Into the fictional woods of Tristram Shandy: reader and narrator between the lines

Detalhes bibliográficos
Autor(a) principal: Trigo, Aline Candido
Data de Publicação: 2021
Outros Autores: Brito, Luciana
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/74750
Resumo: This work analyzes the figurations of the reader in Tristram Shandy, byLaurence Sterne, based on the ideas of Umberto Eco, Gerard Genette, andMaurice Blanchot, which focus on the relationship between narrator andreader, and the aesthetic effect resulting from formal techniques. In face of a self-conscious narrator-author-character, the play with the limits of reality and imagination are frequent, and it challenges the most diversekinds of readers even in contemporaneity. Reflecting about the act ofreading, the text performs the actions of multiple kinds of readers throughthe narrator’s discourse. Considered by Virginia Woolf the forerunnerof the modern novel, Sterne’s work causes discrepancy regarding theinterpretation of its form as it will be discussed here, by the point of beingsometimes better comprehended by shandean writers that took the novelas a reference, re-signifying the mimesis and the literary form.
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spelling Into the fictional woods of Tristram Shandy: reader and narrator between the linesNo bosque ficcional de Tristram Shandy: leitor e narrador nas entrelinhasThis work analyzes the figurations of the reader in Tristram Shandy, byLaurence Sterne, based on the ideas of Umberto Eco, Gerard Genette, andMaurice Blanchot, which focus on the relationship between narrator andreader, and the aesthetic effect resulting from formal techniques. In face of a self-conscious narrator-author-character, the play with the limits of reality and imagination are frequent, and it challenges the most diversekinds of readers even in contemporaneity. Reflecting about the act ofreading, the text performs the actions of multiple kinds of readers throughthe narrator’s discourse. Considered by Virginia Woolf the forerunnerof the modern novel, Sterne’s work causes discrepancy regarding theinterpretation of its form as it will be discussed here, by the point of beingsometimes better comprehended by shandean writers that took the novelas a reference, re-signifying the mimesis and the literary form.Este trabalho analisa as figurações do leitor em Tristram Shandy, de Laurence Sterne a partir das ideias de Umberto Eco, Gerard Genette e Maurice Blanchot, com foco na relação entre narrador e leitor e o efeito estético decorrente das técnicas formais. Frente a um narrador-autor-personagem autoconsciente, os jogos com os limites do real e do imaginário são recorrentes, e desafiam aos mais variados tipos de leitores ainda na contemporaneidade. Tais experimentalismos refletem as ações do leitor, que se vê constantemente instigado e desafiado. Considerada por Virginia Woolf a precursora do romance moderno, a obra recebe pontos de vista distintos no que tange à interpretação de sua forma, conforme será discutido aqui, ao ponto de ser, por vezes, melhor compreendida pelos escritores shandianos que lhe seguiram e ainda seguem o influxo de ressignificação da mimesis e da forma literária.   UFSC2021-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7475010.5007/2175-8026.2021.e74750Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): LiteratureIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/74750/45276Copyright (c) 2020 Aline Candido Trigo, Luciana Britohttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessTrigo, Aline CandidoBrito, Luciana2021-01-28T02:23:10Zoai:periodicos.ufsc.br:article/74750Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-01-28T02:23:10Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Into the fictional woods of Tristram Shandy: reader and narrator between the lines
No bosque ficcional de Tristram Shandy: leitor e narrador nas entrelinhas
title Into the fictional woods of Tristram Shandy: reader and narrator between the lines
spellingShingle Into the fictional woods of Tristram Shandy: reader and narrator between the lines
Trigo, Aline Candido
title_short Into the fictional woods of Tristram Shandy: reader and narrator between the lines
title_full Into the fictional woods of Tristram Shandy: reader and narrator between the lines
title_fullStr Into the fictional woods of Tristram Shandy: reader and narrator between the lines
title_full_unstemmed Into the fictional woods of Tristram Shandy: reader and narrator between the lines
title_sort Into the fictional woods of Tristram Shandy: reader and narrator between the lines
author Trigo, Aline Candido
author_facet Trigo, Aline Candido
Brito, Luciana
author_role author
author2 Brito, Luciana
author2_role author
dc.contributor.author.fl_str_mv Trigo, Aline Candido
Brito, Luciana
description This work analyzes the figurations of the reader in Tristram Shandy, byLaurence Sterne, based on the ideas of Umberto Eco, Gerard Genette, andMaurice Blanchot, which focus on the relationship between narrator andreader, and the aesthetic effect resulting from formal techniques. In face of a self-conscious narrator-author-character, the play with the limits of reality and imagination are frequent, and it challenges the most diversekinds of readers even in contemporaneity. Reflecting about the act ofreading, the text performs the actions of multiple kinds of readers throughthe narrator’s discourse. Considered by Virginia Woolf the forerunnerof the modern novel, Sterne’s work causes discrepancy regarding theinterpretation of its form as it will be discussed here, by the point of beingsometimes better comprehended by shandean writers that took the novelas a reference, re-signifying the mimesis and the literary form.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/74750
10.5007/2175-8026.2021.e74750
url https://periodicos.ufsc.br/index.php/desterro/article/view/74750
identifier_str_mv 10.5007/2175-8026.2021.e74750
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/74750/45276
dc.rights.driver.fl_str_mv Copyright (c) 2020 Aline Candido Trigo, Luciana Brito
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Aline Candido Trigo, Luciana Brito
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): Literature
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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