Transmedial collaborative productions in Secret Path and Airplane Mode

Detalhes bibliográficos
Autor(a) principal: Figueiredo, Camila Augusta Pires de
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Ilha do Desterro
Texto Completo: https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189
Resumo: The term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects.
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spelling Transmedial collaborative productions in Secret Path and Airplane ModeAs produções colaborativas transmidiáticas em Secret Path e Modo AviãoThe term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects.O termo “transmídia” ganhou popularidade na indústria do entretenimento e tem sido amplamente utilizado para designar o uso de várias plataformas de mídia que convergem para contar uma história. Como resultado, a transmídia altera os modos de consumo e produção de produtos culturais contemporâneos. Por um lado, os projetos transmidiáticos atraem consumidores que não são apenas leitores ou jogadores (ou usuários, espectadores, etc.), mas uma combinação deles. Por outro lado, esses projetos muitas vezes exigem “superprodutores” ou “superartistas”, com conhecimentos e habilidades em várias mídias, ou uma colaboração bem-planejada entre produtores ou artistas. Neste texto examinaremos as produções colaborativas nos projetos transmidiáticos do canadense Secret Path (2016) e do brasileiro Modo Avião (2017).UFSC2018-06-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p18910.5007/2175-8026.2018v71n2p189Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 71 No. 2 (2018): Artistic Collaborations; 189-204Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 71 n. 2 (2018): Artistic Collaborations; 189-2042175-80260101-4846reponame:Ilha do Desterroinstname:Universidade Federal de Santa Catarina (UFSC)instacron:UFSCenghttps://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189/36804Copyright (c) 2018 Camila Augusta Pires de Figueiredoinfo:eu-repo/semantics/openAccessFigueiredo, Camila Augusta Pires de2018-06-07T19:22:51Zoai:periodicos.ufsc.br:article/53850Revistahttp://www.periodicos.ufsc.br/index.php/desterroPUBhttps://periodicos.ufsc.br/index.php/desterro/oaiilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com2175-80260101-4846opendoar:2018-06-07T19:22:51Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)false
dc.title.none.fl_str_mv Transmedial collaborative productions in Secret Path and Airplane Mode
As produções colaborativas transmidiáticas em Secret Path e Modo Avião
title Transmedial collaborative productions in Secret Path and Airplane Mode
spellingShingle Transmedial collaborative productions in Secret Path and Airplane Mode
Figueiredo, Camila Augusta Pires de
title_short Transmedial collaborative productions in Secret Path and Airplane Mode
title_full Transmedial collaborative productions in Secret Path and Airplane Mode
title_fullStr Transmedial collaborative productions in Secret Path and Airplane Mode
title_full_unstemmed Transmedial collaborative productions in Secret Path and Airplane Mode
title_sort Transmedial collaborative productions in Secret Path and Airplane Mode
author Figueiredo, Camila Augusta Pires de
author_facet Figueiredo, Camila Augusta Pires de
author_role author
dc.contributor.author.fl_str_mv Figueiredo, Camila Augusta Pires de
description The term “transmedia” has gained popularity in the entertainment industry and has been widely used to designate the use of several media platforms that converge to tell a story. As a result, transmedia changes the modes of consumption and production of contemporary cultural products. On one hand, transmedial projects attract consumers that are no longer just readers or players (or users, spectators, etc.), but are a combination of them. On the other hand, these projects often require “superproducers” or “superartists”, with knowledge and skills in various media, or a well-planned collaboration between producers or artists. In this text, we will examine the collaborative productions in the Canadian Secret Path (2016) and in the Brazilian Airplane Mode (2017) transmedial projects.
publishDate 2018
dc.date.none.fl_str_mv 2018-06-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189
10.5007/2175-8026.2018v71n2p189
url https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189
identifier_str_mv 10.5007/2175-8026.2018v71n2p189
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2018v71n2p189/36804
dc.rights.driver.fl_str_mv Copyright (c) 2018 Camila Augusta Pires de Figueiredo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Camila Augusta Pires de Figueiredo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSC
publisher.none.fl_str_mv UFSC
dc.source.none.fl_str_mv Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; Vol. 71 No. 2 (2018): Artistic Collaborations; 189-204
Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies; v. 71 n. 2 (2018): Artistic Collaborations; 189-204
2175-8026
0101-4846
reponame:Ilha do Desterro
instname:Universidade Federal de Santa Catarina (UFSC)
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instname_str Universidade Federal de Santa Catarina (UFSC)
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reponame_str Ilha do Desterro
collection Ilha do Desterro
repository.name.fl_str_mv Ilha do Desterro - Universidade Federal de Santa Catarina (UFSC)
repository.mail.fl_str_mv ilha@cce.ufsc.br||corseuil@cce.ufsc.br||ilhadodesterro@gmail.com
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