Transmedial collaborative productions in Secret Path and Airplane Mode
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Ilha do Desterro |
Texto Completo: | https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189 |
Resumo: | The term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects. |
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Transmedial collaborative productions in Secret Path and Airplane ModeAs produções colaborativas transmidiáticas em Secret Path e Modo AviãoThe term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects.O termo “transmídia” ganhou popularidade na indústria do entretenimento e tem sido amplamente utilizado para designar o uso de várias plataformas de mídia que convergem para contar uma história. Como resultado, a transmídia altera os modos de consumo e produção de produtos culturais contemporâneos. Por um lado, os projetos transmidiáticos atraem consumidores que não são apenas leitores ou jogadores (ou usuários, espectadores, etc.), mas uma combinação deles. Por outro lado, esses projetos muitas vezes exigem “superprodutores” ou “superartistas”, com conhecimentos e habilidades em várias mídias, ou uma colaboração bem-planejada entre produtores ou artistas. Neste texto examinaremos as produções colaborativas nos projetos transmidiáticos do canadense Secret Path (2016) e do brasileiro Modo Avião (2017).UFSC2018-06-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p18910.5007/2175-8026.2018v71n2p189Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 71 No. 2 (2018): Artistic Collaborations; 189-204Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 71 n. 2 (2018): Artistic Collaborations; 189-2042175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCenghttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189/36804Copyright (c) 2018 Camila Augusta Pires de Figueiredoinfo:eu-repo/semantics/openAccessFigueiredo, Camila Augusta Pires de2018-06-07T19:22:51Zoai:periodicos.ufsc.br:article/53850Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2018-06-07T19:22:51Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false |
dc.title.none.fl_str_mv |
Transmedial collaborative productions in Secret Path and Airplane Mode As produções colaborativas transmidiáticas em Secret Path e Modo Avião |
title |
Transmedial collaborative productions in Secret Path and Airplane Mode |
spellingShingle |
Transmedial collaborative productions in Secret Path and Airplane Mode Figueiredo, Camila Augusta Pires de |
title_short |
Transmedial collaborative productions in Secret Path and Airplane Mode |
title_full |
Transmedial collaborative productions in Secret Path and Airplane Mode |
title_fullStr |
Transmedial collaborative productions in Secret Path and Airplane Mode |
title_full_unstemmed |
Transmedial collaborative productions in Secret Path and Airplane Mode |
title_sort |
Transmedial collaborative productions in Secret Path and Airplane Mode |
author |
Figueiredo, Camila Augusta Pires de |
author_facet |
Figueiredo, Camila Augusta Pires de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Figueiredo, Camila Augusta Pires de |
description |
The term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-06-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189 10.5007/2175-8026.2018v71n2p189 |
url |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189 |
identifier_str_mv |
10.5007/2175-8026.2018v71n2p189 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189/36804 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Camila Augusta Pires de Figueiredo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Camila Augusta Pires de Figueiredo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSC |
publisher.none.fl_str_mv |
UFSC |
dc.source.none.fl_str_mv |
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 71 No. 2 (2018): Artistic Collaborations; 189-204 Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 71 n. 2 (2018): Artistic Collaborations; 189-204 2175-8026 0101-4846 reponame:Ilha do Desterro instname:Universidade Federal de Santa Catarina (UFSC) instacron:UFSC |
instname_str |
Universidade Federal de Santa Catarina (UFSC) |
instacron_str |
UFSC |
institution |
UFSC |
reponame_str |
Ilha do Desterro |
collection |
Ilha do Desterro |
repository.name.fl_str_mv |
Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC) |
repository.mail.fl_str_mv |
ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com |
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1789434828992544768 |