trackable visualityA maleabilidade das imagens digitais e a visualidade rastreávelThe informational core of images, together with global connectivity, introduce a new set of practices that, in addition to formal and discursive derivations, produce a network effect. These possibilities of transcoding, aggregation and flow, are embedded in several domains of society, including visual studies’ methodologies. Driven by concepts and examples, which combine art, science and technology, the article addresses how digital mediation, based on computer systems and artificial intelligence applied as techniques for cognitive and aesthetic amplification, consolidate the contemporary visuality regime, as a product of the synergy between the human and artificial vision. This study is part of the doctoral research in multimedia art, towards the development of a participatory model of visualization of collective memories.O substrato informacional das imagens digitais, a par da conectividade global, introduz novas dinâmicas que, além de derivações formais e discursivas, evocam um efeito de rede. Tais possibilidades de transcodificação, combinação e fluxo, aplicam-se aos diversos domínios da sociedade, incluindo as metodologias de estudo do visual. Com base em conceitos e exemplos, que cruzam arte, ciência e tecnologia, o artigo aborda como a mediação digital, assente em sistemas computacionais e em inteligência artificial utilizados como amplificação, técnica e estética, consolida o regime de visualidade contemporâneo, produto da sinergia entre o olhar humano e a visão artificial. Este estudo insere-se no âmbito da investigação doutoral em arte multimédia, com vista a desenvolver um modelo participativo de visualização de memórias coletivas.Center for Research in Computing, Literature, and Linguistics (NuPILL)2020-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/textodigital/article/view/7736010.5007/1807-9288.2020v16n2p140Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 140-156Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 140-156Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 140-1561807-9288reponame:Texto digitalinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/textodigital/article/view/77360/45065Copyright (c) 2020 Ana Velhinho, Victor dos Reishttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessVelhinho, Anados Reis, Victor2020-12-22T21:32:02Zoai:periodicos.ufsc.br:article/77360Revistahttp://www.periodicos.ufsc.br/index.php/textodigitalPUBhttps://periodicos.ufsc.br/index.php/textodigital/oaitextodigital@cce.ufsc.br1807-92881807-9288opendoar:2020-12-22T21:32:02Texto digital - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
The maleability of digital images and the trackable visuality A maleabilidade das imagens digitais e a visualidade rastreável |
title |
The maleability of digital images and the trackable visuality |
spellingShingle |
The maleability of digital images and the trackable visuality Velhinho, Ana |
title_short |
The maleability of digital images and the trackable visuality |
title_full |
The maleability of digital images and the trackable visuality |
title_fullStr |
The maleability of digital images and the trackable visuality |
title_full_unstemmed |
The maleability of digital images and the trackable visuality |
title_sort |
The maleability of digital images and the trackable visuality |
author |
Velhinho, Ana |
author_facet |
Velhinho, Ana dos Reis, Victor |
author_role |
author |
author2 |
dos Reis, Victor |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Velhinho, Ana dos Reis, Victor |
description |
The informational core of images, together with global connectivity, introduce a new set of practices that, in addition to formal and discursive derivations, produce a network effect. These possibilities of transcoding, aggregation and flow, are embedded in several domains of society, including visual studies’ methodologies. Driven by concepts and examples, which combine art, science and technology, the article addresses how digital mediation, based on computer systems and artificial intelligence applied as techniques for cognitive and aesthetic amplification, consolidate the contemporary visuality regime, as a product of the synergy between the human and artificial vision. This study is part of the doctoral research in multimedia art, towards the development of a participatory model of visualization of collective memories. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77360 10.5007/1807-9288.2020v16n2p140 |
url |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77360 |
identifier_str_mv |
10.5007/1807-9288.2020v16n2p140 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/textodigital/article/view/77360/45065 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Ana Velhinho, Victor dos Reis http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Ana Velhinho, Victor dos Reis http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
publisher.none.fl_str_mv |
Center for Research in Computing, Literature, and Linguistics (NuPILL) |
dc.source.none.fl_str_mv |
Texto Digital; Vol. 16 No. 2 (2020): Imagens e imaginários na era digital/virtual; 140-156 Texto Digital; Vol. 16 No 2 (2020): Imagens e imaginários na era digital/virtual; 140-156 Texto Digital; v. 16 n. 2 (2020): Imagens e imaginários na era digital/virtual; 140-156 1807-9288 reponame:Texto digital instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Texto digital |
collection |
Texto digital |
repository.name.fl_str_mv |
Texto digital - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
textodigital@cce.ufsc.br |
_version_ |
1797174793006481408 |