From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/76105 |
Resumo: | From Jason Mittel´s (2006) concept of narrative complexity in contemporary American television, who declares self-reflexivity as one of the complex elements in television narrative in the centuries XX and XXI, this article aims to point out a discussion on the metafictional and self-conscious features in the anglo-american television series Penny dreadful. For that, we chose to investigate mechanisms of performance and simulation that act through two ficctional spaces in that TV series, the Theatre and the Wax Museum, and other elements which materialize the self-reflexive discourse of that television program along by two seasons. Studies by Jost (2007), (2013), Eco (1989), Schechner (2013), Lee e King (2016), among others, were used as a theoretical and critical framework for this article. |
id |
UFSC-9_9e9165a9e99e5c656f931d565ad701b3 |
---|---|
oai_identifier_str |
oai:periodicos.ufsc.br:article/76105 |
network_acronym_str |
UFSC-9 |
network_name_str |
Ilha do Desterro |
repository_id_str |
|
spelling |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadfulDo teatro ao museu de horrores: estratégias de autorreflexividade no seriado de televisão Penny DreadfulFrom Jason Mittel´s (2006) concept of narrative complexity in contemporary American television, who declares self-reflexivity as one of the complex elements in television narrative in the centuries XX and XXI, this article aims to point out a discussion on the metafictional and self-conscious features in the anglo-american television series Penny dreadful. For that, we chose to investigate mechanisms of performance and simulation that act through two ficctional spaces in that TV series, the Theatre and the Wax Museum, and other elements which materialize the self-reflexive discourse of that television program along by two seasons. Studies by Jost (2007), (2013), Eco (1989), Schechner (2013), Lee e King (2016), among others, were used as a theoretical and critical framework for this article.contemporânea, abordado por Jason Mittell (2012), que elege a autorreflexividade como um dos elementos complexos na narrativa televisual dos séculos XX e XXI, este artigo objetiva discutir os elementos metaficcionais e autoconscientes no seriado de televisão anglo-americano Penny Dreadful. Assim, escolhemos analisar estratégias de performance e simulação que atuam através de dois espaços ficcionais na série, o teatro e o museu de cera, além de outros elementos que materializam o discurso autorreflexivo do programa televisivo ao longo de duas temporadas. Os estudos de Jost (2007, 2012), Eco (1989), Schechner (2013), Lee e King (2016), entre outros, serviram como base teórica e crítica para esta investigação.UFSC2021-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionbibliographical and qualitativeapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7610510.5007/2175-8026.2021.e76105Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): LiteratureIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/76105/45307Copyright (c) 2020 AURICELIO SOARES FERNANDEShttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFernandes, Auricelio Soares2021-01-28T02:23:10Zoai:periodicos.ufsc.br:article/76105Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-01-28T02:23:10Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful Do teatro ao museu de horrores: estratégias de autorreflexividade no seriado de televisão Penny Dreadful |
title |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful |
spellingShingle |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful Fernandes, Auricelio Soares |
title_short |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful |
title_full |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful |
title_fullStr |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful |
title_full_unstemmed |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful |
title_sort |
From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful |
author |
Fernandes, Auricelio Soares |
author_facet |
Fernandes, Auricelio Soares |
author_role |
author |
dc.contributor.author.fl_str_mv |
Fernandes, Auricelio Soares |
description |
From Jason Mittel´s (2006) concept of narrative complexity in contemporary American television, who declares self-reflexivity as one of the complex elements in television narrative in the centuries XX and XXI, this article aims to point out a discussion on the metafictional and self-conscious features in the anglo-american television series Penny dreadful. For that, we chose to investigate mechanisms of performance and simulation that act through two ficctional spaces in that TV series, the Theatre and the Wax Museum, and other elements which materialize the self-reflexive discourse of that television program along by two seasons. Studies by Jost (2007), (2013), Eco (1989), Schechner (2013), Lee e King (2016), among others, were used as a theoretical and critical framework for this article. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-01-28 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion bibliographical and qualitative |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/76105 10.5007/2175-8026.2021.e76105 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/76105 |
identifier_str_mv |
10.5007/2175-8026.2021.e76105 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/76105/45307 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 AURICELIO SOARES FERNANDES http://creativecommons.org/licenses/by/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 AURICELIO SOARES FERNANDES http://creativecommons.org/licenses/by/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): Literature Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
_version_ |
1789434831913877504 |