Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p85 |
Resumo: | The success of Brian Friel's drama on stage in the English-speaking world is beyond dispute. Many plays of his plays have also been widely translated leading to numerous productions worldwide. My concern in this article is with French-language productions. The focus in this article will be, first, on the association between Brian Friel and the late great French actor and director Laurent Terzieff, who introduced French theatre professionals and audiences to Friel; and secondly on Dancing at Lughnasa, the play that has been most often performed on French stages, with specific reference to productions twenty years apart by two women directors, Irina Brook (1999) and Gaëlle Bourgeois (2019). |
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Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at LughnasaBrian Friel, Laurent Terzieff e Dançando em Lúnassa no palco francêsThe success of Brian Friel's drama on stage in the English-speaking world is beyond dispute. Many plays of his plays have also been widely translated leading to numerous productions worldwide. My concern in this article is with French-language productions. The focus in this article will be, first, on the association between Brian Friel and the late great French actor and director Laurent Terzieff, who introduced French theatre professionals and audiences to Friel; and secondly on Dancing at Lughnasa, the play that has been most often performed on French stages, with specific reference to productions twenty years apart by two women directors, Irina Brook (1999) and Gaëlle Bourgeois (2019).O sucesso do drama de Brian Friel no palco no mundo de língua inglesa está fora de disputa. Muitas de suas peças também foram amplamente traduzidas, levando a inúmeras produções em todo o mundo. Minha preocupação neste artigo é com produções em francês. O foco do artigo será, primeiro, a associação entre Brian Friel e o falecido grande ator e diretor francês Laurent Terzieff, que apresentou Friel aos profissionais e ao público de teatro franceses; e, em segundo lugar, Dançando em Lúnassa, a peça que tem sido apresentada com mais frequência nos palcos franceses, com referência específica a produções, separadas por vinte anos, de duas diretoras, Irina Brook (1999) e Gaëlle Bourgeois (2019).UFSC2020-05-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p8510.5007/2175-8026.2020v73n2p85Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 73 No. 2 (2020): The Irish Theatrical Diaspora; 85-97Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 73 n. 2 (2020): The Irish Theatrical Diaspora; 85-972175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCenghttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p85/43355Copyright (c) 2020 Martine Pelletierinfo:eu-repo/semantics/openAccessPelletier, Martine2020-05-25T14:33:32Zoai:periodicos.ufsc.br:article/71884Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2020-05-25T14:33:32Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa Brian Friel, Laurent Terzieff e Dançando em Lúnassa no palco francês |
title |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa |
spellingShingle |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa Pelletier, Martine |
title_short |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa |
title_full |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa |
title_fullStr |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa |
title_full_unstemmed |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa |
title_sort |
Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa |
author |
Pelletier, Martine |
author_facet |
Pelletier, Martine |
author_role |
author |
dc.contributor.author.fl_str_mv |
Pelletier, Martine |
description |
The success of Brian Friel's drama on stage in the English-speaking world is beyond dispute. Many plays of his plays have also been widely translated leading to numerous productions worldwide. My concern in this article is with French-language productions. The focus in this article will be, first, on the association between Brian Friel and the late great French actor and director Laurent Terzieff, who introduced French theatre professionals and audiences to Friel; and secondly on Dancing at Lughnasa, the play that has been most often performed on French stages, with specific reference to productions twenty years apart by two women directors, Irina Brook (1999) and Gaëlle Bourgeois (2019). |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-05-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p85 10.5007/2175-8026.2020v73n2p85 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p85 |
identifier_str_mv |
10.5007/2175-8026.2020v73n2p85 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2020v73n2p85/43355 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Martine Pelletier info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Martine Pelletier |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 73 No. 2 (2020): The Irish Theatrical Diaspora; 85-97 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 73 n. 2 (2020): The Irish Theatrical Diaspora; 85-97 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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