Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children
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Data de Publicação: | 2018 |
Outros Autores: | , , |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Motrivivência (Florianópolis) |
Texto Completo: | https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n56p155 |
Resumo: | This article focuses on the video animation “This is how to be a child”, of Bita’s World, available on the social network Youtube™. The main objective of the study is the analysis, based on this animation, of the role of make-believe type of games on children creations. Creativity, playful activities use and cultural production are some of the traces presented by child chacaracters in the referred video and leads teachers to rethink their pedagogical practices in order to value children´s protagonism in their classes. The analysis´s process uses the semiotic method proposed by Charles Sanders Peirce and, according to Children´s Sociology and Everyday´s Syudies theories, to interpret the signs and reveal the occult meanings proposed by the authors of this audiovisual material. |
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Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of childrenAnálisis semiótica del vídeo “asi es ser niño”: el papel del juego “haz de cuenta” en el protagonismo y autoria de los niñosAnálise semiótica do vídeo “assim é ser criança”: o papel do jogo de faz-de-conta no protagonismo e autoria das criançasThis article focuses on the video animation “This is how to be a child”, of Bita’s World, available on the social network Youtube™. The main objective of the study is the analysis, based on this animation, of the role of make-believe type of games on children creations. Creativity, playful activities use and cultural production are some of the traces presented by child chacaracters in the referred video and leads teachers to rethink their pedagogical practices in order to value children´s protagonism in their classes. The analysis´s process uses the semiotic method proposed by Charles Sanders Peirce and, according to Children´s Sociology and Everyday´s Syudies theories, to interpret the signs and reveal the occult meanings proposed by the authors of this audiovisual material.El artículo se centra en el vídeo de animación "Así es ser niño", del Mundo Bita, cuyas exhibiciones suceden en la red social Youtube. El objetivo del estudio es analizar, a partir de esa animación, el papel del juego “haz de cuenta” en las creaciones infantiles. La creatividad, la ludicidad y la producción cultural son algunos rasgos exhibidos por los personajes infantiles en el vídeo en cuestión en este artículo y sirven como reflexión para que los profesores repensen sus prácticas pedagógicas con el fin de valorar el protagonismo de los niños en sus clases. En el proceso de análisis, se utiliza el método semiótico propuesto por Charles Sanders Peirce, en diálogo con la Sociología de la Infancia y con los Estudios del Cotidiano, para la interpretación de los signos y la desocultación de los sentidos propuestos por los creadores de ese material audiovisual.O artigo focaliza o vídeo de animação “Assim é ser criança”, do Mundo Bita, cujas exibições acontecem na rede social Youtube. O objetivo do estudo é analisar, a partir dessa animação, o papel do jogo de faz-de-conta nas criações infantis. Criatividade, ludicidade e produção cultural são alguns traços exibidos pelos personagens infantis no vídeo em questão nesse artigo e servem como reflexão para que professores repensem suas práticas pedagógicas no intuito de valorizar o protagonismo das crianças em suas aulas. No processo de análise, utiliza-se o método semiótico proposto por Charles Sanders Peirce, em diálogo com a Sociologia da Infância e com os Estudos do Cotidiano, para interpretação dos signos e na desocultação dos sentidos propostos pelos criadores desse material audiovisual.Universidade Federal de Santa Catarina2018-11-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n56p15510.5007/2175-8042.2018v30n56p155Motrivivência; v. 30 n. 56 (2018); 155-1722175-80420103-4111reponame:Motrivivência (Florianópolis)instname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n56p155/37989Copyright (c) 2018 Motrivivênciainfo:eu-repo/semantics/openAccessMazzei, Victor ReisMartins, Rodrigo Lema del RioBarbosa, Raquel Firmino MagalhãesMello, André da Silva2018-11-29T12:37:53Zoai:periodicos.ufsc.br:article/53882Revistahttp://www.periodicos.ufsc.br/index.php/motrivivenciaPUBhttps://periodicos.ufsc.br/index.php/motrivivencia/oai||giovani.pires@ufsc.br2175-80420103-4111opendoar:2018-11-29T12:37:53Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children Análisis semiótica del vídeo “asi es ser niño”: el papel del juego “haz de cuenta” en el protagonismo y autoria de los niños Análise semiótica do vídeo “assim é ser criança”: o papel do jogo de faz-de-conta no protagonismo e autoria das crianças |
title |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children |
spellingShingle |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children Mazzei, Victor Reis |
title_short |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children |
title_full |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children |
title_fullStr |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children |
title_full_unstemmed |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children |
title_sort |
Semiotic analysis of “this is how to be a child” video animation: make-believe game´s role on the protagonism and authorship of children |
author |
Mazzei, Victor Reis |
author_facet |
Mazzei, Victor Reis Martins, Rodrigo Lema del Rio Barbosa, Raquel Firmino Magalhães Mello, André da Silva |
author_role |
author |
author2 |
Martins, Rodrigo Lema del Rio Barbosa, Raquel Firmino Magalhães Mello, André da Silva |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Mazzei, Victor Reis Martins, Rodrigo Lema del Rio Barbosa, Raquel Firmino Magalhães Mello, André da Silva |
description |
This article focuses on the video animation “This is how to be a child”, of Bita’s World, available on the social network Youtube™. The main objective of the study is the analysis, based on this animation, of the role of make-believe type of games on children creations. Creativity, playful activities use and cultural production are some of the traces presented by child chacaracters in the referred video and leads teachers to rethink their pedagogical practices in order to value children´s protagonism in their classes. The analysis´s process uses the semiotic method proposed by Charles Sanders Peirce and, according to Children´s Sociology and Everyday´s Syudies theories, to interpret the signs and reveal the occult meanings proposed by the authors of this audiovisual material. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-11-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n56p155 10.5007/2175-8042.2018v30n56p155 |
url |
https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n56p155 |
identifier_str_mv |
10.5007/2175-8042.2018v30n56p155 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2175-8042.2018v30n56p155/37989 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Motrivivência info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Motrivivência |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
publisher.none.fl_str_mv |
Universidade Federal de Santa Catarina |
dc.source.none.fl_str_mv |
Motrivivência; v. 30 n. 56 (2018); 155-172 2175-8042 0103-4111 reponame:Motrivivência (Florianópolis) instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Motrivivência (Florianópolis) |
collection |
Motrivivência (Florianópolis) |
repository.name.fl_str_mv |
Motrivivência (Florianópolis) - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
||giovani.pires@ufsc.br |
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1789434862962212864 |