"A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”

Detalhes bibliográficos
Autor(a) principal: de Carvalho Mesquita, Ana Carolina
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/79128
Resumo: This article examines the deadlocks foregrounded in recreating and reconstituting memory in Virginia Woolf’s “A Sketch of the Past” from the body’s perspective. “Body” is seen here as a category to reflect upon the meanings of women’s marginality and resistance. Of particular interest are the hiatuses of memory in “Sketch,” for recovering her own body and establishing a voice from within it constituted a conflicting and contradictory process, to which Virginia Woolf responded with unique narrative strategies. General and private perspectives merge, not only because of the troubles of not being personal when writing one’s own life but because Woolf claims that leaving out “the person to whom things happen” is undesirable. Even though she may meet silence when including herself personally in her writings, silence is embraced as a constituent. I suggest that much in the same way Woolf juxtaposes temporalities and subjectivities in "Sketch," personality, impersonality, and their absence (or connectedness, which is another way of seeing it) are also juxtaposed in a kind of palimpsest that does not overlook corporeality but acknowledges it as essential.
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spelling "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”"Um peixe numa correnteza": corpo e memória em Um esboço do passado, de Virginia WoolfThis article examines the deadlocks foregrounded in recreating and reconstituting memory in Virginia Woolf’s “A Sketch of the Past” from the body’s perspective. “Body” is seen here as a category to reflect upon the meanings of women’s marginality and resistance. Of particular interest are the hiatuses of memory in “Sketch,” for recovering her own body and establishing a voice from within it constituted a conflicting and contradictory process, to which Virginia Woolf responded with unique narrative strategies. General and private perspectives merge, not only because of the troubles of not being personal when writing one’s own life but because Woolf claims that leaving out “the person to whom things happen” is undesirable. Even though she may meet silence when including herself personally in her writings, silence is embraced as a constituent. I suggest that much in the same way Woolf juxtaposes temporalities and subjectivities in "Sketch," personality, impersonality, and their absence (or connectedness, which is another way of seeing it) are also juxtaposed in a kind of palimpsest that does not overlook corporeality but acknowledges it as essential.Este artigo pretende examinar os impasses trazidos à tona no processo de recriação e reconstituição da memória em Um esboço do passado, de Virginia Woolf, a partir do que é suscitado pelo corpo. “Corpo” é visto, aqui, como categoria para se pensar os sentidos de marginalidade e de resistência feminina. De especial interesse foram as apropriações dos hiatos das memórias em Um esboço do passado, uma vez que recuperar o próprio corpo e de dentro dele estabelecer uma voz constituiu, para a autora, um processo repleto de adversidades e contradições, ao qual Virginia Woolf respondeu artisticamente com estratégias narrativas singulares. Universal e particular misturam-se não apenas devido à dificuldade de não ser pessoal quando se fala sobre si mesmo, mas porque Woolf sugere que excluir a pessoa sobre quem se narra é indesejável. Ainda que por vezes ao incluir-se pessoalmente em seus textos ela só encontre o próprio silêncio, este é reconhecido como uma parte constitutiva deles. Tal como as superposições temporais da memória ou do tempo em “Esboço”, pessoalidade, impessoalidade e a ausência de ambas (ou sua interconexão, o que dá no mesmo) se justapõem em uma espécie de palimpsesto, que não desmerece a corporeidade, mas ao contrário, a reconhece como essencial.UFSC2021-06-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7912810.5007/2175-8026.2021.e79128Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 2 (2021): Life WritingIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 2 (2021): Escritas de Vida2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/79128/46607Copyright (c) 2021 Ana Carolina de Carvalho Mesquitahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessde Carvalho Mesquita, Ana Carolina2021-06-09T17:52:26Zoai:periodicos.ufsc.br:article/79128Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-06-09T17:52:26Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
"Um peixe numa correnteza": corpo e memória em Um esboço do passado, de Virginia Woolf
title "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
spellingShingle "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
de Carvalho Mesquita, Ana Carolina
title_short "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
title_full "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
title_fullStr "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
title_full_unstemmed "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
title_sort "A Fish in a Stream": on body and memory in Virginia Woolf’s “A Sketch of the Past”
author de Carvalho Mesquita, Ana Carolina
author_facet de Carvalho Mesquita, Ana Carolina
author_role author
dc.contributor.author.fl_str_mv de Carvalho Mesquita, Ana Carolina
description This article examines the deadlocks foregrounded in recreating and reconstituting memory in Virginia Woolf’s “A Sketch of the Past” from the body’s perspective. “Body” is seen here as a category to reflect upon the meanings of women’s marginality and resistance. Of particular interest are the hiatuses of memory in “Sketch,” for recovering her own body and establishing a voice from within it constituted a conflicting and contradictory process, to which Virginia Woolf responded with unique narrative strategies. General and private perspectives merge, not only because of the troubles of not being personal when writing one’s own life but because Woolf claims that leaving out “the person to whom things happen” is undesirable. Even though she may meet silence when including herself personally in her writings, silence is embraced as a constituent. I suggest that much in the same way Woolf juxtaposes temporalities and subjectivities in "Sketch," personality, impersonality, and their absence (or connectedness, which is another way of seeing it) are also juxtaposed in a kind of palimpsest that does not overlook corporeality but acknowledges it as essential.
publishDate 2021
dc.date.none.fl_str_mv 2021-06-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/79128
10.5007/2175-8026.2021.e79128
url https://periodicos.ufsc.br/index.php/desterro/article/view/79128
identifier_str_mv 10.5007/2175-8026.2021.e79128
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/79128/46607
dc.rights.driver.fl_str_mv Copyright (c) 2021 Ana Carolina de Carvalho Mesquita
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Ana Carolina de Carvalho Mesquita
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 2 (2021): Life Writing
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 2 (2021): Escritas de Vida
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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