From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful

Detalhes bibliográficos
Autor(a) principal: Fernandes, Auricelio Soares
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/76105
Resumo: From Jason Mittel´s (2006) concept of narrative complexity in contemporary American television, who declares self-reflexivity as one of the complex elements in television narrative in the centuries XX and XXI, this article aims to point out a discussion on the metafictional and self-conscious features in the anglo-american television series Penny dreadful. For that, we chose to investigate mechanisms of performance and simulation that act through two ficctional spaces in that TV series, the Theatre and the Wax Museum, and other elements which materialize the self-reflexive discourse of that television program along by two seasons. Studies by Jost (2007), (2013), Eco (1989), Schechner (2013), Lee e King (2016), among others, were used as a theoretical and critical framework for this article.
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spelling From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadfulDo teatro ao museu de horrores: estratégias de autorreflexividade no seriado de televisão Penny DreadfulFrom Jason Mittel´s (2006) concept of narrative complexity in contemporary American television, who declares self-reflexivity as one of the complex elements in television narrative in the centuries XX and XXI, this article aims to point out a discussion on the metafictional and self-conscious features in the anglo-american television series Penny dreadful. For that, we chose to investigate mechanisms of performance and simulation that act through two ficctional spaces in that TV series, the Theatre and the Wax Museum, and other elements which materialize the self-reflexive discourse of that television program along by two seasons. Studies by Jost (2007), (2013), Eco (1989), Schechner (2013), Lee e King (2016), among others, were used as a theoretical and critical framework for this article.contemporânea, abordado por Jason Mittell (2012), que elege a autorreflexividade como um dos elementos complexos na narrativa televisual dos séculos XX e XXI, este artigo objetiva discutir os elementos metaficcionais e autoconscientes no seriado de televisão anglo-americano Penny Dreadful. Assim, escolhemos analisar estratégias de performance e simulação que atuam através de dois espaços ficcionais na série, o teatro e o museu de cera, além de outros elementos que materializam o discurso autorreflexivo do programa televisivo ao longo de duas temporadas. Os estudos de Jost (2007, 2012), Eco (1989), Schechner (2013), Lee e King (2016), entre outros, serviram como base teórica e crítica para esta investigação.UFSC2021-01-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionbibliographical and qualitativeapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/7610510.5007/2175-8026.2021.e76105Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): LiteratureIlha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura2175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCporhttps://periodicos.ufsc.br/index.php/desterro/article/view/76105/45307Copyright (c) 2020 AURICELIO SOARES FERNANDEShttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessFernandes, Auricelio Soares2021-01-28T02:23:10Zoai:periodicos.ufsc.br:article/76105Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2021-01-28T02:23:10Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
Do teatro ao museu de horrores: estratégias de autorreflexividade no seriado de televisão Penny Dreadful
title From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
spellingShingle From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
Fernandes, Auricelio Soares
title_short From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
title_full From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
title_fullStr From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
title_full_unstemmed From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
title_sort From the theater to the horror museum: self-reflexivity strategies in the TV series Penny dreadful
author Fernandes, Auricelio Soares
author_facet Fernandes, Auricelio Soares
author_role author
dc.contributor.author.fl_str_mv Fernandes, Auricelio Soares
description From Jason Mittel´s (2006) concept of narrative complexity in contemporary American television, who declares self-reflexivity as one of the complex elements in television narrative in the centuries XX and XXI, this article aims to point out a discussion on the metafictional and self-conscious features in the anglo-american television series Penny dreadful. For that, we chose to investigate mechanisms of performance and simulation that act through two ficctional spaces in that TV series, the Theatre and the Wax Museum, and other elements which materialize the self-reflexive discourse of that television program along by two seasons. Studies by Jost (2007), (2013), Eco (1989), Schechner (2013), Lee e King (2016), among others, were used as a theoretical and critical framework for this article.
publishDate 2021
dc.date.none.fl_str_mv 2021-01-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
bibliographical and qualitative
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/76105
10.5007/2175-8026.2021.e76105
url https://periodicos.ufsc.br/index.php/desterro/article/view/76105
identifier_str_mv 10.5007/2175-8026.2021.e76105
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/76105/45307
dc.rights.driver.fl_str_mv Copyright (c) 2020 AURICELIO SOARES FERNANDES
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 AURICELIO SOARES FERNANDES
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 74 No. 1 (2021): Literature
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 74 n. 1 (2021): Literatura
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
instacron:UFSC
instname_str Universidade Federal de Santa Catarina (UFSC)
instacron_str UFSC
institution UFSC
reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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